Kathryn Monaco

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Kazuo Ishiguro
“Indeed — why should I not admit it? — in that moment, my heart was breaking.”
Kazuo Ishiguro, The Remains of the Day

Gabriel García Márquez
“It's enough for me to be sure that you and I exist at this moment.”
Gabriel García Márquez, One Hundred Years of Solitude

Julian Barnes
“It strikes me that this may be one of the differences between youth and age: when we are young, we invent different futures for ourselves; when we are old, we invent different pasts for others.”
Julian Barnes, The Sense of an Ending

Wallace Stegner
“The truest vision of life I know is that bird in the Venerable Bede that flutters from the dark into a lighted hall, and after a while flutters out again into the dark. But Ruth is right. It is something--it can be everything--to have found a fellow bird with whom you can sit among the rafters while the drinking and boasting and reciting and fighting go on below; a fellow bird whom you can look after and find bugs and seeds for; one who will patch your bruises and straighten your ruffled feathers and mourn over your hurts when you accidentally fly into something you can't handle. (--from The Spectator Bird)”
Wallace Stegner

Olivia Laing
“There is a gentrification that is happening to cities, and there is a gentrification that is happening to the emotions too, with a similarly homogenising, whitening, deadening effect. Amidst the glossiness of late capitalism, we are fed the notion that all difficult feeling - depression, anxiety, loneliness, rage - are simply a consequence of unsettled chemistry, a problem to be fixed, rather than a response to structural injustice or, on the other hand, to the native texture of embodiment, of doing time, as David Wojnarowicz memorably put it, in a rented body, with all the attendant grief and frustration that entails.”
Olivia Laing, The Lonely City: Adventures in the Art of Being Alone

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