Jake D. Sauls

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Jake D. Sauls

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July 2013


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Jake D. Sauls Some days it seems to me that the transgender community must face the final frontier of social justice discrimination in America: a people so misunder…moreSome days it seems to me that the transgender community must face the final frontier of social justice discrimination in America: a people so misunderstood and maligned that many don't even recognize certain truths about themselves for much of their lives. I believe in fiction's power to illuminate truth, and I believe in truth's power to change our world. Not much serious literature has been done in the trans* community, and I think that's a shame; everyone deserves to look out over the literary landscape and recognize themselves in it. I wanted to create a rhetorical space where that could occur.(less)
Average rating: 3.5 · 6 ratings · 2 reviews · 2 distinct works
Those Witches' Winds

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Something About This - Duende Literary

Late last year I was contacted by Duende about this piece being anthologized in an upcoming publication. They reached out while I actively had Covid, and though I've tried to fill out all of the paperwork a few times, I'm only just becoming clear-headed and pain-free enough to deal with all of the things I had to start postponing then. I finally got it in today, though, and feel like a thin skin o Read more of this blog post »
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Published on April 10, 2021 23:28
Reading Romans in...
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Reading Romans in Context by Zondervan,
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More of Jake's books…
David Foster Wallace
“The idea that she'll never see Molly Notkin or the cerebral Union or her U.H.I.D. support-brothers-and-sisters or the YYY engineer or Uncle Bud on a roof or her stepmother in the Locked Ward or her poor personal Daddy again is sentimental and banal. The idea of what she's about in here contains all other ideas and makes them banal. Her glass of juice is on the back of the toilet, half-empty. The back of the toilet is lightly sheened with condensation of unknown origin. These are facts. This room in this apartment is the sum of very many specific facts and ideas. There is nothing more to it than that. Deliberately setting about to make her heart explode has assumed the status of just one of these facts. It was an idea but now is about to become a fact. The closer it comes to becoming concrete the more abstract it seems. Things get very abstract. The concrete room was the sum of abstract facts. Are facts abstract, or are they just abstract representations of concrete things? Molly Notkin's middle name is Cantrell. Joelle puts two more matches together and prepares to strike them, breathing rapidly in and out like a diver preparing for a long descent.”
David Foster Wallace, Infinite Jest

David  Lynch
“I wouldn't know what to do with [colour]. Colour to me is too real. It's limiting. It doesn't allow too much of a dream. The more you throw black into a colour, the more dreamy it gets… Black has depth. It's like a little egress; you can go into it, and because it keeps on continuing to be dark, the mind kicks in, and a lot of things that are going on in there become manifest. And you start seeing what you're afraid of. You start seeing what you love, and it becomes like a dream.”
David Lynch, Lynch on Lynch

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