Peg

“(Describing a stop at a village cafe in Italy while filming Taming of the Shrew) It was a perfect choice, the kind of place where chickens brood under the table, though there were none here There was the usual arbour of vines. Two men there intrigued Elizabeth. One was a distinguished oldish man, well dressed, who sat alone at a terraced table and neither ate nor drank nor moved. The other looked like a mendicant monk of some obscure order. He read from a parchment and ate bread. He didn't look up at all. He had a large beard. At seven-thirty just at dusk a Mass began at the church on the hill the other side of the road The Church of the Madonna of the Divine Love. The voices of the choir drifted on the air like an invisible mist, like unseen tumbleweed, like a dream. we stopped eating our fave (raw kidney beans) and rough cheese and we stopped drinking the vin de pays to listen. It was one of those moments which are nostalgic before they're over. The two men had gone, the tramp monk maybe to the Mass and the other who knows where. we drove home feeling holy and clean while the moon bright as I've ever seen her and with a wisp of chiffon cloud around her throat (E's image not mine) shone on us from the cloudless night.”
― Richard Burton, The Richard Burton Diaries

“I have been inordinately lucky all my life but the greatest luck of all has been Elizabeth. She has turned me into a moral man but not a prig, she is a wildly exciting lover-mistress, she is shy and witty, she is nobody's fool, she is a brilliant actress, she is beautiful beyond the dreams of pornography, she can be arrogant and willful, she is clement and loving. Dulcis Imperatrix, she is Sunday's child, she can tolerate my impossibilities and my drunkenness, she is an ache in the stomach when i am away from her, and she loves me. She is a prospectus that can never be entirely cataloged, an almanac for Poor Richard. And I'll love her til I die.”
― Richard Burton, The Richard Burton Diaries

“Jack frantically tried to herd my white-hot father into the car before he weighed into the congregation and gave the minister the left foot of fellowship right in his Sunday pants”
― Rick Bragg, The Prince of Frogtown

“The Pontiac dented and rust-flecked meant it was 1974, since cars are the way working-class people of the deep south truly mark their time. Listen to them sometime, when they’re roping for a memory – they will find it next to a yellow Oldsmobile.”
― Rick Bragg, The Prince of Frogtown