“You once said that you would like to sit beside me while I write. Listen, in that case I could not write at all. For writing means revealing oneself to excess; that utmost of self-revelation and surrender, in which a human being, when involved with others, would feel he was losing himself, and from which, therefore, he will always shrink as long as he is in his right mind-- for everyone wants to live as long as he is alive-- even the degree of self-revelation and surrender is not enough for writing.
Writing that springs from the surface of existence-- when there is no other way and deeper wells have dried up-- is nothing, and collapses the moment a truer emotion makes the surface shake. That is why one can never be alone enough when one writes, why there can never be enough silence around one when one writes, why even night is not night enough.”
―
Writing that springs from the surface of existence-- when there is no other way and deeper wells have dried up-- is nothing, and collapses the moment a truer emotion makes the surface shake. That is why one can never be alone enough when one writes, why there can never be enough silence around one when one writes, why even night is not night enough.”
―
“How these humans dispose themselves! Unlike anything else in creation. Or rather like everything else in creation all at once. Legs of one beast. Arms of another. Proportions all awry to a tortoise's eye. Torso too squat. Too little neck. Vastly too much leg. Hands like creatures unto themselves. Senses delicately balanced. And yet each sense dulled by mental acuity. Reason in place of a good nose. Logic instead of a tail. Faith instead of the certain knowledge of instinct. Superstition instead of a shell.”
― Timothy; or, Notes of an Abject Reptile
― Timothy; or, Notes of an Abject Reptile
“Without extraneous words or phrases or clauses, there will be room for implication.”
― Several Short Sentences About Writing
― Several Short Sentences About Writing
“In your head, you’ll probably find two models for writing. One is the familiar model taught in high school and college—a matter of outlines and drafts and transitions and topic sentences and argument. The other model is its antithesis—the way poets and novelists are often thought to write. Words used to describe this second model include “genius,” “inspiration,” “flow,” and “natural,” sometimes even “organic.” Both models are useless. I should qualify that sentence. Both models are completely useless.”
― Several Short Sentences About Writing
― Several Short Sentences About Writing
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