Meredith

“Far in the future, Hannah will have a boyfriend named Mike with whom she'll talk about her father. She'll say she isn't sorry about her upbringing before the divorce, that she thinks in a lot of ways it was useful. Being raised in an unstable household makes you understand that the world doesn't exist to accommodate you, which, in Hannah's observation, is something a lot of people struggle to understand well into adulthood. It makes you realize how quickly a situation can shift, how danger really is everywhere. But crises, when they occur, do not catch you off guard; you have never believed you live under the shelter of some essential benevolence. And an unstable childhood makes you appreciate calmness and not crave excitement. To spend a Saturday afternoon mopping your kitchen floor while listening to an opera on the radio, and to go that night to an Indian restaurant with a friend and be home by nine o' clock--these are enough. They are gifts.”
― Curtis Sittenfeld, The Man of My Dreams

“According to the biographical notes, Monsieur Julian Carax was twenty-seven, born with the century in Barcelona, and currently living in Paris; he wrote in French and worked at night as a professional pianist in a hostess bar. The blurb, written in the pompous, moldy style of the age, proclaimed that this was a first work of dazzling courage, the mark of a protean and trailblazing talent, and a sign of hope for the future of all of European letters. In spite of such solemn claims, the synopsis that followed suggested that the story contained some vaguely sinister elements slowly marinated in saucy melodrama, which, to the eyes of Monsieur Roquefort, was always a plus: after the classics what he most enjoyed were tales of crime, boudoir intrigue, and questionable conduct.

One of the pitfalls of childhood is that one doesn't have to understand something to feel it. By the time the mind is able to comprehend what has happened, the wounds of the heart are already too deep.

She laughed nervously. She had around her a burning aura of loneliness. "You remind me a bit of Julian," she said suddenly. "The way you look and your gestures. He used to do what you are doing now. He would stare at you without saying a word, and you wouldn't know what he was thinking, and so, like an idiot, you'd tell him things it would have been better to keep to yourself."

"Someone once said that the moment you stop to think about whether you love someone, you've already stopped loving that person forever."

I gulped down the last of my coffee and looked at her for a few moments without saying anything. I thought about how much I wanted to lose myself in those evasive eyes. I thought about the loneliness that would take hold of me that night when I said good-bye to her, once I had run out of tricks or stories to make her stay with me any longer. I thought about how little I had to offer her and how much I wanted from her.

"You women listen more to your heart and less to all the nonsense," the hatter concluded sadly. "That's why you live longer."

But the years went by in peace. Time goes faster the more hollow it is. Lives with no meaning go straight past you, like trains that don't stop at your station.”
― Carlos Ruiz Zafón, The Shadow of the Wind

“The irony is, though your parents always deplored his absence of Protestant industry, those two have more in common with Kevin than anyone I know. If they don't know what life is for, what to do with it, Kevin doesn't, either; interestingly, both your parents and your firstborn abhor leisure time. Your son always attacked this antipathy head-on, which involves a certain bravery if you think about it; he was never one to deceive himself that, by merely filling it, he was putting his time to productive use. Oh, no--you'll remember he would sit by the hour stewing and glowering and doing nothing but reviling every second of every minute of his Saturday afternoon.”
― Lionel Shriver, We Need to Talk About Kevin

“Perhaps this is how you know you're doing the thing you're intended to: No matter how slow or how slight your progress, you never feel that it's a waste of time.”
― Curtis Sittenfeld, The Man of My Dreams