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“You may recall – perhaps you’ve experienced this in the theatre – the bewilderingly oblique way Shakespeare tends to begin his plays, via marginal characters whom we struggle to place as they recount or anticipate some major narrative event in a conversation that begins in the middle, leaving us flailing (beginning Shakespeare’s plays at their beginning is not always the easiest place to start). Not so in Richard III. The opening stage direction in the first printed edition is ‘Enter Richard, Duke of Gloucester, solus’ – meaning alone – making it absolutely clear that not only does he open the play, he does so, uniquely, in soliloquy. He begins, that’s to say, by addressing the audience. From the outset, we are his creatures.”
― This Is Shakespeare
― This Is Shakespeare
“Surely even the most malignant ghost is a lonely thing, left out in the dark, desperate to be heard.”
― The Shining
― The Shining
“In Superman, some of the loftiest aspirations of our species came hurtling down from imagination's bright heaven to collide with the lowest form of entertainment, and from their union something powerful and resonant was born, albeit in its underwear.”
― Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human
― Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human
“Shakespeare is complex, like living, not technically and crackably difficult, like crosswords or changing the time on the cooker”
― This Is Shakespeare
― This Is Shakespeare
“Even though – perhaps because – we are in no doubt about his ruthless self-interest, Richard establishes an immediate alliance from the outset. This intimacy with the audience will be carefully managed through a stream of asides and sardonic remarks, where only we know his true meaning, keeping us from forming any real attachment to any other character. The very title of the play seems to have succumbed to his charms and to endorse his ambitions. Richard, Duke of Gloucester, doesn’t actually become King Richard III until Act 4, but his play has no doubt he will get there: from the opening he is the king-in-waiting.”
― This Is Shakespeare
― This Is Shakespeare
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