Susannah

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Hanya Yanagihara
“The problem, though, with trying to be the ideal anything is that eventually the definition changes, and you realize that what you'd been pursuing all along was not a single truth but a set of expectations determined by context. You leave that context, and you leave behind those expectations, too, and then you're nothing once again.”
Hanya Yanagihara, To Paradise

Douglas   Stuart
“She was no use at maths homework, and some days you could starve rather than get a hot meal from her, but Shuggie looked at her now and understood this was where she excelled. Everyday with the make-up on and her hair done, she climbed out of her grave and held her head high. When she had disgraced herself with drink, she got up the next day, put on her best coat, and faced the world. When her belly was empty and her weans were hungry, she did her hair and let the world think otherwise.”
Douglas Stuart, Shuggie Bain

George Saunders
“Only then (nearly out the door, so to speak) did I realize how unspeakably beautiful all of this was, how precisely engineered for our pleasure, and saw that I was on the brink of squandering a wondrous gift, the gift of being allowed, every day, to wander this vast sensual paradise, this grand marketplace lovingly stocked with every sublime thing.”
George Saunders, Lincoln in the Bardo

Hanya Yanagihara
“We have learned to accommodate that person as much as we can, to ignore who we know ourselves to be. Most of the time, we're succesful. We must be: Pretending is the cost of sanity. But we all know who we really are. If we had lived, it is because we are worse than we ever believed ourselves to be, not better. Indeed, it feels at times as if all who remain are those who were wily or tenacious or scheming enough to survive. I know that this belief is its own kind of romance, but in my more fanciful moments, it makes perfect sense - we are the left-behind, the dregs, the rats fighting for bits of rotten food, the people who chose to stay on earth, while those better and smarter than we are have left some other realm we can only dream of, the door to which we're too frightened to open, even to peek inside.”
Hanya Yanagihara, To Paradise

Rebecca Makkai
“If you had to choose when, in the timeline of the earth, you got to live—wouldn’t you choose the end? You haven’t missed anything, then. You die in 1920, you miss rock and roll. You die in 1600, you miss Mozart. Right? I mean, the horrors pile up, too, but no one wants to die before the end of the story.”
Rebecca Makkai, The Great Believers

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