Ashwini

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Colleen Hoover
“We all have a limit. What we're willing to put up with before we break. When I married your father, I knew exactly what my limit was. But slowly...with every incident...my limit was pushed a little more. And a little more. The first time your father hit me, he was immediately sorry. He swore it would never happen again. The second time he hit me, he was even more sorry. The third time it happened, it was more than a hit. It was a beating. And every single time, I took him back. But the fourth time, it was only a slap. And when that happened, I felt relieved. I remember thinking, 'At least he didn't beat me this time. This wasn't so bad'. . . . every incident chips away at your limit. Every time you choose to stay, it makes the next time that much harder to leave. Eventually, you lose sight of your limit altogether, because you start to think 'I've lasted five years now. What's five more?”
Colleen Hoover, It Ends with Us

Gabrielle Zevin
“The alternative to appropriation is a world in which artists only reference their own cultures."

"That's an oversimplification of the issue."

"The alternative to appropriation is a world where white European people make art about white European people with only white European references in it. Swap African or Asian or Latin or whatever culture you want for European. A world where everyone is blind and deaf to any culture or experience that is not their own. I hate that world don't you? I'm terrified of that world and I don't want to live in a that world, and as a mixed race person, I literally don't exist in it. My dad, who I barely knew, was Jewish. My mom was an American-born Korean. I was raised by Korean immigrant grandparents in Korea Town Los Angeles and as any mixed race person will tell you-- to be half of two things is to be whole of nothing.”
Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

Leigh Bardugo
“The easiest way to steal a man’s wallet is to tell him you’re going to steal his watch. You take his attention and direct it where you want it to go.”
Leigh Bardugo, Six of Crows

Nicola Yoon
“We have big, beautiful brains. We invent things that fly. Fly. We write poetry. You probably hate poetry, but it’s hard to argue with ‘Shall I compare thee to a summer’s day? Thou art more lovely and more temperate’ in terms of sheer beauty. We are capable of big lives. A big history. Why settle? Why choose the practical thing, the mundane thing? We are born to dream and make the things we dream about.”
Nicola Yoon, The Sun is Also a Star

Hanya Yanagihara
“Relationships never provide you with everything. They provide you with some things. You take all the things you want from a person -- sexual chemistry, let's say, or good conversation, or financial support, or intellectual compatibility, or niceness, or loyalty -- and you get to pick three of those things. The rest you have to look for elsewhere. It's only in the movies that you find someone who gives you all those things. But this isn't the movies. In the real world, you have to identify which three qualities you want to spend the rest of your life with, and then you look for those qualities in another person. That's real life. Don't you see it's a trap? If you keep trying to find everything, you'll wind up with nothing.”
Hanya Yanagihara, A Little Life

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