Nancy

“In our family, there was no clear line between religion and fly fishing. We lived at the junction of great trout rivers in western Montana, and our father was a Presbyterian minister and a fly fisherman who tied his own flies and taught others. He told us about Christ's disciples being fishermen, and we were left to assume, as my brother and I did, that all first-class fishermen on the Sea of Galilee were fly fishermen and that John, the favorite, was a dry-fly fisherman.”
― Norman Maclean, A River Runs Through It and Other Stories

“On Writing: Aphorisms and Ten-Second Essays

1. A beginning ends what an end begins.

2. The despair of the blank page: it is so full.

3. In the head Art’s not democratic. I wait a long time to be a writer good enough even for myself.

4. The best time is stolen time.

5. All work is the avoidance of harder work.

6. When I am trying to write I turn on music so I can hear what is keeping me from hearing.

7. I envy music for being beyond words. But then, every word is beyond music.

8. Why would we write if we’d already heard what we wanted to hear?

9. The poem in the quarterly is sure to fail within two lines: flaccid, rhythmless, hopelessly dutiful. But I read poets from strange languages with freedom and pleasure because I can believe in all that has been lost in translation. Though all works, all acts, all languages are already translation.

10. Writer: how books read each other.

11. Idolaters of the great need to believe that what they love cannot fail them, adorers of camp, kitsch, trash that they cannot fail what they love.

12. If I didn’t spend so much time writing, I’d know a lot more. But I wouldn’t know anything.

13. If you’re Larkin or Bishop, one book a decade is enough. If you’re not? More than enough.

14. Writing is like washing windows in the sun. With every attempt to perfect clarity you make a new smear.

15. There are silences harder to take back than words.

16. Opacity gives way. Transparency is the mystery.

17. I need a much greater vocabulary to talk to you than to talk to myself.

18. Only half of writing is saying what you mean. The other half is preventing people from reading what they expected you to mean.

19. Believe stupid praise, deserve stupid criticism.

20. Writing a book is like doing a huge jigsaw puzzle, unendurably slow at first, almost self-propelled at the end. Actually, it’s more like doing a puzzle from a box in which several puzzles have been mixed. Starting out, you can’t tell whether a piece belongs to the puzzle at hand, or one you’ve already done, or will do in ten years, or will never do.

21. Minds go from intuition to articulation to self-defense, which is what they die of.

22. The dead are still writing. Every morning, somewhere, is a line, a passage, a whole book you are sure wasn’t there yesterday.

23. To feel an end is to discover that there had been a beginning. A parenthesis closes that we hadn’t realized was open).

24. There, all along, was what you wanted to say. But this is not what you wanted, is it, to have said it?”
― James Richardson

“To free us from the expectations of others, to give us back to ourselves--there lies the great, singular power of self-respect.”
― Joan Didion

“No settled family or community has ever called its home place an “environment.” None has ever called its feeling for its home place “biocentric” or “anthropocentric.” None has ever thought of its connection to its home place as “ecological,” deep or shallow. The concepts and insights of the ecologists are of great usefulness in our predicament, and we can hardly escape the need to speak of “ecology” and “ecosystems.” But the terms themselves are culturally sterile. They come from the juiceless, abstract intellectuality of the universities which was invented to disconnect, displace, and disembody the mind. The real names of the environment are the names of rivers and river valleys; creeks, ridges, and mountains; towns and cities; lakes, woodlands, lanes roads, creatures, and people.

And the real name of our connection to this everywhere different and differently named earth is “work.” We are connected by work even to the places where we don’t work, for all places are connected; it is clear by now that we cannot exempt one place from our ruin of another. The name of our proper connection to the earth is “good work,” for good work involves much giving of honor. It honors the source of its materials; it honors the place where it is done; it honors the art by which it is done; it honors the thing that it makes and the user of the made thing. Good work is always modestly scaled, for it cannot ignore either the nature of individual places or the differences between places, and it always involves a sort of religious humility, for not everything is known. Good work can be defined only in particularity, for it must be defined a little differently for every one of the places and every one of the workers on the earth.

The name of our present society’s connection to the earth is “bad work” – work that is only generally and crudely defined, that enacts a dependence that is ill understood, that enacts no affection and gives no honor. Every one of us is to some extent guilty of this bad work. This guilt does not mean that we must indulge in a lot of breast-beating and confession; it means only that there is much good work to be done by every one of us and that we must begin to do it.”
― Wendell Berry