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Don DeLillo
“I work in the morning at a manual typewriter. I do about four hours and then go running. This helps me shake off one world and enter another. Trees, birds, drizzle — it’s a nice kind of interlude.
Then I work again, later afternoon, for two or three hours. Back into book time, which is transparent — you don’t know it’s passing. No snack food or coffee. No cigarettes — I stopped smoking a long time ago. The space is clear, the house is quiet. A writer takes earnest measures to secure his solitude and then finds endless ways to squander it. Looking out the window, reading random entries in the dictionary.
To break the spell I look at a photograph of Borges, a great picture sent to me by the Irish writer Colm Tóibín. The face of Borges against a dark background — Borges fierce, blind, his nostrils gaping, his skin stretched taut, his mouth amazingly vivid; his mouth looks painted; he’s like a shaman painted for visions, and the whole face has a kind of steely rapture.
I’ve read Borges of course, although not nearly all of it, and I don’t know anything about the way he worked — but the photograph shows us a writer who did not waste time at the window or anywhere else. So I’ve tried to make him my guide out of lethargy and drift, into the otherworld of magic, art, and divination.”
Don DeLillo

Don DeLillo
“Secrets are an exalted state, almost a dream state. They're a way of arresting motion, stopping the world so we can see ourselves in it.”
Don DeLillo, Libra

“Maybe the younger you are, the more dying seems unexceptional. What's the difference between birth and death, anyway? Aren't they just the opening and closing of worlds?”
Anthony Veasna So, Afterparties

James Joyce
“The true and the beautiful are akin. Truth is beheld by the intellect which is appeased by the most satisfying relations of the intelligible; beauty is beheld by the imagination which is appeased by the most satisfying relations of the sensible. The first step in the direction of truth is to understand the frame and scope of the intellect itself, to comprehend the act itself of intellection. The first step in the direction of beauty is to understand the frame and scope of the imagination, to comprehend the act itself of esthetic apprehension.”
James Joyce

Arthur Rimbaud
“DAWN I held the summer dawn in my arms. Nothing stirred in front of the palaces. The water was dead. Camps of shadows rested on the road through the woods. I walked, awakening live warm breaths as precious stones looked on and wings soundlessly rose. The first undertaking, in a path already filled with cool pale glimmers of light, was a flower that told me its name. I laughed at a blonde wasserfall whose tresses streamed between firs; at the silvered summit I recognized the goddess. So, one by one, I lifted her veils. In a lane, whirling my arms. In a field, shouting to a rooster. Into the city she fled, between steeples and domes, and I gave chase, running like a beggar on marble docks. At the crest of the road, near a stand of laurels, I enveloped her in her gathered veils, and felt something of her boundless shape. Dawn and the child fell to the forest floor. It was noon when I awoke.”
Arthur Rimbaud, Rimbaud Complete

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