Annis Cassells

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Annis Cassells

Goodreads Author


Born
The United States
Website

Twitter

Genre

Influences

Member Since
January 2009


Annis Cassells is a poet, writer, teacher, and life coach, a lover of words and language who grew up in Detroit, MI, writing in diaries and notebooks and on scraps of paper. Her 2nd poetry collection, What the Country Wrought, published in 2023.

A career teacher, she's taught writing in her grade school and middle school classrooms. Annis now splits her time between Bakersfield, CA and Coos Bay, OR where, in addition to her own writing, she facilitates memoir writing workshops for senior adults and poetry workshops for aspiring poets. Her occasional blog features articles about writing, stories, and poetry.

Having missed traveling during the Pandemic years, Annis longingly remembers the times she traversed the USA on her trusty Candy Apple R
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Average rating: 4.29 · 21 ratings · 6 reviews · 4 distinct worksSimilar authors
You Can't Have It All: Poems

4.63 avg rating — 8 ratings2 editions
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What the Country Wrought: P...

4.80 avg rating — 5 ratings — published 2023
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Reaching for the Sky: Subti...

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3.17 avg rating — 6 ratings
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What the Country Wrought: P...

it was amazing 5.00 avg rating — 2 ratings
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* Note: these are all the books on Goodreads for this author. To add more, click here.

The Other March S...
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Annis’s Recent Updates

A Fever in the Heartland by Timothy Egan
"Did racism end my reading slump???

I've been in a horrible reading slump for the last month and half. I had basically given up even trying to read....but then came racism. I picked The Devil's Half Acre which is about a slave jail and the enslaved wom" Read more of this review »
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A Fever in the Heartland by Timothy Egan
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One Fine Voice by Rebecca Langston-George
One Fine Voice
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Santas and Secrets by Joan Raymond
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Our Nig by Harriet E. Wilson
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Ruthless Tide by Al Roker
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Everything Is Tuberculosis by John Green
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The After Wife by Melanie Summers
The After Wife
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More of Annis's books…
Joan Didion
“Grief turns out to be a place none of us know until we reach it. We anticipate (we know) that someone close to us could die, but we do not look beyond the few days or weeks that immediately follow such an imagined death. We misconstrue the nature of even those few days or weeks. We might expect if the death is sudden to feel shock. We do not expect the shock to be obliterative, dislocating to both body and mind. We might expect that we will be prostrate, inconsolable, crazy with loss. We do not expect to be literally crazy, cool customers who believe that their husband is about to return and need his shoes. In the version of grief we imagine, the model will be "healing." A certain forward movement will prevail. The worst days will be the earliest days. We imagine that the moment to most severely test us will be the funeral, after which this hypothetical healing will take place. When we anticipate the funeral we wonder about failing to "get through it," rise to the occasion, exhibit the "strength" that invariably gets mentioned as the correct response to death. We anticipate needing to steel ourselves the for the moment: will I be able to greet people, will I be able to leave the scene, will I be able even to get dressed that day? We have no way of knowing that this will not be the issue. We have no way of knowing that the funeral itself will be anodyne, a kind of narcotic regression in which we are wrapped in the care of others and the gravity and meaning of the occasion. Nor can we know ahead of the fact (and here lies the heart of the difference between grief was we imagine it and grief as it is) the unending absence that follows, the void, the very opposite of meaning, the relentless succession of moments during which we will confront the experience of meaninglessness itself.”
Joan Didion, The Year of Magical Thinking

David Whyte
“Poetry is language against which you have no defenses.”
David Whyte

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