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The Case for Professional Editing (at least from my perspective)
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Thank you for sharing this. I have just started a proofreading and editing course which, hopefully, will lead to a career as freelance professional. It irks me when I see bad spelling;and editing my own writing has become something of an obession too!
I look forward to hearing more advice from you.
Good luck,
Jayne

Thanks for sharing your journey with us, Thomas. Editing takes many forms (grammar, punctuation, severing of dangling participles, logic of time and space, etc.) Keep us posted!

Thank you for sharing this. I have just started a proofreading and editing course which, hopefully, will lead to a career as freelance professional. It irks me when I see bad spell..."
Hi Jayne,
For years I hated editors, having been devastated by the remarks of my first two editors. It was much more than punctuation and spelling. They tore my story to pieces. I saved the hated critique from one editor, thinking what a bitch she was. Now five years and much writing experience later, I pulled out the old critique and read it again. At the same time, I read some of my 'old' writing. Lo and behold, the critique was not so bad after all and I could now see where she had been right. We have to quell our ego to open our minds. (Hope there's no mistakes in this.) June
AMAZON BOOK http://www.amazon.com/-/e/B008BDWE1Q BLOGhttp://memoirofjuniemoon.wordpress.com

Thank you for sharing this. I have just started a proofreading and editing course which, hopefully, will lead to a career as freelance professional. It irks me when I..."
PS. Yes! Hope there are no mistakes in this.

Unfortunately this means indie authors need to BECOME professional editors, or as close to that as possible. It's hard, and it's not just spell-checking for typos, correct grammar, and removing certain words. It means detecting weak writing, tortured sentences, continuity errors, and the bad habits that you never knew you had.
It's tough. I self-published my first book and there are still things I am unhappy about. It taught me about the importance of editing, and how much I had to learn just to make a passable book. If I could afford it, I honestly would get that red pen, because it is invaluable to a writer to get that kind of feedback. Until I can, I have to train myself to see my work as an editor would. As much as possible, at least.

First time author here who took the Indie route so far. I would love to be able to afford professional timely editing. My second book is with a group of proof readers and is approx 150,000 words. I have had three quotes for professional editing from $1500 to over $3000 depending on the depth of the edit.
Without a guarantee of sales in excess of 20,000 for an ebook there is no way I can break even. Instead as with my first book I'll have to accept the occasional review or criticism of needing a good edit.
I wish it was different but for the time being self-edit is my way into publishing.


I'll give it a try. I have tried other software with very frustrating results, i.e. two scans produce contradictory results.

I'll give it a try. I have tried other software with ve..."
Frustrated by 5000 character limit. Will see how I get on but frustrating - my new book has over 400 A4 pages, lots of clicking to see if its worth it

Having a professional editor is certainly something to consider if it can be afforded but I do not believe it is a necessity if not.
I got into an argument with someone way back who said an author should simply "save up" - well sometimes that isn't possible. The OP in that particular argument was claiming give up your I-phone, give up your Starbucks coffee. Well - I don't have an i-phone, my partner pays for my mobile. I don't often go out, and if I do I rarely buy things. It would take me several years to save up enough, and no I can't ask relatives. I found that argument very patronising. Sometimes it simply is not the case that a writer can afford the editing services.
Each situation is different.
No book is perfect, there will always be something which, in hindsight, could be better and this is true of self pubbed work, self edited work or regular published work.
Nice one for getting the publisher:)


Good luck!!!

Thank you for the link, the pricing is much more reasonable. I will persevere with Whitesmoke for a little while and see. Wish I could spend more time writing and less editing! Have to work as well.
Thanks everyone for your comments and suggestions

Whitesmoke is out for me. Integration with Mac version of Word is poor, including no help files. Several issues though
1. The lack of UK English setting.
2. When sending back to apply changes the programme (UK English) changed formatting including adding line and paragraph breaks into the "Normal" style setting.
3. At 5,000 characters per effort it can only handle approx two thirds of a page.
4. Having to be on-line is annoying, and would restrict use to my office desktop rather than a laptop in the garden - if it ever stops raining.


Thanks, that is looking more useful. I have tried Writers Cafe as well but Scrivener has a lot of good reviews so I'll give it a try. Just blogging on the whole subject as well

Just published my blog on the subject
http://www.goodreads.com/author_blog_...

I haven't yet bought it but I did use the trial. I am too lazy and stupid to look into it in depth at the moment but from what I have seen it does look useful, there are notes, name generators etc.

I haven't yet bought it but I did use the trial. I am too lazy a..."
I am trying it now, takes a bit of getting used to I think, but character and place links help



Indie books get flamed for typos and needing edits but apparently trad pubbed books can get away with that. I would like to add though, it was a first edition of the book, I assume later releases got the errors.

One of the things I have got frustrated by is Amazon's refusal to auto-push out amendments. Under Manage My Kindle users can opt in but this change wasn't notified. I emailed KDP as required to try and get them to send out a notice which they sometimes do, but they didn't for my first book. It's on it's tenth revision but I wonder how many of my nearly 4,000 downloads have the updated version. I have had some private and public reviews which have criticised (rightly) the level of editing, but I know that some of the issues were sorted out as soon as I was made aware of them, so I can only presume that these are older revisions. My paperback and hardback versions were also updated on Lulu. An ongoing issue for any writer.



I have persisted with Scrivener and I thoroughly recommend it. I am using it for all my writing and it's ability to output to multiple formats form one MS is fantastic. My new book has had good reviews so far, but that could be because it's a better story!
I would still like to have a professional editor, just like I want a literary agent and a publishing deal, but needs must, unless sales get me a return on my investment.
My third book is at proof reading stage. If that makes me sound prolific some of these books have taken more than ten years to see the light of day I have just had some time in the last 6 months to get them written.
Since commenting on this forum and discussing the whole editing piece I have become far more critical of all books, but especially professionally published ones, by experienced authors. Yes, they are full of mistakes and grammatical errors. I hope my whole reading experience has not been ruined. Still a good plot nearly always overcomes the errors!
Back to writing, now where does the comma in dialogue go....



Hi Aron
It is far more complex than I initially realised; however, for just writing and researching it's great. in my other life I have had to prepare very large proposals and bids, I wish I had Scrivener then rather than fighting with Word.
For my first book it took hours in word to prepare the various formats needed for Lulu Hardback and Paperback, Amazon for Kindle and then ePub for iBook and Nook. I also tried Smashworlds and CreateSpace as well all different formats, different rules on tables of contents and different rules on headers and footers. Scrivener pretty much solved all of this in an hour or so and that was with me reading the manual and another ebook on how to do it.
I have also re-editied my first book in the programme picking up several issues straight away that I had missed on countless proof reads. Then I was able to republish the various formats in a couple of hours whereas first time round it was several days.
I am still getting to grips with the character and places meta data functions and some of the other very clever search and filter functions it's the meta data that allows integration with Aeon Timeline.
I have 4 books in writing at the moment and they are all in Scrivener and I can flit amongst them at will going straight to a paragraph scene or chapter, knowing it won't impact any other sections formatting or layout.
At the basic end it's just as good as Word as a processor and much better as an organiser and formatting tool. It is not an editor though in any sense. It doesn't tell me about plot holes, poor characterisation and so on, it does tell me about grammar, punctuation and spelling. No software is perfect (like no writer) but it's good for me as it has a free 30 day trial what's not to try even if you never go beyond the word processor element - it's a lot cheaper than MS Office or just Word on its own.

Good luck with all your works.

You to make sure you post when they are out

P.S. I just edited this message after I posted it! Editing is never-ending.

A copy editor's job is to spot and correct the occasional mistake ; not salvage a mess submitted by an undisciplined or lazy would-be writer. That is a job for a ghost writer.
If for no other reason, a writer should master proper technical writing skills so as not to insult the intelligence of a potential reader.

My books might not be totally error free, but I think I am being honest when I say they are ALMOST error free.
I have picked up a few mistakes in Traditionally Published books over the years.

I loved reading your post because I could relate. I have one book published by an ebook publisher and I must say my editor was necessary in creating the book that is for sale on the virtual shelves. I have another book which I am looking at self publishing however, there is no way I wouldn't get it edited by a professional. I am using the same editor as she works freelance. I was surprised at how reasonable the cost was. I figure when I self publish the proprtion of the book sales that would have gone to the publisher I now keep so in theory it may work out to be pretty even. I hope! We'll see. :)

"In the days and weeks to come, I’m going to relate what she told me, subject by subject. I’ll go over what I did wrong, included the passage in which I did it, and show how she told me it should be corrected. Hopefully, it will prevent some others from making the same mistakes."
I read that and got so excited. That's the kind of thing that I think can provide excellent writing instruction.
Unfortunately, the OP never, as far as I can tell, followed through.
Anyone have links to anyone else that has done something similar?
Note that editing of typos and grammar, etc. isn't particularly helpful. I'm looking for examples that improve writing craft - tension, character, plot.
Thanks.
Brian
My whole start in writing had a bit of a herky-jerky start; I didn't know if my manuscript would get picked up, what if it didn't, should I just go independent, etc, etc. So, I decided to start reading up on what to do, in order to publish my book indie. Anyone interested enough to be reading this up to this point knows most if not all the ingredients to publishing. What I want to comment on is the editing.
Every article, blog, tweet, website and post I read said emphatically “If you do nothing else, have your work edited by a professional.” Period, end of story. One article I read went so far as to say his finished work was almost unrecognizable. Reading that, I wondered, “Well, did the story suck to start off? What’s the big deal? I edited the spelling, typo’s, punctuation, and all. What else could there be?”
All of you see what’s coming. Boy, did I have a lesson to learn.
My publisher put me in touch with the young lady who was to do my editing, and she received my manuscript. I got the first chapter back in about a week. She wanted to pay particular attention to the first one, because that’s the hook, and we want to make sure it’s a close to perfect as we can get.
After I staunched the flow of blood from my many wounds, I sat down to really read her comments. They all made sense, and I would (HAD) never given a thought to any of them. In the days and weeks to come, I’m going to relate what she told me, subject by subject. I’ll go over what I did wrong, included the passage in which I did it, and show how she told me it should be corrected. Hopefully, it will prevent some others from making the same mistakes.
One thing is certainly clear to me, at this junction. Without my friendly neighborhood Red Pen Nazi, my work would not (NOT, do you hear?) be the same book as it’s about to be, and now, I’m even more excited to see how it turns out. I’ll echo the others who have gone before. Professional editor, if nothing else. Period, end of story.
I'm a rookie - let me just get that out of the way first. I've put out my first novel, was fortunate (lucky?) enough to have my manuscript picked up by a publisher, and it’s now in the editing process. And that is exactly where my real education in writing begins.
My whole start in writing had a bit of a herky-jerky start; I didn't know if my manuscript would get picked up, what if it didn't, should I just go independent, etc, etc. So, I decided to start reading up on what to do, in order to publish my book indie. Anyone interested enough to be reading this up to this point knows most if not all the ingredients to publishing. What I want to comment on is the editing.
Every article, blog, tweet, website and post I read said emphatically “If you do nothing else, have your work edited by a professional.” Period, end of story. One article I read went so far as to say his finished work was almost unrecognizable. Reading that, I wondered, “Well, did the story suck to start off? What’s the big deal? I edited the spelling, typo’s, punctuation, and all. What else could there be?”
All of you see what’s coming. Boy, did I have a lesson to learn.
My publisher put me in touch with the young lady who was to do my editing, and she received my manuscript. I got the first chapter back in about a week. She wanted to pay particular attention to the first one, because that’s the hook, and we want to make sure it’s a close to perfect as we can get.
After I staunched the flow of blood from my many wounds, I sat down to really read her comments. They all made sense, and I would (HAD) never given a thought to any of them. In the days and weeks to come, I’m going to relate what she told me, subject by subject. I’ll go over what I did wrong, included the passage in which I did it, and show how she told me it should be corrected. Hopefully, it will prevent some others from making the same mistakes.
One thing is certainly clear to me, at this junction. Without my friendly neighborhood Red Pen Nazi, my work would not (NOT, do you hear?) be the same book as it’s about to be, and now, I’m even more excited to see how it turns out. I’ll echo the others who have gone before. Professional editor, if nothing else. Period, end of story.