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Madeline Miller
“He showed me his scars, and in return he let me pretend that I had none.”
Madeline Miller, Circe

Maggie Stiefvater
“Adam Parrish was lonesome.
There is no good word for the opposite of lonesome. One might be tempted to suggest togetherness or contentment, but the fact that these two other words bear definitions unrelated to each other perfectly displays why lonesome cannot be properly mirrored. It does not mean solitude, nor alone, nor lonely, although lonesome can contain all of those words in itself.
Lonesome means a state of being apart. Of being other. Alone-some.
Adam was not always alone, but he was always lonesome. Even in a group, he was slowly perfecting the skill of holding himself separate. It was easier than one might expect; the others allowed him to do it. He knew he was different since aligning himself more tightly with the ley line this summer. He was himself, but more powerful. Himself, but less human.
If he were them, he would silently watch him draw away, too.
It was better this way. He had not fought with anyone for so long. He had not been angry for weeks.”
Maggie Stiefvater, Blue Lily, Lily Blue

Sarah J. Maas
“You and I are nothing but wild beasts wearing human skins.”
Sarah J. Maas, Queen of Shadows

Victoria Schwab
“Monsters, monsters, big and small,
"They're gonna come and eat you all.
Corsai, Corsai, tooth and claw,
Shadow and bone will eat you raw.
Malchai, Malchai, sharp and sly,
Smile and bite and drink you dry.
Sunai, Sunai, eyes like coal,
Sing you a song and steal your soul.
Monsters, monsters, big and small,
They're gonna come and eat you all!”
Victoria schwab, This Savage Song

Cassandra Clare
“In the Land under the Hill, in the Time Before …

Once upon a time, there was a beautiful lady of the Seelie Court who lost her heart to the son of an angel.
Once upon a time, there were two boys come to the land of Faerie, brothers noble and bold. One brother caught a glimpse of the fair lady and, thunderstruck by her beauty, pledged himself to her. Pledged himself to stay. This was the boy Andrew. His brother, the boy Arthur, would not leave his side.
And so the boys stayed beneath the hill, and Andrew loved the lady, and Arthur despised her.
And so the lady kept her boy close to her side, kept this beautiful creature who swore his fealty to her, and when her sister lay claim to the other, the lady let him be taken away, for he was nothing.

She gave Andrew a silver chain to wear around his neck, a token of her love, and she taught him the ways of the Fair Folk. She danced with him in revels beneath starry skies. She fed him moonshine and showed him how to give way to the wild.

Some nights they heard Arthur’s screams, and she told him it was an animal in pain, and pain was in an animal’s nature.

She did not lie, for she could not lie.

Humans are animals.

Pain is their nature.

For seven years they lived in joy. She owned his heart, and he hers, and somewhere, beyond, Arthur screamed and screamed. Andrew didn’t know; the lady didn’t care; and so they were happy.
Until the day one brother discovered the truth of the other.
The lady thought her lover would go mad with the grief of it and the guilt. And so, because she loved the boy, she wove him a story of deceitful truths, the story he would want to believe. That he had been ensorcelled to love her; that he had never betrayed his brother; that he was only a slave; that these seven years of love had been a lie.
The lady set the useless brother free and allowed him to believe he had freed himself.
The lady subjected herself to the useless brother’s attack and allowed him to believe he had killed her.
The lady let her lover renounce her and run away.
And the lady beheld the secret fruits of their union and kissed them and tried to love them. But they were only a piece of her boy. She wanted all of him or none of him.
As she had given him his story, she gave him his children.
She had nothing left to live for, then, and so lived no longer.

This is the story she left behind, the story her lover will never know; this is the story her daughter will never know.

This is how a faerie loves: with her whole body and soul.

This is how a faerie loves: with destruction.

I love you, she told him, night after night, for seven years. Faeries cannot lie, and he knew that.
I love you, he told her, night after night, for seven years. Humans can lie, and so she let him believe he lied to her, and she let his brother and his children believe it, and she died hoping they would believe it forever.

This is how a faerie loves: with a gift.”
Cassandra Clare, Pale Kings and Princes

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