Моника Игевска Ризова

“Forgetting! It is a form of suicide, a renunciation of the only good the we truly and ineluctably possess: the past. For if joys alone were forgotten, perhaps oblivion would be justly desired. But we are proud and jealous of our sorrows, we love them, we want to remember them. It is they that comprise the crown of life.”
― Iginio Ugo Tarchetti

“I loved you madly; in the distasteful work of the day, in the wakeful misery of the night, girded by sordid realities, or wandering through Paradises and Hells of visions into which I rushed, carrying your image in my arms, I loved you madly.”
― Charles Dickens, The Mystery of Edwin Drood

“Who is Mr. Jasper?"
Rosa turned aside her head in answering: "Eddy's uncle, and my music-master."
"You do not love him?"
"Ugh!" She put her hands up to her face, and shook with fear or horror.
"You know that he loves you?"
"O, don't, don't, don't!" cried Rosa, dropping on her knees, and clinging to her new resource. "Don't tell me of it! He terrifies me. He haunts my thoughts, like a dreadful ghost. I feel that I am never safe from him. I feel as if he could pass in through the wall when he is spoken of." She actually did look round, as if she dreaded to see him standing in the shadow behind her.
"Try to tell me more about it, darling."
"Yes, I will, I will. Because you are so strong. But hold me the while, and stay with me afterwards."
"My child! You speak as if he had threatened you in some dark way."
"He has never spoken to me about - that. Never."
"What has he done?"
"He has made a slave of me with his looks. He has forced me to understand him, without his saying a word; and he has forced me to keep silence, without his uttering a threat. When I play, he never moves his eyes from my hands. When I sing, he never moves his eyes from my lips. When he corrects me, and strikes a note, or a chord, or plays a passage, he himself is in the sounds, whispering that he pursues me as a lover, and commanding me to keep his secret. I avoid his eyes, but he forces me to see them without looking at them. Even when a glaze comes over them (which is sometimes the case), and he seems to wander away into a frightful sort of dream in which he threatens most, he obliges me to know it, and to know that he is sitting close at my side, more terrible to me than ever."
"What is this imagined threatening, pretty one? What is threatened?"
"I don't know. I have never even dared to think or wonder what it is."
"And was this all, to-night?"
"This was all; except that to-night when he watched my lips so closely as I was singing, besides feeling terrified I felt ashamed and passionately hurt. It was as if he kissed me, and I couldn't bear it, but cried out. You must never breathe this to any one. Eddy is devoted to him. But you said to-night that you would not be afraid of him, under any circumstances, and that gives me - who am so much afraid of him - courage to tell only you. Hold me! Stay with me! I am too frightened to be left by myself.”
― Charles Dickens, The Mystery of Edwin Drood

“You will think me cruel, very selfish, but love is always selfish; the more ardent the more selfish. How jealous I am you cannot know. You must come with me, loving me, to death; or else hate me, and still come with me, and hating me through death and after. There is no such word as indifference in my apathetic nature.”
― Sheridan Le Fanu, Carmilla