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Pulp Hero v. Super Hero
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K.B.
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Aug 01, 2010 04:52PM

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The Shadow and Doc fueled the hero pulps, Superman the superheroes of the forties and on into today.
Pulp heroes were a lot more violent than superheroes have ever been(read the first two Docs before the advent of his "college" that operated on criminal minds to make them "honest" citizens).
The Shadow and The Spider carried forty-fives and were not at all hesitant to use them.
One last thing. Is anyone following DC's team-up with Doc Savage, Batman, and The Spirit, First Wave?


It wasnt a big differenc in the 30s other than a pulp or comic book. Today comic book superhero are not as hardcore as they were early on and more melodrama.
I follow team up,First Wave comics.
Interesting question, should be a fun topic. Good comments already.
Pulp heroes are us, reality.
Super heroes (at least the originals) are what we humans would like to be, the ideal. Today's super heroes not so much, perhaps, but then again, many of today's heroes are either caricatures or 'pulp supers' if you will.
As for Batman, I like Henry's "pulp hero, trapped in comics" description. :)
Pulp heroes are us, reality.
Super heroes (at least the originals) are what we humans would like to be, the ideal. Today's super heroes not so much, perhaps, but then again, many of today's heroes are either caricatures or 'pulp supers' if you will.
As for Batman, I like Henry's "pulp hero, trapped in comics" description. :)

He is more like the modern master detective superhero ala Batman.

Although BAtman is great, and a personal favorite of mine, most modern superheo characters have a least one "superhuman" power. Not all of them, but most.
Flash's super-speed; Cyclops (X-men) has optic blasts; Mr. Fantastic's flexibility and so on.
ONe difference in the pup heroes, aslo, is conveniently Batman and Doc Savage and the Shadow had access to personal fortunes--they never had to take a day off to work--they could save the world full time!

Other favs that have no real superpowers are Batman,Daredevil,Nightwing,Captain America(Bucky Barnes),Manhunter,Bat-girl and so on.

I was just making the point the pulp heroes seldom had any physical differences from regular humans and many--though not all--superheroes do.

Skilled people fighting crime interest more naturally.

Now in the comics I think they kind of ignore that explanation.
And Batman and the new Captain America (Bucky) may not have super powers, but they do some things that no human, even the most perfectly conditioned athlete, can really do.
But that just goes along with the pulp tradition of heroes without any "super" powers but who nevertheless did wild things and survived near-death scrapes every few pages.

I missed the pulps, but enjoyed their rebirth in paper backs. Here, by and large, were the very types of exceptional but not super heroes I’d preferred in the comics.
I’ve always thought Superman was a combination of Doc Savage (that part’s well-known) and John Carter of Mars. He, too, could leap tall buildings in a single bound. I don’t blame Siegel and Shuster too much for cribbing; they were, after all, teenagers when they conceived the character.
The non-super hero comic characters, despite their strapping physiques and fighting skills, had to rely much more on cleverness and strategy than did the superheroes, which made for more interesting stories. The superheroes were the fantasies of very small children, much like the Seven Remarkable Servants and similar characters in Grimm’s Fairy Tales. The Pulp heroes weren’t exactly great literature, but the reflected the more mature fantasies of, say, teenagers, already coming to grips with the knowledge that there were limits on what they could accomplish.

Now in the comics I think they kind of ignore that ..."
Of course there is fantasy elements in superhero but heroes like Batman,Bucky,Nightwing,DD are more interesting to me because they have to use their martial skills,weapons,mind to win against villains. They dont have powers that make them godlike.
Thats why Superman dont have great rogue gallery like Batman and co does. How can you make great villains for a god like superhero like that. Why every story is about Lex Luthor.

Superman stories could be interesting when there were other people's lives at stake, but Superman himself was never that interesting to me.

Weird enough i can enjoy Smallville,movies and Elseworld stories but his regular lets fight small time criminals and Lex i could never read in comics.

Also, on Smallville he's still exploring his powers and finding out exactly what he can do. I really liked the episode in which he jumped farther than he'd ever jumped before, from one building to another in Metropolis to save Ma Kent, who was being held hostage.


The way he is portrayed now is more realisitc. He has lots of money; what he craves is power.

Yeah Clark is more interesting in Smallville than the adult Superman/Clark.
Frankly only Christopher Reeve made older Clark interesting to me.



However, though I've never watched Smallville (too many schedule conflicts in recent years) :-(, I was a big fan of the 90s TV series Lois and Clark, starring Dean Cain and Terri Hatcher. Was anyone else here into that series, too? The writers there did a very good job of updating many of the characters and concepts I remembered from the comic books, IMO, but fleshed them out much more than the comic books ever could. There was a leavening of well-done humor, but a strong serious side as well; and for me, it was a plus that the focus was at least as much on personal relationships and character as on super-powered derring-do.

I must disagree about Spiderman, though. Yes, he has superhuman abilities, but he definitely bleeds. Sometimes I think the writers made him TOO human--to the point of wimpiness.


Zorro was first at being a millionaire playboy-slash-dark costumed evil face puncher. Zorro had a secret cave under his mansion where he kept his horse and Zorro stuff, not unlike a certain caped crusader. The big difference being that Zorro didn't call it the Zorrocave or the Zorrohorse.
Read more: http://www.cracked.com/article_17299_...
This article lists 6 characters that were rip-offs, including Superman (you'll have to go to the previous page). I don't know enough to say if they are completely correct, but it's interesting reading.
Warning: The writing is tongue-in-cheek & quite often vulgar. This article didn't seem too bad, though.



So true, Jim. As writers say, 'there's nothing new under the sun'. But as I told Adam, I'll be digging out the articles from Nostalgia Ventures that I remember as saying it was a pretty clear choice of influence, The Shadow to Batman. I won't swear to it without doing my research, though.

Could you be thinking of the Spider? He carried a pair of semiautomatic .45s (like the Shadow) and an air pistol for close, silent kills.

Those Nostalgia Ventures reprints of the Shadow are pretty cool. I like the extras, like how most of The Case of the Chemical Syndicate was lifted from a Shadow Story, Parnters in Peril.

Year One did, however, feature Gordon sporting a baseball bat to lay down some justice among his brother officers, which was awesome.


I think there's another cover from around the same time period with Batman wearing a shoulder holster, the strap partially obscuring the emblem on his chest.

[image error]


Like Superman taking Fortress of Soltitude from Doc Savage. Some Pulp heroes really are one of the reason Batman and co are big today.
Myself i just hope The Shadow and co is as readable today as other pulp genres i have read.


That doesn't mean he NEVER did, but he didn't in any of the published stories about him in 1939 and 1940 (and most of 1941, though I'm not done with that year yet).
Silver, did you manage to dig up that article in Nostalgia Ventures you referred to?
I searched around and found this: http://www.dialbforblog.com/archives/390/, which is a pretty neat comparison of "Partners in Peril" and "The Case of the Chemical Syndicate."


Which The Shadow book/story would say is a good way to start ?
I have read Doc Savage and want to read The Shadow next.

I adore the first special Batman/Doc Savage issue. Doc Savage looked so damn cool in that comic with Phil Noto art.


All I can add is this, for me a super hero works because he/she is cursed with some kind of vulnerability that can be life threatening or pychologically damaging. Like Superman and Krytonite. Which is a throw back to the greek myths with Achilles and his heel.
But a Pulp hero has no invincibilty and therefore no need to give him/her a fatal flaw or vulnerability to make him/her interesting to readers.
What a Pulp hero has is a mission or crusade, usually a heightened sense of justice, albeit a rough-justice and this pyschological trait, this inner hero or anti-hero of Pulp propels the Pulp Hero on against his enemies in persuit of justice or whatever stokes the fires of his passion.
Personally as much as I like super heroes I'll take the bad boy Pulp heroes everytime. Would anyone consider Ian Flemming's James Bond a Pulp hero/anti-hero? Or Harry Harrison's Stainless Steel Rat?
Great group you have here.
Thanks.

Although Pulp heroes don't need the Super hero vulnerability to make them intereesting, the Pulp hero being much more "ordinary" than "super" will almost always have typical human frailities to hinder his endeavors...Like for example James Bond's weakness for beautiful women when he should be watching his back. But always teh Pulp Hero's over riding sense of mission or justice will propel him to surmount his all too human weaknesses.
This is something the average Super hero is not necessarily concerned with, because Super heroes are busy tackling their dsyfunctional sense of a lack humanity. Or at the very least a dislocated human-bond to society. An alienation brought by their very existence. They tend to brood. Quite a lot. But usually in a sexy if slightly teenage self obsessed way. Think James Dean if he wore a Big "S" on his chest.
In other words Super heroes spend quite a bit of time feeling sorry for themselves. Maybe they weren't breast fed enough as super-children, who knows?
Whereas Pulp heroes' only worry is an over indulgence in their human side, like unnecessary cruelty, vengence or vices.
Ramble mission completed.

I love Harrison's Slippery Jim DiGriz (the SS Rat) & also Jason... (the guy from the Death Worlds trilogy, D'Anault?). They're both a lot of fun. I really only cared for the first few of the Stainless Steel Rat books. That sort of humor gets old after a while.
Harrison's spoof on Campbell's writing, Star Smashers of the Galaxy Rangers, is another favorite. I still have The Black Star Passes. I haven't read either in years, but back to back, they're great.

I love Harrison's Slippery Jim DiGriz (the SS Rat) & als..."
That's a good point about the Pulp hero's Achilles Heel letting off the bad guys.
I would add to that the Pulp hero's zeal, his crusade at its most interesting for me is when its causes others close to him/her to be in danger. Forcing the Pulp hero to share with us a greater sense of danger through his bad choices. Although he's a mortal acting at the height of his mortal skills set, his ideology may mean the sacrfice of friends etc in persuit of justice...
With the super Hero there is a similar dilema and inability to protect those close to him/her but its more as a bi-product of the danger brought about by what the Super Hero is: a near invincible force andultimate threat to evil.
Whereas the Pulp hero seems to often appear as an under dog and initially a small threat to the bad guys... until they wise up and by then its too late.
Admitedly these are only small distinctions between Super and Pulp hero and the lines blur easily at the edges.
I agree there's a marked difference between the freshness of 1960s/70s Harry Harrison SSRat stories where the style and formulaic structure was still flexible(the first 4 or 5) and the latter day 1980s and 1990s sequels where the only thing that changes is the subject for satire.
I think it was the 2000AD magazine graphic novels causing a resurgence in demand for SSRat, inspired more books to continuation down the path of satire. Which is fine, but after the first few books I think readers prefer a heightened sense of emotional intensity that the SS Rat books by design don't deliver.
Having said, that I'd love if they made the first three Stainless Steel Rat books into movies.

I completely agree on the stainless steel rat. I'd love to se films of the first few books. I always had James Coburn in my head while reading the books. Not sure who would do it these days...
Books mentioned in this topic
Star Smashers of the Galaxy Rangers (other topics)The Black Star Passes (other topics)