redhatbee

“Mineralmaster, Ninurta”
― Zecharia Sitchin, The Anunnaki Chronicles: A Zecharia Sitchin Reader

“Mountain of the young gods" in the environs of Kadesh, and two peaks of El and Asherah—Shad Elim, Shad Asherath u Rahim—in the south of the peninsula. It was to that area at mebokh naharam ("Where the two bodies of water begin"), kerev apheq tehomtam ("Near the cleft of the two seas") that El had retired in his old age. The texts, we believe, describe the southern tip of the Sinai peninsula. There was, we conclude, a Gateway Mount on the perimeter of the Spaceport in the Central Plain. And there were two peaks in the peninsula's southern tip that also played a role in the comings and goings of the Nefilim. They were the two peaks that measured up.”
― Zecharia Sitchin, The Stairway to Heaven

“Even more important, however, was how the silhouettes and shadows of the pyramids appeared to an observer from the skies. As this aerial photograph shows (Fig. 155), the true shape of the pyramids casts arrow-like shadows, which serve as unmistakable direction pointers. When all was ready to establish a proper Spaceport, it required a much longer Landing Corridor than the one which served Baalbek. For their previous Spaceport in Mesopotamia, the Anunnaki (the biblical Nefilim) chose the most conspicuous mountain in the Near East—Mount Ararat—as their focal point. It should not be surprising that out of the same considerations they again selected it as the focal point of their new Spaceport.”
― Zecharia Sitchin, The Stairway to Heaven

“All that, however, was wiped out by the Deluge. In its immediate aftermath—some 13,000 years ago—only the Landing Platform at Baalbek had remained. Until a replacement Spaceport could be built, all landings and takeoffs of the Shuttlecraft had to be conducted there. Are we to assume that the Anunnaki relied on reaching the site, tucked away between two mountain ranges, by sheer skilled piloting—or can we safely surmise that as soon as possible they worked out an arrow-like Landing Corridor to Baalbek? Fig. 122”
― Zecharia Sitchin, The Stairway to Heaven