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Annis Cassells
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Born
The United States
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Genre
Influences
Member Since
January 2009
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| Well written historical fiction. Four women living in an affluent Washington, DC community in the 1960s form a book club and become each other's friends and supporters. I enjoyed watching as, after reading Betty Friedan's The Feminine Mystique these ...more | |
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"Huh. So you guys didn't like this one? Well, that's a bit awkward, cause I'm over here having a pretty good time with it.
Now, usually I'm on Outlier Island having to apologize for hating on a book everyone's loving. But this time, it's the opposite. " Read more of this review » |
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| Well written historical fiction. Four women living in an affluent Washington, DC community in the 1960s form a book club and become each other's friends and supporters. I enjoyed watching as, after reading Betty Friedan's The Feminine Mystique these ...more | |
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Murder at Hotel Gloriosa: An Aria Nevins and Noah Roche Mystery
by Victoria Zackheim (Goodreads Author) |
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Though the research was done around 2012, and the book published in 2015, the book enlightens us about the unthinkable, overwhelming poverty experienced by way too many people in the "good ol' USA". It's hard to imagine folks we see out in the world ...more |
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Annis
is currently reading
Murder at Hotel Gloriosa: An Aria Nevins and Noah Roche Mystery
by Victoria Zackheim (Goodreads Author) |
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“Grief turns out to be a place none of us know until we reach it. We anticipate (we know) that someone close to us could die, but we do not look beyond the few days or weeks that immediately follow such an imagined death. We misconstrue the nature of even those few days or weeks. We might expect if the death is sudden to feel shock. We do not expect the shock to be obliterative, dislocating to both body and mind. We might expect that we will be prostrate, inconsolable, crazy with loss. We do not expect to be literally crazy, cool customers who believe that their husband is about to return and need his shoes. In the version of grief we imagine, the model will be "healing." A certain forward movement will prevail. The worst days will be the earliest days. We imagine that the moment to most severely test us will be the funeral, after which this hypothetical healing will take place. When we anticipate the funeral we wonder about failing to "get through it," rise to the occasion, exhibit the "strength" that invariably gets mentioned as the correct response to death. We anticipate needing to steel ourselves the for the moment: will I be able to greet people, will I be able to leave the scene, will I be able even to get dressed that day? We have no way of knowing that this will not be the issue. We have no way of knowing that the funeral itself will be anodyne, a kind of narcotic regression in which we are wrapped in the care of others and the gravity and meaning of the occasion. Nor can we know ahead of the fact (and here lies the heart of the difference between grief was we imagine it and grief as it is) the unending absence that follows, the void, the very opposite of meaning, the relentless succession of moments during which we will confront the experience of meaninglessness itself.”
― The Year of Magical Thinking
― The Year of Magical Thinking
“You must forgive in order to understand. Until you forgive, you defend yourself against the possibility of understanding.”
― Home
― Home
“I also learned this year that my delight grows—much like love and joy—when I share it.”
― The Book of Delights: Essays
― The Book of Delights: Essays

























