Peter Schmidt
http://blogs.swarthmore.edu/pschmid1/
“Which three authors, dead or alive, would you invite to a literary dinner party? is a question often asked of authors interviewed for The New York Times Book Review. What Edmund White said James Merrill said about a young fan: “Why does he want to meet us in the flesh? Doesn’t he realize the best part of us is on the page and all he’ll be meeting is an empty hive?”
― The Vulnerables
― The Vulnerables
“Centuries of being attached to the machine had atrophied the languages of the earth.”
― The Freedom Artist
― The Freedom Artist
“And how much of a difference can it make really, just one story, even all these stories taken together and funneled into the ear of the busy world—a world moving so quickly that voices and sounds Doppler into a rising whine, so distracted that even when your attention snags on the burr of something unusual, you are dragged away before you can see it, uprooting it like a bee’s spent stinger. It is hard for anything to be heard and even if anyone hears it, how much of a difference could it really make, what change could it possibly bring, just these words, just this thing that happened once to one person that the listener does not and will never know. It is just a story. It is only words. She does not know”
― Our Missing Hearts
― Our Missing Hearts
“The poem "Fuck / Our Future" (p. 49):
When our scorching planet ignites the last evacuating airship to cook its soft cargo of human flesh in an expanding fireball and fragments of its propeller blades thunk inches deep into tree trunks in the straggling forest beneath / What I want to know is which will survive / which strain / which wood grain will hold encoded / like a fingerprint pushed into wet clay / that final day of reckoning when this cerulean blue ordained world we have corroded a toxic grey / begins its self-reclamation starting with that tree / a lone lieutenant / a desperate sentinel / erect / through the falling ball of fire / jet fuel and smouldering meat / its face of leaves weighed with dust / its waist of branches noosed in plastic bags / yet standing stubborn in its shaggy majesty / amidst the ship’s carnage / like a righteous middle finger thrust at all humanity / proud in the snarling sky”
― The Actual
When our scorching planet ignites the last evacuating airship to cook its soft cargo of human flesh in an expanding fireball and fragments of its propeller blades thunk inches deep into tree trunks in the straggling forest beneath / What I want to know is which will survive / which strain / which wood grain will hold encoded / like a fingerprint pushed into wet clay / that final day of reckoning when this cerulean blue ordained world we have corroded a toxic grey / begins its self-reclamation starting with that tree / a lone lieutenant / a desperate sentinel / erect / through the falling ball of fire / jet fuel and smouldering meat / its face of leaves weighed with dust / its waist of branches noosed in plastic bags / yet standing stubborn in its shaggy majesty / amidst the ship’s carnage / like a righteous middle finger thrust at all humanity / proud in the snarling sky”
― The Actual
“Before I continue with the scholarly account of tribalography, I want to tell you a Choctaw story. My tribe’s language has a mysterious prefix that, when combined with other words, represents a form of creation. It is nuk or nok, and it has to do with the power of speech, breath, and mind. Things with nok or nuk attached to them are so powerful they create. For instance, nukfokechi brings forth knowledge and inspiration. A teacher is a nukfoki, the beginning of action.”
― Choctalking on Other Realities
― Choctalking on Other Realities
Ask Gary Shteyngart - Friday, March 7th!
— 183 members
— last activity Mar 08, 2014 09:10PM
Join us on Friday, March 7th, for a special discussion with author Gary Shteyngart! The author will be discussing his book Little Failure. Become a f ...more
Peter’s 2025 Year in Books
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