The Night Circus
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Should this book be made into a movie?
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Mary
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Jan 08, 2014 02:27PM

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I would watch it for the visual effects. Imagine seeing all the enchantments and performances... absolutely amazing!


Totally. They could make it work with a sub/super-title, but I don't think it would work well if they tried to be subtle about it, given that the whole point of the circus is that the people don't age, so there would be no point of reference. Of course, there are the children, who *do* grow, but then they would need to be in most of the scenes to make them a reference point. It could also be done with fashion, since fashion is a theme, but then, how much do most of us know about Victorian fashion, really?



Oh wow, this must have been awesome. I love that people are getting creative in their adaptations. It a lot of ways, it's more appropriate than bog-standard film/TV adaptations.






http://www.imdb.com/title/tt1992248/


Cast Recommendations:
Celia - Emmy Rossum
Marco - James McAvoy
Her Fredrick Thiessen - Rupert Friend
Poppet - Emily Autumn
Widget - Stephano Masciolini
Isobel - Emily Blunt
Chandresh - Jim Broadbent
Tsukiko - Michelle Yeoh
Anyway thats my thoughts so far...

Michelle Yeoh NEEDS to be Tsukiko, though.
This would be cinematically amazing however due to the general lack of dialogue it would fail to capture audiences (unless of course the screenplay was adapted). However I don't think any adaption of this book can quite grasp the power of the imagination that reading allows and the world it creates for the individual reader.

I think it'd be better to have young and teen casts for poppet widget and bailey.
What about Alexander and Prospero?


Do you not like T. B. in general or just n..."
While it is true that I have not been impressed with much of his more recent works, the failure of those projects can not rest entirely on Burton's shoulders. Poor scripts, misguided interpretations, and Hollywood's insistence on A-List actors (however miscast) to "insure" success, have yielded some horrible productions. Unfortunately, in the end, it is generally the director that is the scapegoat for failure. That being said, I believe Burton is the wrong choice for this film, not based on past failures BUT based on past successes.
In my opinion, Burton excels as a director when he is able to create a world from his OWN mind and not trying to recreate a world that is already preconceived by an author and, even more importantly, the vision of the author's audience. Morgenstern has created a very vivid world from her own imagination, so vivid that her audience can envision much of what she had in mind. The true "Star" of the movie will not necessarily be Celia & Marco but the circus, itself. On the surface, Burton's vision would seem the perfect fit...the Circus is Black & White after all. Images of Beetlejuice (One of his successes) pops into mind but therein is the reason that I believe Burton is wrong for this project. One of the reason that Beetlejuice succeeded is because the world that was created came from the mind of Burton and his collaborators...the audience had no preconceived notions.
Furthermore, there is a darkness in Burton's work. Despite the subject or even genre of the film, there is always that pervasive darkness in the feel of the scenes and in the humor (however unnecessary). It works in movies like Beetlejuice, Edward Scissorhands, and Corpse Bride but fails miserably in films such as Charlie & The Chocolate Factory & Alice In Wonderland (again, failure may be attributed to screenplay and miscasting). While Burton's dark vision in the feel of a location may work outside of the circus, I fear it can not and must not invade the circus, itself. In this movie, the circus, itself, is every bit as much of a star as the cast selected to appear in it. The contrast between the bleak real world outside of the circus and the circus itself simply must be dramatic.
Casting & Storytelling is going to be crucial in this film. Two actors, whether by choice or by chance, seem to appear in many of Burton's movies. However, no matter how talented both Johnny Depp and Helena Bonham Cater are, neither are the right fit for the leads in this one. My hope is that Hollywood steps away from casting solely PRETTY actors and chooses ABLE actors istead. While both Depp and Bonham Cater are more than ABLE (and, yes, both PRETTY), realistically both may be too old to play the leads. The trick will be to find two A-list, 30-something actors to convincingly fill the lead roles. Oh, and before I get comments about the actors chosen to play Celia and Marco remember the teen leads were all born shortly before or just after the Circus was produced. With that in mind, Celia and Marco must be somewhere in their mid 30's (or can portray the ages)at least. So we have to think of actors like Kate Winslet & Christian Bale... PRETTY enough to draw an audience but talented enough to really pull it off. A character such as Tsukiko is going to be interesting to cast. My hope is that she will be pulled from a Chinese acrobatic or Cirque du Soleil troupe where her contortion skills and exotic mystery will be more important than her A-list acting credentials. The casting of the three teens should be an open door to three new stars in the making...the twins being young Scottish (or British at the very least..and NO, not Emma Watson as Poppet!) actors. Apart from the circus itself, the three teens were my personal favorite characters in the book.
I am already prepared for the changes in the screen adaptation. The theme of "TIME" that was prevalent throughout the novel (suspension of aging, Thiessen's clock, the pendulum motion jumps between past and future, etc.) will have to be sacrificed for the movie continuity and time constraints. My guess is the story will be told from one particular point of view and not necessarily the most obvious characters. My choice would be Widget's. He is, after all, a story-teller. Furthermore, with his characters abilities, he would be able to weave out the story despite not even being alive at the earlier times.
Sorry, got sidetracked...back to Burton. Based on where Burton excels, I think this project would be the wrong choice for him. Burton's name, however, has been tossed about by fans in connection with another popular book. Initially I was opposed but upon further reflection, I think Burton may be a better choice for the screen adaptation (sans all attempts at humor) of MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN. His ability to create a dark world would work so much better with this project. Furthermore, if his casting has been by choice and not chance, wouldn't Helena Bonham Cater make an outstanding Miss Peregrine? Sorry, Johnny, there is just no way you can pull off the teen lead in this one.
All things considered, the director selected for THE NIGHT CIRCUS has his/her work cut out for them. Apart from having to create a movie to entice an audience that have not read the book, the director will have to appease fans of the novel and even more, an audience of Rêveurs. We will be there...with our hint of scarlet.







Oh my goodness YES!!!! He would get it right!!!



Oh, Tarsem Singh, haven't thought about him - he's visually different from what the book did look in my mind, but his take would sure be fascinating to see.




'Pan's Labyrinth' was an awesome movie with stunning visuals and story line.
What do you think?


However I found it really interesting that, in her author's note, Erin Morgenstern mentioned Punchdrunk theatre company (who do promenade productions) as I had spent the whole time reading it thinking what a great Punchdrunk production it would make.
So personally i'd rather see that than a film.





Please someone make this happen!

Well, I'd like to see an adaptation if it were done right, but I'd rather that they didn't make a movie at all than make one which is anything short of perfect.
'Magical' i..."
Omg, I agree with you so much!
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