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Narrators you don't like?

(Again, sorry, Scott Brick! I'm sure you're a lovely man.)
I had always wanted Don Pardo (the announcer from SNL) to do my college graduation ceremony. "KE-rry, EENNNNNNgelunt!!"

I suspect that narrators have good performances and not-so-good performances based on a myriad of factors.

Ha! I had completely forgot what that snippet was about. I was just trying to think of something new for you to hear, while trying to think of where I could find something old to compare it to.
:)

I join you in Jerkiness, Kerry. I don't like him either.
I find his voice very soothing! I can't wait to listen to a whole book.

Really? I really enjoyed that narration, with the exception of Fey's extremely slow drawl. 30+ years in Alabama and I've never met anyone that spoke that slowly.
Count me as another person who dislikes Mr. Pinchot's narration (and his acting...). I listened to him read a very emotional autobiography of a doctor who was appalled at how the poor and disadvantaged were treated in hospitals (I think the book was called County) - he nearly put me to sleep :-(.
I thought it was the story I disliked. I now, with time and experience, realize it was the poor narration.
I thought it was the story I disliked. I now, with time and experience, realize it was the poor narration.


I loved Bronson Pinchot's narration of Matterhorn (by Karl Marlantes,) which is actually one of my all time favorite audiobooks! The story is largely based on Marlantes' own experiences in Vietnam and I was completely enthralled by the story and narration. Considering that previously I had avoided stories about Vietnam (I'm not big on history that happens while I'm alive) the impact was all the more intense.
I also liked his reading of Chip Kidd's The Learners which was about a Yalie's participation in an social experiment (based on real events, though the story is fictitious): One person was asked a series of questions. The other person delivered an electrical charge to the respondent if the answer was wrong. The one in delivering the charge was also left to determine how much of a shock to deliver to the answering participant...
I also liked his reading of Chip Kidd's The Learners which was about a Yalie's participation in an social experiment (based on real events, though the story is fictitious): One person was asked a series of questions. The other person delivered an electrical charge to the respondent if the answer was wrong. The one in delivering the charge was also left to determine how much of a shock to deliver to the answering participant...

OK, I'll try his work again :-)

In my review I wrote, I had a difficult time getting past Kate Reading's narration. I have heard good things about her, but I found her voice to be too rhythmic, putting emphasis on the end of sentence as if she was asking a question. Her enunciation was impeccable.
Maybe it was just this one book. I've listened to samples of other books, and I don't hear that same tone as pronounced. I'm almost afraid to try another book.
She gets that way at times in the Wheel of Time books, but mostly I find her voice to be lovely. I also like the co-narrator of WOT, Michael Kramer.




I get so disappointed when an anticipated audiobook is released and I learn it has been narrated by Scott Brick. My problem with him is that he narrates in such whiny, arrogant tone that I end up hating the protagonist of every story.
Its nothing personal against Scott Brick. Many people rank him as their favorite. I understand he is fighting cancer, and I pray he has a speedy recovery.


Isn't that the worst when you have a bad narration on a good book? You feel compelled to continue listening...neurological twitch and all.

One positive side was that the next book I listened to sounded especially good!


"My problem with him is that he narrates in such whiny, arrogant tone that I end up hating the protagonist of every story. "
My experience exactly.




Bernard Mayes . . just the sample for The Decline and Fall of the Roman Empire almost put me to sleep . . . I bought the eBook instead . . .
Thank goodness I can return the book to Audible and get my credit back. But sometimes even when you listen to the sound bite of the narration before buying the book . . . it often requires more listening to make a final choice. And even some of my favorite narrators are not always the best choice for a particular book.


That's fine Chrissie. It was just the accent I had problems with. Otherwise it would have been fine I think.

Not a problem. Of course both sides should be heard.


I disagree. The quality of the recordings, as with any other audiobooks, depends largely on the reader and his/her talents. For example, Mark David Nelson is an excellent Librivox narrator of Science Fiction/Fantasy titles.
I suggest that trashing the entire crowd of Librivox readers because of bad experience with a few of them is a little harsh. I've listened to Librivox readers whose talents are lacking. But I also know that there are many readers who do a fine job.
Try to be little patient and do some research before indulging in wholesale rejection of a large number of volunteer narrators, who work hard to contribute their efforts to all of us for free.
Happy Listening,
Alan Mintaka
I think it is so laudable that people who are not professional narrators WANT to narrate entire books. It's an outstanding contribution to worldwide literacy. I admit that the voices I have heard have not been comparable to those on Audible, but the volunteers don't have Audible's resources at their disposal.
I've wanted to narrate for LV for a while, but time constraints and a weird voice (LOL!) have kept me from doing so.
I've wanted to narrate for LV for a while, but time constraints and a weird voice (LOL!) have kept me from doing so.


Same here. If it's any consolation, most people hate their own voices when they hear a recording being played. It's just that we're not used to hearing the way our voices actually sound to other people - we get the version that's modified by our sinuses and bones.
To me, my recorded voice sounds like that of a dumb dufus who picks dumps for a living. On the other hand, I've had people tell me that my voice would make for a good radio announcer or audiobook narrator. Go figure. I certainly didn't encourage the spontaneous remarks. The problem is that whenever I hear that voice, I cringe and think "How could they possibly thing that way?"
It's the old "everyone's wrong except me" mentality.
There's really only one objective way to find out if your voice really is "weird": that's to record it and play it back for an audience of some kind, and ask them what they think.
Even if you get a positive response, the hard part really begins if you decide to narrate an audiobook. You have to change your voice to play the different character roles, and listen to your attempts to try to fine-tune the impersonations. If you've started with a voice you already don't like, you might never get results that will satisfy you. Once again the only recourse is an audience of reliable critics.
Q: "How does my Scottish accent sound?"
A: "It sounds like a French accent!!!"
Back to the drawing board!
Happy Listening,
Alan Mintaka
Ha! Thanks so much, Alan. Your contributions to this group are always valuable, and I appreciate your input on this and other matters.
Sam Dastor does terrible American voices in Joseph Anton and his women's voices are especially horrible--nasal, whiny, and petulant.
Perhaps he doesn't like women :P

He's one of MY favorite narrators . . .



Reed's narration of "HOME" by Marilynne Robinson was so boring I had to stop listening and read the book instead.

I will throw in that I find Ari Graynor completely wrong for the Spellman series, so that listening to the one book where Audible only had her version, not Christina Moore's, was very difficult.
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Here is a new snippet on his website if you want to listen.
link
Personally, I'd hire him to do all my reading if I could.
Scott Brick: "Here's a birthday card from you mother, she says "I can't believe it's been...""