Witold
https://www.goodreads.com/wsmieszek
I wrote the above a day after the Cats trailer came out, attempting to recount my thinking in the hour after I watched it. I wondered then, and still wonder: Was it really my thinking? Or was the internet thinking through me? Of course,
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“Ogden Nash wrote a line that I have always remembered: “The old men know when an old man dies.” With the years, that line has become ever more poignant to me. After all, an old person to one who has known him for a long time is not an “old person” but is much more likely to be thought of as the younger person who inhabits our memory, vigorous and vibrant. When an old person dies who has been a part of your life, it is part of your youth that dies. And though you survive yourself, you must watch death take away the world of your youth, little by little.”
― I. Asimov
― I. Asimov
“The moment a person learns he's got terminal cancer, a profound shift takes place in his psyche. At one stroke in the doctor's office he becomes aware of what really matters to him. Things that sixty seconds earlier had seemed all- important suddenly appear meaningless, while people and concerns that he had till then dismissed at once take on supreme importance. Maybe, he realizes, working this weekend on that big deal at the office isn't all that vital. Maybe it's more important to fly cross-country for his grandson's graduation. Maybe it isn't so crucial that he have the last word in the fight with his wife. Maybe instead he should tell her how much she means to him and how deeply he has always loved her.”
― The War of Art
― The War of Art
“As a scientist, I am hostile to fundamentalist religion because it actively debauches the scientific enterprise. It teaches us not to change our minds, and not to want to know exciting things that are available to be known. It subverts science and saps the intellect.”
― The God Delusion: 10th Anniversary Edition
― The God Delusion: 10th Anniversary Edition
“So I explained to Connie that she needed to send a green light by, for example, talking about her father in a relaxed manner for a few seconds; then, I said, the queries about him would start flooding in. But what struck me as so odd was that I had been acting on this understanding all my life without ever having brought it to consciousness. As the French (and the Paraguayans) say, “A fish does not know the water that it swims in.” And eighteen years later, when I was writing A Fish Called Wanda, I used this realisation, when Archie is trying to explain to Wanda the social straitjacket from which he is desperate to escape: Wanda, do you have any idea what it’s like being English? Being so correct all the time, being so stifled by this dread of, of doing the wrong thing, of saying to someone, “Are you married?” and hearing, “My wife left me this morning,” or saying, “Do you have children?” and being told they all burned to death on Wednesday. You see, Wanda, we’re all terrified of embarrassment. That’s why we’re so … dead. Most of my friends are dead, you know; we have these piles of corpses to dinner.”
― So, Anyway...
― So, Anyway...
“I have a thing about losers. Flaws in oneself open you up to others with flaws. Not that Dostoyevsky's characters don't generate phatos, but they're flawed in ways that don't come across as faults. And while I'm on the subject, Tolstoy's characters' faults are so epic and out of scale, they're as static as backdrops.”
― Hard-Boiled Wonderland and the End of the World
― Hard-Boiled Wonderland and the End of the World
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