SFBRP Listeners discussion
Books I would like to see reviewed
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Juliane
(last edited Feb 10, 2015 02:04PM)
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Feb 10, 2015 02:00PM

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Have you read any of Jasper Ffordes Thursday Next series?
It is set in an alternate universe 1980s England where books are so important theres a special ops unit dedicated to literary crime.
I think you and Juliane will love it.
It starts with The Eyre Affair.


(though I do hope Luke likes Fforde's work, it is very British).
I hope it is available in the German Audible store.




Ah, The Thirteenth Floor, the movie that had the misfortune to come out two months after the Matrix, so everyone dismissed it as a low-budget ripoff even though it was based upon a novel written thirty years earlier.
For foreign language SF, almost everything published by Haikasoru is worth picking up, but especially Harmony, which I'm never going to stop recommending because it's easily the best SF novel published this century.

Hm...I just read the sample. I would definitely put it as youth fantasy-fiction. Don't really see any science fiction so far - just because it's set in a "future-fantasy" doesn't make it feel like science-fiction. And it's more on the level of Inkheart or Momo, just for maybe 15 year old people? Of course I get the dystopian meaning behind it, but so far it feels like a school book to read before reading 1984, just softer and easier to understand the unfairness of the society in a "colortocracy".
As it was just the sample, maybe there is more to come, if you can convince me to continue, I'll read it. Otherwise, I think very obvious statements like..."A 14 second clip of something got me started as if a vage hint towards the Red singer would convince me..." is just a bit too simple.
Also part of the story writing is like...- this is how I will end up, although I am only just entering a situation - ...is like constantly spoiling the story to come. Maybe that is a clever thing - for me it didn't do it so far.
Should I continue?

I think he was trying to write something different from the very distinct style of the Thursday Next and Nursery Crime series he's been writing so far. and frankly it wasn't very good.
And yes it seems to be leading to something that never pays off, and so far I haven't heard of a date for the publication of a sequel. Though strangely a prequel is planned.
To get Fforde's special style you should read the first 4 Thursday Next books and then the 2 Nursery Crime books.
But first start with the Eyre Affair and see if you like it.


His books introduced me to SF when I was an early teenager. I read almost all of his novels.
He is one of the most or maybe the most famous German SF author.
I read his rather recent book "Todesengel" and it went flat for me. I remember enjoying "One Trillian Dollar" and "Lords of All Things".

I'm still hoping you'll like The Eyre Affair.
I didn't recommend it so you'd rant about it.
See what Juliane thinks and decide if you'd also like to give it a go.



I started listened g to that Incomparable episode, but then I remembered why I don't usually listen to episodes about stuff I've not seen/read/heard. It quickly devolved into a spoilerific "I like this, I don't like this" without much depth or enjoyment if I'm not up to speed already. None of the depth or interest that their Star Wars series has.
In the end I was surprised that so many had so much good to say about the novel/series, but then I guess this was a self-selected panel of people who liked the series enough to continue reading. Those who bailed after book one wouldn't stick around.
I may give the second book a go as an audio books, but only once I've read everything by Alastair Reynolds another few times ;)
In the end I was surprised that so many had so much good to say about the novel/series, but then I guess this was a self-selected panel of people who liked the series enough to continue reading. Those who bailed after book one wouldn't stick around.
I may give the second book a go as an audio books, but only once I've read everything by Alastair Reynolds another few times ;)



I'm surprised publishers don't try to remedy that.
Andrew wrote: "I don't understand why Banks / Reynolds / Hamilton wouldn't get a Hugo nod. (Yes, okay, I know Banks is no longer with us but you know what I mean)I know Reynolds had a novella nomination in 2011, ..."
It's not a conspiracy. It's just that the Hugo voters aren't very diverse in their reading. Leviathan Wakes is nothing but a re-do of Redemption Ark with all the subtlety removed. It even has the same character names for the same roles (The Butcher of Tharsis), the same science fiction elements (a melding plague, inertia dampening, an ancient alien power that wants to destroy/control life, an alien-infected ship captain that has to be convinced to save the day, etc, etc), and many other elements in common.
Redemption Ark is just better in every single way... except Reynolds, back then, didn't have two authors working on the promotion, a built-in following of not one but two fantasy series, and all that kind of thing.
So Leviathan Wakes is like Redemption Ark but for people who simply don't know better. And now Reynolds is an established author, he won't even get the new-author buzz that happens for books like Ancillary Justice.
Personally I don't think either Abyss Beyond Dreams or On The Steel Breeze (Hamilton's and Reynolds' last books) were anywhere near their best work.
I don't care these authors don't get awards nods, but it does surprise me when I find hardcore science fiction readers who have never even sampled a Culture novel, or a Revelation Space novel, or Pandora's Star. Even so, if one of these did make it to a ballot, they would probably lose to the latest Miles Vorkosigan outing.
It's not a conspiracy. It's just that the Hugo voters aren't very diverse in their reading. Leviathan Wakes is nothing but a re-do of Redemption Ark with all the subtlety removed. It even has the same character names for the same roles (The Butcher of Tharsis), the same science fiction elements (a melding plague, inertia dampening, an ancient alien power that wants to destroy/control life, an alien-infected ship captain that has to be convinced to save the day, etc, etc), and many other elements in common.
Redemption Ark is just better in every single way... except Reynolds, back then, didn't have two authors working on the promotion, a built-in following of not one but two fantasy series, and all that kind of thing.
So Leviathan Wakes is like Redemption Ark but for people who simply don't know better. And now Reynolds is an established author, he won't even get the new-author buzz that happens for books like Ancillary Justice.
Personally I don't think either Abyss Beyond Dreams or On The Steel Breeze (Hamilton's and Reynolds' last books) were anywhere near their best work.
I don't care these authors don't get awards nods, but it does surprise me when I find hardcore science fiction readers who have never even sampled a Culture novel, or a Revelation Space novel, or Pandora's Star. Even so, if one of these did make it to a ballot, they would probably lose to the latest Miles Vorkosigan outing.


So bring on some analysis guys, I'd be interested to hear what you both have to say

The state of science fiction as a literary genre, or the culture that surrounds it? Because I'm finding the latter -- the cults of personality that surround many authors, the hype machine (io9, Tor) that builds up certain books as The Next Big Thing before they're even released, the whole fans-are-slans attitude -- has sapped my enjoyment of the former. Which is the main reason I avoid so much American SF these days.

Yes Sean, I know what you mean. To answer your points here - I think I'd prefer something from Luke and Juliane on the literary trends in the genre, although I'm sure they could say something about the cultural trappings of SF, good and bad.
But you are right, the breathless hype that surrounds the genre can actually drain the fun out of it, the pressure to "keep up" with SF is like a full time job, and not always an enjoyable one.
As for "fans are slans" - I don't like that at all. I am suspicious of victimhood mindsets anyway, and this is a counterproductive approach that will actually keep SciFi separate from the literary mainstream, it's like a superiority complex borne out of insecurity. I think the barriers are breaking down anyway.
Amongst all the hype and steam that gets generated around the genre I'd like to hear more people talking about the need for great stories that entertain people and tell a truth about the world as it is.
Luke and Juliane - yes episode 300, bring it on!

Moidelhoff wrote: "May I recommend "The Alchemist and the Executioness"
Its a joint venture by Paolo Bacigalupi and Tobias S. Buckell, the audiobook is under 6 hours and its narrated by Jonathan Davis.
What's not to..."
May I recommend SFBRP #102 – Paolo Bacigalupi and Tobias S Buckell – The Alchemist and the Executioness
Its a joint venture by Paolo Bacigalupi and Tobias S. Buckell, the audiobook is under 6 hours and its narrated by Jonathan Davis.
What's not to..."
May I recommend SFBRP #102 – Paolo Bacigalupi and Tobias S Buckell – The Alchemist and the Executioness




It's a good one. I have it in here:

I also have a BBC radio drama version on my laptop that I've not got round to yet.

I also have a BBC radio drama version on my laptop that I've not got round to yet.


There's also a weird element in that the main character David Neff is an Ohio-based writer who published a book called The Serial Killer's Protege and James Renner is an Ohio-based writer published a book called The Serial Killer's Apprentice: And 12 Other True Stories of Cleveland's Most Intriguing Unsolved Crimes. That just makes things a bit more interesting and twisty.


A

I recommand "Pandemonium" over "Afterparty". It is basicaly the same, but the implications of Pandemonium are more fun.


Most of the many reasons I didn't like Snowcrash barely overlap with why I'm dissatisfied with cyberpunk thrillers.
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