Krystal Mitchell

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Chuck Klosterman
“The stark, pedestrian images used by filmmakers (probably out of financial necessity) expressed nothing, symbolically or metaphorically. The only purpose they served was to remind me that a huge chunk of my life is completely over, even though I will probably live 60 more years. There are so many things that will never happen to me again, and I never even noticed when those things stopped occurring. And this does not mean I wish I had my old life back, because I like my new life better; I was just shocked to discover how much of what used to be central to my existence doesn't even matter to me anymore.”
Chuck Klosterman, Killing Yourself to Live: 85% of a True Story

Monica Drake
“I kneeled in front of the E M T chair, in front of the mirror on the medicine cabinet, and wiped the rest of the makeup away. My skin was raw, pink and new. The ambulance had a single round light in the middle of the ceiling. The light cast long shadows under my nose, ears, eyes, and chin, and in the shadows I was young and I was a crone, in the exact same moment. That's it, I thought: life is short. The only value of wated time is knowledge. p.295”
Monica Drake, Clown Girl

Michael Pollan
“While it is true that many people simply can't afford to pay more for food, either in money or time or both, many more of us can. After all, just in the last decade or two we've somehow found the time in the day to spend several hours on the internet and the money in the budget not only to pay for broadband service, but to cover a second phone bill and a new monthly bill for television, formerly free. For the majority of Americans, spending more for better food is less a matter of ability than priority. p.187”
Michael Pollan, In Defense of Food: An Eater's Manifesto

Norman Mailer
“Great hope has no real footing unless one is willing to face into the doom that may also be on the way.
p.207”
Norman Mailer, The Big Empty: Dialogues on Politics, Sex, God, Boxing, Morality, Myth, Poker & Bad Conscience in America

“I took a deep breath, inhaling the musty scent of unbrushed velvet and candle wax. So the room was blood red, dark, and scary. I was here to get yelled at and maybe fired by a hooker in a sari, not sacrificed to Satan on a stone altar. p.250”
Sarah Katherine Lewis, Indecent: How I Make It and Fake It as a Girl for Hire

year in books
Darren R.
79 books | 30 friends

Katie
208 books | 12 friends

Morgue
717 books | 52 friends

Gabriella
1,113 books | 127 friends

Katie
535 books | 98 friends

Kayla C...
152 books | 23 friends

Lauren Ann
125 books | 65 friends

Jess Fi...
139 books | 3 friends

More friends…


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