Cedric

“What could be the utopia for the present age?

To begin with, I would want all of human order to make a partnership, beginning in schools. It is atrocious that the children leave the partnership and go to be educated by a professor, just a man or a woman. This negates partnership. Classes should be taught by couples of both sexes, and children should be educated by a man and a woman...
... not necessarily a husband and wife. This is what I would do as a first political measure to improve social life: all human activities would have to be carried out in complimentary pairs.”
― Alejandro Jodorowsky, Psicomagia

“Although really society should not change, it should mutate. And, little by little, it is mutating...
... Society is like the body of a chicken: the chicken's foot is hard and insensitive while the eye is very alive. And there are beings who embody the cells of the eyes and others who embody the cells of the feet, of the wings, or of the anus.”
― Alejandro Jodorowsky, Psicomagia

“Imagination is absolutely critical to the quality of our lives. Our imagination enables us to leave our routine everyday existence by fantasizing about travel, food, sex, falling in love, or having the last word—all the things that make life interesting. Imagination gives us the opportunity to envision new possibilities—it is an essential launchpad for making our hopes come true. It fires our creativity, relieves our boredom, alleviates our pain, enhances our pleasure, and enriches our most intimate relationships.”
― Bessel A. van der Kolk, The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma

“Victoria Lane: What hints or tips would you give for other artists who are starting a negotiation with an institution for their archive?

Barbara Stevini: I would tell them they need to work out what would they like their archive to do and for whom. It's actually the same questions I would ask when going into any institution or doing a placement - what is the context? What is the motivation I have for a placement there? What is the motivation of that hosting organisation to receive it? Is there any fusion of appropriately motivated endeavor from which something can happen from the placement of an archive here, for both parties concerned? I think those questions to be asked about doing anything at all, otherwise you're contaminating the planet aren't you?”
― Victoria Lane, All this Stuff: Archiving the Artist