The Catcher in the Rye
discussion
Did anyone else just not "get" this book?
message 101:
by
Anum
(new)
-
rated it 2 stars
Jun 20, 2011 10:47AM

reply
|
flag


This is more or less what I thought, too.


I do know that a lot of hipsters love the shit out of it. Must be trendy to like it or something.



Very well-put, Karen. I agree, for the most part, with your assertion.


Either way, I thought it was pretty good. It's not my favorite book, but I wouldn't say I didn't like it.

i absolutley hated this book. i got the exact same thing out of it you did. i had to do a report on it and i didnt finish the book until the night before the paper was due haha i just couldnt make myself read it. normally i can force myself to read a book if i need to but this one, i just couldnt.

Holden believes that all mothers are insane, probably because he blames his own for the death of Allie
He asks for drinks everywhere he goes, and tries to get a hooker he doesn't end up using--all evidence that he wants to grow up fast because he believes all the adults he know are incompetent because they are the cause of Allie's death.
The fish and ducks in the story may be the best example. Holden is constantly asking Cab Drivers and other people what happens to the fish and the ducks in the winter time. He is so worried because in Holden's mind the fish and ducks are Allie, and winter is death. He wonders who will save them, and who should have saved his brother.
Although Holden cares about the fish, he lacks caring in many instances because he fears that he will lose what he cares about, as he lost his brother, and in turn he becomes cynical to the people and instances that he does not care about because he feels it is better to live cynically than to live with love and the possibility of losing what he loved and getting hurt again.
The book ultimately gets its title when Holden talks about the song that goes "if a body catch a body coming through the rye" (it's actually If a body meet a body coming through the rye )and says he would like to have a job where he saved kids lives from falling off a cliff. This is caused by the trauma Holden felt when he lost his own brother and wants to spare others from having to feel the same pain. Alternately Holden may feel that he wants to "catch" young kids from having to grow up at an old age like he had to do because his brother died and he felt that all adults were incompetent.
Lastly you can look at when Holden goes to his old professors house as a refuge, to a person he thought he could count on and that would "catch" him as he wants to catch others. He wakes up in the middle of the night to the "flit" professor stroking his hair, and realizes that this professor has not caught him like he thought he would and is a "flit" and that what Holden thought was true and right was actually skewed.
Ultimately his cynicism can be related back to his brothers death, but also the fact that his world is very skewed (being wrong about his professor, labeling students of his same economical class as phonies, being wrong about the song, etc).
Hope this helps guys.

That's all I learned from English class. It was pretty helpful, but honestly, Holden's annoying.





I have no idea how I would react to the book now at age Sixty. I would almost be afraid to read it and find that it wasn't special anymore.




In my experience, teenagers now come into this knowledge much earlier than they used to, so the idea that a 16 year old is this disillusioned seems crazy. Yes, Holden is self-absorbed and likes to whine, but he's 16. And, speaking as someone who enjoys working with 16 year olds immensely (I teach sophomores) this is what kids at 16 are like. The world does revolve around them (this is actually a cognitive stage, not just me being flippant) and life is tough, so if Holden seems a little self-centered, that's normal. That's the way kids are.
Salinger himself was a recluse, it makes sense he'd create a novel about a kid completely nonplussed by the outside world. It reflects his own view on how corrupt and confusing society is. As I've worked with students through this novel, most students come to the realization that unless the reader also feels this way about the world, they won't connect with Holden. And if you don't connect with him, this can be a tough read.
I also think that, due to the symbolism, characterization, and underlying themes, this is a book to be studied, not just read. Having someone to support the reading, talk to about it, tease out the confusing parts, etc makes the read a lot easier. Reading it alone might leave people feeling they "don't get it," like they are missing parts. A lot of my students think I am crazy in September when we start plowing through The Great Gatsby--this is my favorite book ever? Really?! But with a little support, they eventually fall in love too. My experience has been that Catcher is the same way.

I read the book in the first place because a high school teacher of mine talked about how his feelings towards the book changed over the years. When he first read it as a teenager he loved it, and very much identified with Holden. When he read it again some years later after college he was surprised that he found Holden to be a whiny brat. He read it again recently - now as a much older man with a college-aged son - he came to have another perspective and thought the book did essentially capture the mindset of a particular kind of teen angst.
It is always interesting to look at how our perceptions of a work change as we ourselves grow and change. So perhaps I should give this book another try?

I read the book (a good part of it anyway) as an adult to see what I may have missed as a teen. I still didn't care for it, but I did recognize the voice as being very appropriately for a teen of that era and could see why more often than not teens can relate to Holden. (I could also see in hindsight that I was never a "normal" teen and that it was inevitable for me to hate Holden.)



a) Holden is on the wrong side of mental stability when he reminisces about those two crazy days, and thus can appear to be a flawed narrator, or a prick, or a myth-maker, or all three, throughout the book.
b) He is equally in the dark as to why he was depressed, why he was hysteric, why the shit that happened happened to him, and yet he gives wonderfully zany reasons--this provides a wonderful comic undertone.
c) Holden is having a nervous breakdown, an experience beyond most 17 year olds, and he is attempting a glamorization while narrating it. He is trying to impress you, the reader, he is trying to seduce you, he is trying to act cute, and you can see through it. Do you think that Salinger was blind to the possibility of his readers being passably shrewd?
d)Everything that Holden Caulfield says in the book--and the book is him, after all--EVERYTHING he says is a reconstruction, and it is reflected by the surroundings he is in, as he speaks. A crumby sanatorium.
e) And finally, there is a terrible honesty in everything he says. Even his pretensions and his phoniness and "ten million goddamns", are ultimately attempts at honesty.
And it is this honesty that makes it the voice of a decent, average, shrewd, intense, paranoid kid, living in the 50's. And no, you don't have to "relate" to him, and no, he was not the "embodiment" of any goddam generation, and no, you certainly don't have to "like him" or "want to meet him". He was a spectacular failure, a decent kid that wanted to be the catcher in the rye. And Catcher in the Rye is a spectacular novel, more interesting and TRUE than The Diary of Anne Frank.

I like plenty of books with asympathetic ranging to plain old distasteful and unreliable narrators.
This is just a poorly-written attempt at all the things you point out.

Its always a little absurd to argue over enthusiasms. We hardly know why we like what we like. All we ever seem to do is label our prejudices!
Having said that, I believe that Catcher in the Rye is a book of dimensions. If you look through the clichés and absurdities of a seventeen year old’s posturing, you are bound to see something that is shockingly beautiful. Beautiful, but not obviously.
Beyond the superficial attraction of a rebellious teenager’s so-called "honest" rants, what I find in the book is a certain poignancy and tenderness, which, I believe is the mark of a work of art. Why poignant? There is a character thrown, without his consent, into a world of greater diversity and relentless truths, which his innate decency resents; he understands that life is mostly a constant shattering of your truths in the raucousness of a world that does not acknowledge nor cares for what you feel, think, are. And yet, he must go on living. Why tender? In the vulgarity of a clamoring world, there is always a soft melancholic love, a pathetic fragility that affirms life, again and again (in Holden’s case, Phoebe).
And all this is terribly funny. The violence done to your proclivities are humorous, and it is a poor intelligence that believes in tragedy or comedy, because always, always one must remember the humor of all this. The book is beyond the delineation of poor tragedy.
Now apart from this, there are the obvious beauties.
The rhythm of the recurring prose, certain brushstrokes of profound insight, observation, the way a crooked lip or a gaunt belly implies much more than its appearance and the freshness of Salinger’s basic premise, which, let it be said, is not mere “loss of innocence”.
I think one must read and reread and re-reread to make sure that the implications are never lost on one. I don’t mean “get between the lines” or seek for symbols (all of which are tedious, tiresome toils). I mean, discerning the inner harmony of a work of art, be it Catcher in the Rye, or Twilight, or Life as a whole.
Goddamn, I sound so phony! I just hope everyone gives Catcher in the Rye one more try. It is as profound as Ulysses—and yes, I am awake to the implication of that statement. But if you really, biliously, unrelentingly, wildly, madly hate it—shit, maybe it IS a bad book!

If we want to blame the writer, couldn't the writer just as easily blame his audience? Maybe you just aren't "talented enough" to get it? I don't believe that's true any more than I believe that Salinger is a bad writer, but it bears some consideration.
I think, as with all great works of art (paintings, music or books) that we need to see that not every artwork is required to speak to every single person on earth. Salinger cast his net as wide as he was able. If it does not catch you, perhaps it's a matter a style and preference rather than his talent.


There are plenty of awful classics that stay in rotation for awful reasons.
Jebb's translations of the Greek Tragedies come to mind, just off the top of my head. People use them because they're the least-terrible translations in the public domain. They're still bad.
Sometimes things last for a long time for stupid reasons. The Catcher in The Rye's longevity baffles me, and I'm hardly the only person to think so.

Personally, I really liked the themes Salinger developed through the book, but failed to be emotionally gripped by the protagonist. Holden Caulfield is very precisely wrought and nuanced as a character, but ultimately I found his perspective frustratingly, unrelentingly myopic and that really alienated me as a reader. The only part of the story I thought particularly redeeming was from Phoebe's entrance onwards. Holden's desire to protect his kid sister was rather poignant, if bleak, and I recall the scene at the carousel vividly.
So while I can recognise the value in the underlying themes, for me, any book that I was going to consider a 'favourite' needs to emotionally suck me in, as well as rest on a foundation of brilliant ideas.

Thank you for the insight. It was, indeed, a tough character to relate to, which may be the exact reason I just could not get into this book. After reviewing some of the comments here, I am inclined to agree that this book may need to be studied (versus just being read). I just might have to come back to it...

Thanks, Matthew. This (coupled with a few more insightful comments) was definitely helpful. As I mentioned to another reader, I think this discussion has provoked me enough to consider a second read.



His actions, some might say are appalling and disgusting while some may revel in the rebelliousness and adventure of his actions and it is due to this divide thats makes the book a success. Holdens personality leaps out of the page whether you like it or not




all discussions on this book
|
post a new topic
The Thirty-Nine Steps (other topics)
Out of Revolution: Autobiography of Western Man (other topics)
The Wonderful Wizard of Oz (other topics)
Nicholas and Alexandra: The Classic Account of the Fall of the Romanov Dynasty (other topics)
More...
John Green (other topics)
J.D. Salinger (other topics)
Books mentioned in this topic
Bambi: A Life in the Woods (other topics)The Thirty-Nine Steps (other topics)
Out of Revolution: Autobiography of Western Man (other topics)
The Wonderful Wizard of Oz (other topics)
Nicholas and Alexandra: The Classic Account of the Fall of the Romanov Dynasty (other topics)
More...
Authors mentioned in this topic
J.D. Salinger (other topics)John Green (other topics)
J.D. Salinger (other topics)