Augustine Blaisdell
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June 2008
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WOMEN À LA MODE: A MEMOIR OF WRITING A BOOK ABOUT FEMINISTS IN PARIS
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Antibes An Artist's Stroll in the Old Town
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“I can't be a pessimist because I am alive. To be a pessimist means that you have agreed that human life is an academic matter. So, I am forced to be an optimist. I am forced to believe that we can survive, whatever we must survive.”
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“Once, at a writing conference, a white man asked me if destruction was necessary for art. His question was genuine. He leaned forward, his blue gaze twitching under his cap stitched gold with ’Nam Vet 4 Life, the oxygen tank connected to his nose hissing beside him. I regarded him the way I do every white veteran from that war, thinking he could be my grandfather, and I said no. “No, sir, destruction is not necessary for art.” I said that, not because I was certain, but because I thought my saying it would help me believe it. But why can’t the language for creativity be the language of regeneration? You killed that poem, we say. You’re a killer. You came in to that novel guns blazing. I am hammering this paragraph, I am banging them out, we say. I owned that workshop. I shut it down. I crushed them. We smashed the competition. I’m wrestling with the muse. The state, where people live, is a battleground state. The audience a target audience. “Good for you, man,” a man once said to me at a party, “you’re making a killing with poetry. You’re knockin’ ’em dead.”
― On Earth We're Briefly Gorgeous
― On Earth We're Briefly Gorgeous
“For whatever we lose (like a you or a me),
It's always our self we find in the sea.”
― 100 Selected Poems
It's always our self we find in the sea.”
― 100 Selected Poems
Our Shared Shelf
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— last activity Jan 26, 2026 06:48AM
OUR SHARED SHELF IS CURRENTLY DORMANT AND NOT MANAGED BY EMMA AND HER TEAM. Dear Readers, As part of my work with UN Women, I have started reading ...more
























