Beth

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“Do not regret growing older. It's a privilege denied to many." -Mark Twain”
Anne Freeman, The Art of Aging Gracefully: A Comprehensive Guide To Self-Care for Women 60 and Beyond

Stewart Stafford
“The concept of good versus evil is a handy construct for framing a narrative. When you see someone applying that concept to real-world events, however, be aware that you're in the presence of a peddler of fiction.”
Stewart Stafford

Emm Roy
“Mental illness

People assume you aren’t sick
unless they see the sickness on your skin
like scars forming a map of all the ways you’re hurting.

My heart is a prison of Have you tried?s
Have you tried exercising? Have you tried eating better?
Have you tried not being sad, not being sick?
Have you tried being more like me?
Have you tried shutting up?

Yes, I have tried. Yes, I am still trying,
and yes, I am still sick.

Sometimes monsters are invisible, and
sometimes demons attack you from the inside.
Just because you cannot see the claws and the teeth
does not mean they aren’t ripping through me.
Pain does not need to be seen to be felt.

Telling me there is no problem
won’t solve the problem.

This is not how miracles are born.
This is not how sickness works.”
Emm Roy, The First Step

Katherine Paterson
“Self-censorship can be very damaging to a story. When our chief goal is not to offend someone, we are not likely to write a book that will deeply affect someone.”
Katherine Paterson, Places I Never Meant to Be: Original Stories by Censored Writers

Shirley Jackson
“Far and away the greatest menace to the writer—any writer, beginning or otherwise—is the reader. . . . The reader is, in fact, the writer’s only unrelenting, genuine enemy. He has everything on his side; all he has to do, after all, is shut his eyes, and any work of fiction becomes meaningless. . . . It is, of course, the writer’s job to reach out and grab this reader: If he is a reader who cannot endure a love story, it is the writer’s job, no more and no less, to make him read a love story and like it. Using any device that might possibly work, the writer has to snare the reader’s attention and keep it.”
Shirley Jackson

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