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What is the worst book you have ever read?
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Everly
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Mar 04, 2012 12:49PM

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What makes me stop reading is usually pacing that drags, characters that don't inspire/enthrall/interest/mystify/enrage - spark some sort of emotional reaction in me, and prose style.
Recently, I think "Dearly Departed" by Lia Habel was probably the worst - didn't even get through the sample chapter. Boring, cardboard characters, a bad history essay that was just an infodump written in the most uninteresting prose, and it was supposed to be about zombies. Maybe my expectations were too high but I couldn't chug my way through that one.



Dearly Departed looked cute too. Oh well. sigh. :)

The absolute worst of this type I had to review was a Christian bodice-ripper full of historical anachronisms in which the couple kneels down to pray before ravishing each other. In another one set in Germany during WWII, the main characters conclude that capitalism is God's will and that socialism is the devil's economic system. Another one set during WWII in France suggested that it was only superficial Christians who collaborated with the Nazis and that 'real Christians' did their best to save the Jews.
Of course then there are all those drippy pioneer novels in which a woman's love converts the rough-edged cowboy or the sensitive wagon-train guide, who can shoot as easily as he can pray, rescues a woman on the edge of immorality.


"The author never met a metaphor he didn't like". Too funny!

"The author never met a metaphor he didn't like". Too funny!


But, I notice Meagan in the post above me here got a raw deal on that one, so it makes me rethink about how 'bad' my actual experience was.

There is certainly something to be said about manners. I feel bad for your experience, and I certainly hope you didn't pay for that book, or at least managed to return it for a full refund. Some people are just not cut out to take criticism I guess...


The Host had an awesome premise, but I hated all the characters. Book stalled in the middle. The sexual tension was incredibly contrived. And the conversation between the main character and her PARASITE was really weird.

My $0.02.

Lol! This made me chuckle!

I agree with you completely Sandra.

I was going to say Wordsworth, because dead people are fair game. But I'm afraid I feel famous people are fair game, mostly because whatever I say about them is unlikely to come to their ears.


I was going to say Wordsworth, because dead people are fair game. But I'm afraid I feel famous people ar..."
Famous people are fair game because they'll likely won't see or hear your opinion? That's...interesting. Why the distinction? Why not include anyone who's published a book? Don't they all become public figures at that point?
I still think that one can be vague about the specific title/author and focus on what didn't work in the book. Again, just my opinion.

I loved The Name of the Wind... thought it was one of the best fantasy books I ever read, lol. So subjective - but interesting to hear different opinions.

Sort of, Sandra, but I'd be gentle on indies, from a fellow-feeling; and as for the obscure - indie or not - I guess I'm just more sympathetic towards them. As a writer newly out in the world, I know how scary that is; I'm easily terrified at the thought of being a 'public figure'.

I totally agree with you. I wouldn't cut down an indie in public no matter how bad it was. Because indie is relatively new, I've read far more trad pub than indie. Even so, the first books that came to mind when I was thinking about Elle's question were trad pub books. And lately some of the best books I've read are indie.
worst bood? twilight. that was easy.
Ottilie wrote: "Hm I'm sure there are several, two on the top of my head though are 'The Giver' and 'I was a teenage fairy (faery)'"
anyone i ever ask loves the giver. it didn't work for me. and worse, i had to teach it while disliking it. that was not easy. i think i was burned out on the genré at the time. the dystopian, totalitarian, 1984-ish type of story that was just done and done and overdone and again.
anyone i ever ask loves the giver. it didn't work for me. and worse, i had to teach it while disliking it. that was not easy. i think i was burned out on the genré at the time. the dystopian, totalitarian, 1984-ish type of story that was just done and done and overdone and again.

For example, Richard didn't like The Giver because the theme is so overdone. I feel that way about the Tudors of England and Vampires.
As Elle said, there is a lot to learn about writing from bad books. This is how I finally figured out how I 'tell' more than I 'show' in my own writing. I also learned how annoying it is to read pages and pages of dialect and strong accents. Anther thing I learned from bad books is that stuff has to happen to the character. I know that seems like basic stuff, but I can't tell you how many bad books keep the reader trapped in the characters' heads worrying over what seem like minor plot points - Twilight is a good example of this. Those of us who hate Bella do so because we spent way too much time in her head.
So, what else makes a book bad?





Patricia wrote: "I really like how Elle qualified her question - why is a book bad?
So, what else makes a book bad?..."
i didn't like twilight for two reasons. 1. because bella was such a victim and kept making stupid choices and putting herself in dangerous positions from which others had to save her. 2. simply the writing. someone must have told stephanie meyer that the correct way to write dialogue is: "quote quote quote," he said (insert adverb). at one point i had a list of the adverbs she crammed in there, and it grew to silly. she used words that can't be adverbs but added "LY" and made one. one that stands out was when someone asked a question, and the next line was something like "No," he said contrarily.
my comments about the giver might be unfair because of timing. if i had read that before some of the others of that genré, then this might have been the book i liked and the others would be on my bad list.
So, what else makes a book bad?..."
i didn't like twilight for two reasons. 1. because bella was such a victim and kept making stupid choices and putting herself in dangerous positions from which others had to save her. 2. simply the writing. someone must have told stephanie meyer that the correct way to write dialogue is: "quote quote quote," he said (insert adverb). at one point i had a list of the adverbs she crammed in there, and it grew to silly. she used words that can't be adverbs but added "LY" and made one. one that stands out was when someone asked a question, and the next line was something like "No," he said contrarily.
my comments about the giver might be unfair because of timing. if i had read that before some of the others of that genré, then this might have been the book i liked and the others would be on my bad list.
Julie wrote: "I have a rule. Where it applies, I read the book, and then see the movie. If I do it the other way around, it ruins the book for me..."
although i haven't done this, someone once explained the benefit of the movie first and then the book. how many times have you seen a movie (that didn't have a book) and afterward you wished that there was more to the story, that it would keep going, and you wanted to see the characters do more? that happens constantly.
and what are the common complaints about reading the book and then seeing the movie? "they left so much out."
but if you see the movie, and then you read the book, then you get extra scenes and you get what you wanted when you would have said, "i wish there was more..."
although i haven't done this, someone once explained the benefit of the movie first and then the book. how many times have you seen a movie (that didn't have a book) and afterward you wished that there was more to the story, that it would keep going, and you wanted to see the characters do more? that happens constantly.
and what are the common complaints about reading the book and then seeing the movie? "they left so much out."
but if you see the movie, and then you read the book, then you get extra scenes and you get what you wanted when you would have said, "i wish there was more..."

In the Twilight movies we don't have to be inside Bella's whiny head or Jacob's bratty head.
With movies versions of Victorian-era novels by Dickens, Elliot, Gaskell, and the Romantic writing of Sir Walter Scott you get the wonderful dialogue and plotting without the heavy descriptive writing of those periods.

In the Twilight movies we don't have to be inside Bella's whiny head or Jacob's bratty head.
With movies versions of Victorian-era novels by Dick..."
This thread had me thinking about my experience with the novel for Last of the Mohicans. It was many moons ago back in high school when I tried to read it, so my patience may be far different now, but at the time, that book totally defeated me. It was a chapter that described every leaf and rock and tree in such detail, I couldn't get past it.
I wouldn't say it was a bad book, though-- just that I wasn't able to appreciate it at the time.
I did end up seeing the film and enjoying it.
last of the mohicans is an example of a good book at a bad moment in the history of writing. american literature at that time was supposed to be loooong, drawn out, complicated sentences and phrases. the movie allowed you to get past that, luckily.
take the first paragraph of the scarlet letter. it's about 140 words, and it's one sentence, and all it does is basically describe a door.
my thanks to ernest hemingway for straightening us out and making us better writers.
take the first paragraph of the scarlet letter. it's about 140 words, and it's one sentence, and all it does is basically describe a door.
my thanks to ernest hemingway for straightening us out and making us better writers.

I probably should try to read Mohicans again. I did read the Scarlet Letter just in the past, say, ten years and I got into the cadence of it without the issues I'd had with Mohicans. It may be a difference in the Older-Than-Dirt Me, versus the Impatient Whippersnapper Me. :)
It really is all relative.

However, because I'm American I've been trained to prefer shorter, more direct writing. When a narrative is too descriptive or tells me what I could have figured out through context ("She was scared" or "He felt so alone in that big, empty house") I think of Salieri's criticism of Mozart's music in the film Amedeus - "Too many notes!"
i was thinking about that movie recently and had planned to put it in my netflix queue. that settles it!

However, because I'm American I've bee..."
Patricia, too many notes here? "Her hair flowed like a lovely waterfall reflecting the golden rays of sunshine." Where's the context here?

OMG - I remember you telling this story in another group, Meagan. Like the guy was stalking you or something. Yikes.

Yes, too many notes. Why do we need to know about her hair? Is that central to the plot? Or if this is a clever way of telling us it was sunny out that day, why do we need a weather report?
Unless the next sentence is, "Her father grabbed her by her hair and dragged her back inside before I could tell her I loved her," I don't know why we need to know about her hair.
unless the next sentence is, "then she turned around, and i was 99% certain that it was my grandfather in a wig."

LOL - Maybe we should have a thread about scenes we would re-write!

Patricia wrote: "Richard, after I stopped laughing I went to your blog to read some of your writing. I've bookmarked it for later (off to a conference in a few minutes). I have the same exact desk as you - I love m..."
aww thanks for having the curiosity to read anything on my blog. it's not brilliant, but i'm proud of it, and i think it helps me write better. sometimes, when i've spent four hours revising my book, i have to get away, read what others are writing, and write some comments to their work.
here's another connection - i (used to) have red hair too!
aww thanks for having the curiosity to read anything on my blog. it's not brilliant, but i'm proud of it, and i think it helps me write better. sometimes, when i've spent four hours revising my book, i have to get away, read what others are writing, and write some comments to their work.
here's another connection - i (used to) have red hair too!

The Last of the Mohicans is almost the worst novel ever written. It is absurdly bad. The only reason it survives is because it pioneered a genre. It has more in common with The Castle of Otronto than it does with the canon. (Yes by Gumbit there is still a canon!) Cooper deserves credit for the genre, but his writing is awful, his stories are dull, and his depictions of the "noble savage" are nothing but lazy portraits of 18th century prejudice. Mark Twain put it better than I ever could in his "Literary Offenses", and I would point you in that direction. My favorite offense is the 13th: "Use the right word, not its second cousin."
But really, Cooper isn't even bad. He's just forgettable. His works are a historical footnote, they have no literary qualities.