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“Theory is immanent to struggle; often enough it must hurry to catch up to a reality that lurches ahead. A theory of the present will arise from its lived confrontations, rather than arriving on the scene laden with backdated homilies and prescriptions regarding how the war against state and capital ought be waged, programs we are told once worked and might now be refurbished and imposed once again on our quite distinct moment. The subjunctive is a lovely mood, but it is not the mood of historical materialism.”
― Riot. Strike. Riot: The New Era of Uprisings
― Riot. Strike. Riot: The New Era of Uprisings
“To turn over in one's bed is often like changing hemispheres. We reached the possibility of immanence but it's not sure that the species will transcend itself.”
― Sea & Fog
― Sea & Fog
“By this time, midway through winter,
I had become entirely fascinated with my spiritual melodrama.
Then it stopped.
Days passed, months passed and I saw nothing.
I continued to peer and glance, sitting on the rug in front of my sofa
in the curtainless morning
with my nerves open to the air like something skinned.
I saw nothing.
Outside the window spring storms came and went.
April snow folded its huge white paws over doors and porches.
I watched a chunk of it lean over the roof and break off
and fall and I thought,
How slow! as it glided soundlessly past,
but still—nothing. No nudes.
No Thou.
A great icicle formed on the railing of my balcony
so I drew up close to the window and tried peering through the icicle,
hoping to trick myself into some interior vision,
but all I saw
was the man and woman in the room across the street
making their bed and laughing.
I stopped watching.
I forgot about Nudes.
I lived my life,
which felt like a switched-off TV.
Something had gone through me and out and I could not own it.
'No need now to tremble for the hard frost and the keen wind.
Emily does not feel them,'
wrote Charlotte the day after burying her sister.
Emily had shaken free.
A soul can do that.
Whether it goes to join Thou and sit on the porch for all eternity
enjoying jokes and kisses and beautiful cold spring evenings,
you and I will never know. But I can tell you what I saw.
Nude #13 arrived when I was not watching for it.
It came at night.
Very much like Nude #1.
And yet utterly different.
I saw a high hill and on it a form shaped against hard air.
It could have been just a pole with some old cloth attached,
but as I came closer
I saw it was a human body
trying to stand against winds so terrible that the flesh was blowing off the bones.
And there was no pain.
The wind
was cleansing the bones.
They stood forth silver and necessary.
It was not my body, not a woman’s body, it was the body of us all.
It walked out of the light.”
― Glass, Irony and God
I had become entirely fascinated with my spiritual melodrama.
Then it stopped.
Days passed, months passed and I saw nothing.
I continued to peer and glance, sitting on the rug in front of my sofa
in the curtainless morning
with my nerves open to the air like something skinned.
I saw nothing.
Outside the window spring storms came and went.
April snow folded its huge white paws over doors and porches.
I watched a chunk of it lean over the roof and break off
and fall and I thought,
How slow! as it glided soundlessly past,
but still—nothing. No nudes.
No Thou.
A great icicle formed on the railing of my balcony
so I drew up close to the window and tried peering through the icicle,
hoping to trick myself into some interior vision,
but all I saw
was the man and woman in the room across the street
making their bed and laughing.
I stopped watching.
I forgot about Nudes.
I lived my life,
which felt like a switched-off TV.
Something had gone through me and out and I could not own it.
'No need now to tremble for the hard frost and the keen wind.
Emily does not feel them,'
wrote Charlotte the day after burying her sister.
Emily had shaken free.
A soul can do that.
Whether it goes to join Thou and sit on the porch for all eternity
enjoying jokes and kisses and beautiful cold spring evenings,
you and I will never know. But I can tell you what I saw.
Nude #13 arrived when I was not watching for it.
It came at night.
Very much like Nude #1.
And yet utterly different.
I saw a high hill and on it a form shaped against hard air.
It could have been just a pole with some old cloth attached,
but as I came closer
I saw it was a human body
trying to stand against winds so terrible that the flesh was blowing off the bones.
And there was no pain.
The wind
was cleansing the bones.
They stood forth silver and necessary.
It was not my body, not a woman’s body, it was the body of us all.
It walked out of the light.”
― Glass, Irony and God
“Little rackety wind went by. / Moon gone. Sky shut. Night had delved deep. Somewhere (he thought) beneath / this strip of sleeping pavement / the enormous solid globe is spinning on its way—pistons thumping, lava pouring / from shelf to shelf, / evidence and time lignifying into their traces.”
― Autobiography of Red: A Novel in Verse
― Autobiography of Red: A Novel in Verse
“Opacities can coexist and converge, weaving fabrics. To understand these truly one must focus on the texture of the weave and not on the nature of its components. For the time being, perhaps, give up this old obsession with discovering what lies at the bottom of natures. There would be something great and noble about initiating such a movement referring not to Humanity but to the exultant divergence of humanities. Thought of self and thought of other here become obsolete in their duality…. What is here is open, as much as this there. I would be incapable of projecting from one to the other. This-here is the weave and it weaves no boundaries.”
― Poetics of Relation
― Poetics of Relation
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