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Synthesis
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Troy
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Dec 13, 2008 09:37AM

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I never felt connected to the characters, or cared what happened to them.
I hated how Will was crushed when Phil was with Bill, but he didn't seem to mind being with other men himself.
In whole, it seemed very shallow - although, perhaps that's what Hollingsworth was trying to do - point out the shallowness of many men of that time. If so, Bravo!

Will is oblivious to his place within the political structure of his family and his world. He judges others based on appearance and assumes his beauty makes him powerful. Sex is an expression of political prowess, and Will confuses quantity for quality. He ultimately finds that despite the scores of notches in his bed post, he's hardly conquered gay London. And on a grander scale, he's unaware that having unprotected sex makes him physically vulnerable; he could lose his beauty and his life.
I like that Hollinghurst didn't overdramatize Will's comeuppance. He's not destroyed; he doesn't immediately change all his ways. He gains a greater appreciation for his friend James, but does not see what a hypocrite he is in regard to Phil's philandering.
I do find it distracting how Will seems by chance to conveniently run into just the person he needs to see throughout the novel.
And the lengthy passages from Nantwich's journal, although interesting and important, take the reader away from the present action for too long. And, more important, they don't speak for themselves, in my opinion. Everything else is through Will's point of view, and I'm wondering what Will experiences as he reads them.
But as I said in the beginning, I really admire the writing. He integrates the physical and intellectual experiences of his characters.