“Cycles exist because they are excruciating to break. It takes an astronomical amount of pain and courage to disrupt a familiar pattern. Sometimes it seems easier to just keep running in the same familiar circles, rather than facing the fear of jumping and possibly not landing on your feet.
My mother went through it.
I went through it.
I'll be damned if I allow my daughter to go through it.
I kiss her on the forehead and make her a promise. "It stops here. With me and you. It ends with us.”
― It Ends with Us
My mother went through it.
I went through it.
I'll be damned if I allow my daughter to go through it.
I kiss her on the forehead and make her a promise. "It stops here. With me and you. It ends with us.”
― It Ends with Us
“Relationships never provide you with everything. They provide you with some things. You take all the things you want from a person -- sexual chemistry, let's say, or good conversation, or financial support, or intellectual compatibility, or niceness, or loyalty -- and you get to pick three of those things. The rest you have to look for elsewhere. It's only in the movies that you find someone who gives you all those things. But this isn't the movies. In the real world, you have to identify which three qualities you want to spend the rest of your life with, and then you look for those qualities in another person. That's real life. Don't you see it's a trap? If you keep trying to find everything, you'll wind up with nothing.”
― A Little Life
― A Little Life
“The alternative to appropriation is a world in which artists only reference their own cultures."
"That's an oversimplification of the issue."
"The alternative to appropriation is a world where white European people make art about white European people with only white European references in it. Swap African or Asian or Latin or whatever culture you want for European. A world where everyone is blind and deaf to any culture or experience that is not their own. I hate that world don't you? I'm terrified of that world and I don't want to live in a that world, and as a mixed race person, I literally don't exist in it. My dad, who I barely knew, was Jewish. My mom was an American-born Korean. I was raised by Korean immigrant grandparents in Korea Town Los Angeles and as any mixed race person will tell you-- to be half of two things is to be whole of nothing.”
― Tomorrow, and Tomorrow, and Tomorrow
"That's an oversimplification of the issue."
"The alternative to appropriation is a world where white European people make art about white European people with only white European references in it. Swap African or Asian or Latin or whatever culture you want for European. A world where everyone is blind and deaf to any culture or experience that is not their own. I hate that world don't you? I'm terrified of that world and I don't want to live in a that world, and as a mixed race person, I literally don't exist in it. My dad, who I barely knew, was Jewish. My mom was an American-born Korean. I was raised by Korean immigrant grandparents in Korea Town Los Angeles and as any mixed race person will tell you-- to be half of two things is to be whole of nothing.”
― Tomorrow, and Tomorrow, and Tomorrow
“She's far happier thinking her sister is normal, even if she has a lot of problems, than she is having an abnormal sister for whom everything is fine.”
― コンビニ人間 [Konbini ningen]
― コンビニ人間 [Konbini ningen]
“Fernweh is rooted in pain, or sickness and sadness,” says Gina. “It’s directly translated as ‘far pain’ or ‘far sickness’ as opposed to ‘heimweh’ or ‘homesickness.’ But it’s also longing for the unknown, since the familiar is stifling or challenging. The foreign can seem fantastic, exalted, since its possibilities are infinite. We have no data or experience around it. But once we arrive and the faraway is known and becomes familiar, then what? You’ve got all that energy and longing and possibility that no longer has anywhere to go. It’s got nowhere to be invested, nowhere to live.”
― Yolk
― Yolk
Ashwini’s 2025 Year in Books
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