Kathryn Monaco > Kathryn's Quotes

Showing 1-18 of 18
sort by

  • #1
    George Eliot
    “But the effect of her being on those around her was incalculably diffusive: for the growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs.”
    George Eliot, Middlemarch

  • #2
    Zadie Smith
    “It's a funny thing about the modern world. You hear girls in the toilets of clubs saying, "Yeah, he fucked off and left me. He didn't love me. He just couldn't deal with love. He was too fucked up to know how to love me." Now, how did that happen? What was it about this unlovable century that convinced us we were, despite everything, eminently lovable as a people, as a species? What made us think that anyone who fails to love us is damaged, lacking, malfunctioning in some way? And particularly if they replace us with a god, or a weeping madonna, or the face of Christ in a ciabatta roll---then we call them crazy. Deluded. Regressive. We are so convinced of the goodness of ourselves, and the goodness of our love, we cannot bear to believe that there might be something more worthy of love than us, more worthy of worship. Greeting cards routinely tell us everybody deserves love. No. Everybody deserves clean water. Not everybody deserves love all the time.”
    Zadie Smith, White Teeth

  • #3
    Olivia Laing
    “There is a gentrification that is happening to cities, and there is a gentrification that is happening to the emotions too, with a similarly homogenising, whitening, deadening effect. Amidst the glossiness of late capitalism, we are fed the notion that all difficult feeling - depression, anxiety, loneliness, rage - are simply a consequence of unsettled chemistry, a problem to be fixed, rather than a response to structural injustice or, on the other hand, to the native texture of embodiment, of doing time, as David Wojnarowicz memorably put it, in a rented body, with all the attendant grief and frustration that entails.”
    Olivia Laing, The Lonely City: Adventures in the Art of Being Alone

  • #5
    Gabriel García Márquez
    “It's enough for me to be sure that you and I exist at this moment.”
    Gabriel García Márquez, One Hundred Years of Solitude

  • #5
    William Faulkner
    “Memory believes before knowing remembers.

    [Light in August]”
    William Faulkner, Light in August

  • #6
    Gabriel García Márquez
    “Thus they went on living in a reality that was slipping away, momentarily captured by words, but which would escape irremediably when they forgot the values of the written letters.”
    Gabriel García Márquez, One Hundred Years of Solitude

  • #7
    Gabriel García Márquez
    “He sank into the rocking chair, the same one in which Rebecca had sat during the early days of the house to give embroidery lessons, and in which Amaranta had played Chinese checkers with Colonel Gerineldo Marquez, and in which Amarana Ursula had sewn the tiny clothing for the child, and in that flash of lucidity he became aware that he was unable to bear in his soul the crushing weight of so much past.”
    Gabriel García Márquez, One Hundred Years of Solitude

  • #8
    Gabriel García Márquez
    “The world must be all fucked up,” he said then, “when men travel first class and literature goes as freight.”
    Gabriel Garcí­a Márquez, One Hundred Years of Solitude

  • #10
    Haruki Murakami
    “Lost opportunities, lost possibilities, feelings we can never get back. That's part of what it means to be alive. But inside our heads - at least that's where I imagine it - there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in awhile, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library.”
    Haruki Murakami, Kafka on the Shore

  • #11
    Kazuo Ishiguro
    “Indeed — why should I not admit it? — in that moment, my heart was breaking.”
    Kazuo Ishiguro, The Remains of the Day

  • #11
    Zadie Smith
    “She knows what it means. Oh, wonderfully bright at 6 a.m., yes, wonderfully clear for an hour. But the shorter the days, the longer the nights, the darker the house, the easier it is, the easier it is, the easier it is, to mistake a shadow for the writing on the wall, the sound of overland footsteps for the distant crack of thunder, and the midnight chime of a New Year clock for the bell that tolls the end of the world.”
    Zadie Smith, White Teeth

  • #12
    Kazuo Ishiguro
    “But what is the sense in forever speculating what might have happened had such and such a moment turned out differently? One could presumably drive oneself to distraction in this way. In any case, while it is all very well to talk of 'turning points', one can surely only recognize such moments in retrospect. Naturally, when one looks back to such instances today, they may indeed take the appearance of being crucial, precious moments in one's life; but of course, at the time, this was not the impression one had. Rather, it was as though one had available a never-ending number of days, months, years in which to sort out the vagaries of one's relationship with Miss Kenton; an infinite number of further opportunities in which to remedy the effect of this or that misunderstanding. There was surely nothing to indicate at the time that such evidently small incidents would render whole dreams forever irredeemable.”
    Kazuo Ishiguro, The Remains of the Day

  • #13
    Arundhati Roy
    “And the air was full of Thoughts and Things to Say. But at times like these, only the Small Things are ever said. Big Things lurk unsaid inside.”
    Arundhati Roy, The God of Small Things

  • #14
    Arundhati Roy
    “If he touched her, he couldn't talk to her, if he loved her he couldn't leave, if he spoke he couldn't listen, if he fought he couldn't win.”
    Arundhati Roy, The God of Small Things

  • #15
    W. Somerset Maugham
    “Nothing in the world is permanent, and we’re foolish when we ask anything to last, but surely we’re still more foolish not to take delight in it while we have it. If change is of the essence of existence one would have thought it only sensible to make it the premise of our philosophy.”
    W. Somerset Maugham, The Razor’s Edge

  • #17
    Julian Barnes
    “It strikes me that this may be one of the differences between youth and age: when we are young, we invent different futures for ourselves; when we are old, we invent different pasts for others.”
    Julian Barnes, The Sense of an Ending

  • #18
    Wallace Stegner
    “The truest vision of life I know is that bird in the Venerable Bede that flutters from the dark into a lighted hall, and after a while flutters out again into the dark. But Ruth is right. It is something--it can be everything--to have found a fellow bird with whom you can sit among the rafters while the drinking and boasting and reciting and fighting go on below; a fellow bird whom you can look after and find bugs and seeds for; one who will patch your bruises and straighten your ruffled feathers and mourn over your hurts when you accidentally fly into something you can't handle. (--from The Spectator Bird)”
    Wallace Stegner

  • #19
    Hanya Yanagihara
    “You won’t understand what I mean now, but someday you will: the only trick of friendship, I think, is to find people who are better than you are—not smarter, not cooler, but kinder, and more generous, and more forgiving—and then to appreciate them for what they can teach you, and to try to listen to them when they tell you something about yourself, no matter how bad—or good—it might be, and to trust them, which is the hardest thing of all. But the best, as well.”
    Hanya Yanagihara, A Little Life



Rss