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By Any Other Name
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By Any Other Name by Jodi Picoult -> Starting August 17th, 2024
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I'm going to start today (now) but won't get too far since I'll be spending the day visiting my granddaughter from Oregon and her 3 kids, one being my newest great grandson who's 7 weeks old. :)Update I didn't get very far. lol I was listening to audio while driving to my daughter's but my sister called me, so I only got about 15 minutes listened to during my 55 minute drive there. So much traffic! I'll get more into it today.
Stopped at Melina, September 2023 / 31%I am loving this one! It takes me back to my days of teaching. Funny, I'm reading this and The Examiner and both have gotten me reminiscing about my teaching days, especially our Shakespearean unit and Romeo and Juliet. I had to take a Shakespearean lit class in college, but I don't remember a lot of all the plays we read. But Romeo and Juliet I literally taught for 25 years, so I remember practically the entire play.
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Stopped at Melina, September 2023 / 30%ha! I loved reading about you teaching Shakespeare!!
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I totally get it, Trisha! I know a lot of people won't enjoy it the way I did. I am sure a lot of why I enjoyed it so much was all of the allusions to Shakespeare and how it resonated with me and my teaching days, etc. Shakespeare DID "borrow" from another man's work, but he changed it around and HE made it into the famous play. That wasn't atypical at the time to "borrow" others' ideas and basically redo them.



In 1581, Emilia Bassano—like most young women of her day—is allowed no voice of her own. But as the Lord Chamberlain’s mistress, she has access to all theater in England, and finds a way to bring her work to the stage secretly. And yet, creating some of the world’s greatest dramatic masterpieces comes at great cost: by paying a man for the use of his name, she will write her own out of history.
In the present, playwright Melina Green has just written a new work inspired by the life of her Elizabethan ancestor Emilia Bassano. Although the challenges are different four hundred years later, the playing field is still not level for women in theater. Would Melina—like Emilia—be willing to forfeit her credit as author, just for a chance to see her work performed?