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Jane Eyre
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Jane Eyre 2023: Week 1-Oct 1-7: Chapters 1-8
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In the earlier chapters, we learn Jane is level-headed, not wanting to be raised into poverty and preferring the comforts and cruelty of Gateshead to living with impoverished relatives. I can't help but feel she has an expectation of being treated badly wherever she is, and so would rather be treated poorly in comfort than in poverty. In Chapter VIII, her friendship with Helen turns this apparent materialism around as she prizes friendship over comfort, and discovers a type of happiness in difficult circumstances.
Pippa wrote: "I read Jane Eyre as a child and remember being utterly enthralled. Reading it as an adult, especially the opening chapters where Jane is excluded from the circle of children around their mother, ca..."
Yes, with my adult and parent perspective I can't help but think how damaging this life would be for a child-the complete lack of love or of any reliable adult-even Bessie turns on her at times-shown even at the end when she is sent off by her aunt on a long stagecoach trip age 10 by herself.
Yes, with my adult and parent perspective I can't help but think how damaging this life would be for a child-the complete lack of love or of any reliable adult-even Bessie turns on her at times-shown even at the end when she is sent off by her aunt on a long stagecoach trip age 10 by herself.
Adria wrote: "interesting too in the narrative that she thinks if she had a different personality, her relatives would have not taken such a distaste for her."
I think this is a common trait in abused or maltreated children-to feel guilty, that they have somehow brought in on themselves, that if they were better it would stop. Very perceptive of Brontë to understand this.
I think this is a common trait in abused or maltreated children-to feel guilty, that they have somehow brought in on themselves, that if they were better it would stop. Very perceptive of Brontë to understand this.



This resonates even today, with the discomfort people often feel around depression. And it makes me feel that much more compassion for Jane Eyre (and, also, for Lucy Snow in Villette, whom I think is in the exact same boat).

I am intrigued by Mrs. Reed. What makes her so miserable?

The first eight chapters describing Janes’s miserable early life whilst surrounded by the comforts and luxury of a stately home, then finally breaking free and beginning to thrive in the austere and sometimes unpleasantly spartan Lowood school, were gripping. What stark contrasts and what bold, passionate statements for the author to make from the start. Writing in the first person makes the emotion so emphatic and often startling.
’“Unjust!—unjust!” said my reason, forced by the agonising stimulus into precocious though transitory power: and Resolve, equally wrought up, instigated some strange expedient to achieve escape from insupportable oppression—as running away, or, if that could not be effected, never eating or drinking more, and letting myself die.’
I liked the way Jane’s attitude was compared to Helen’s when confronted by what seemed unfair chastisement. Jane’s view was totally subjective whereas Helen looked beyond herself to take account of wider implications. It was difficult not to agree with Jane after all she had endured, and yet I liked this quote, which helped to put into context both Helen’s and Jane’s points of view.
’Something of vengeance I had tasted for the first time; as aromatic wine it seemed, on swallowing, warm and racy: its after-flavour, metallic and corroding, gave me a sensation as if I had been poisoned.’
Jane’s precious, first friendships at the school with Helen and then Miss Temple again contrasted sharply with what she had experienced at Gateshead Hall. The only thing she could love there was an inanimate toy, a doll that was ‘a faded graven image, shabby as a miniature scarecrow.’. The most powerful indication of her fear and misery was Jane’s feeling of respite when strangers came amongst her ‘family.’
’I felt an inexpressible relief, a soothing conviction of protection and security, when I knew that there was a stranger in the room, an individual not belonging to Gateshead, and not related to Mrs. Reed.
The fact that Jane’s imprisonment in the red bedroom has already scarred her for life, makes the reader understand why she cannot find a kind word to say to her aunt Reed on her departure from Gateshead Hall.

I saw the 1996 movie once, but I only remember little bits of it.
I am curious - what is everyone’s favorite film adaptation? There are quite a few to choose from and I’m tempted to watch a few more. I don’t mind spoilers.
I am currently listening to the audio book - the unabridged version read by Nadia May.
I listened to the first 11 chapters today.
Does listening count as reading?
Sometimes it feels like ‘cheating’.
Anyway, so far I think the book is very well written.
It feels very realistic. I can tell the author is writing from experience.
I like that the story is told from Jane’s perspective. She seems very rebellious and feisty. I’m sure that personality will get her into trouble.
The beginning of the book reminded me of Mansfield Park. Similar to Fanny, Jane Eyre is a poor child who lives with her aunt and cousins but they are not kind to her and constantly remind her of her position in life and her inferiority. Even the maid believes Jane to be less than a servant, because she does nothing for her keep.
The treatment Jane receives is very cold and cruel for today's standards. Locking a child in a dark room where her uncle (recently) died seems like a pretty insensitive thing to do. Especially since everyone seems to believe in ghosts.
That sort of treatment must have been common back then since no one is shocked.
Ana wrote: "I have never read Jane Eyre before.
I saw the 1996 movie once, but I only remember little bits of it.
I am curious - what is everyone’s favorite film adaptation? There are quite a few to choose fro..."
I have started a separate thread to discuss this as it may come up at different stages of peoples' reading, and discussions of films/TV can sometimes overwhelm the other discussion! Please head over there to answer this part of Ana's post.
I saw the 1996 movie once, but I only remember little bits of it.
I am curious - what is everyone’s favorite film adaptation? There are quite a few to choose fro..."
I have started a separate thread to discuss this as it may come up at different stages of peoples' reading, and discussions of films/TV can sometimes overwhelm the other discussion! Please head over there to answer this part of Ana's post.
Trev wrote: "IJane’s precious, first friendships at the school with Helen and then Miss Temple again contrasted sharply with what she had experienced at Gateshead Hall. The only thing she could love there was an inanimate toy, a doll that was ‘a faded graven image, shabby as a miniature scarecrow.’. The most powerful indication of her fear and misery was Jane’s feeling of respite when strangers came amongst her ‘family.’
I also was struck by how quickly Jane was taken in and loved by those around her at Lowood-truly reminding us how badly served she was by her so-called family who couldn't find it in their hearts to care for and protect an orphan niece who came as an infant.
I also was struck by how quickly Jane was taken in and loved by those around her at Lowood-truly reminding us how badly served she was by her so-called family who couldn't find it in their hearts to care for and protect an orphan niece who came as an infant.
Ana wrote: "Jane Eyre is a poor child who lives with her aunt and cousins but they are not kind to her and constantly remind her of her position in life and her inferiority. Even the maid believes Jane to be less than a servant, because she does nothing for her keep.
The treatment Jane receives is very cold and cruel for today's standards. Locking a child in a dark room where her uncle (recently) died seems like a pretty insensitive thing to do. Especially since everyone seems to believe in ghosts.
That sort of treatment must have been common back then since no one is shocked.."
I agree that her treatment was horrible, and that if even the servants thought they could be unkind to her it does suggest she was very much the scapegoat of the family. I expect that in these isolated communities, people would follow the lead of the head of the household, and in this case it was Mrs Reed who set the tone for everyone else in the household.
The treatment Jane receives is very cold and cruel for today's standards. Locking a child in a dark room where her uncle (recently) died seems like a pretty insensitive thing to do. Especially since everyone seems to believe in ghosts.
That sort of treatment must have been common back then since no one is shocked.."
I agree that her treatment was horrible, and that if even the servants thought they could be unkind to her it does suggest she was very much the scapegoat of the family. I expect that in these isolated communities, people would follow the lead of the head of the household, and in this case it was Mrs Reed who set the tone for everyone else in the household.
Adria wrote: "I once read that Charlotte Bronte disliked Jane Austen's works and characters, not enough passion on them.."
That is interesting and one can certainly see the contrast between the two authors, or perhaps one can lump the Brontës together and say between Austen and the Brontēs. Perhaps even a Sense vs Sensibility?
That is interesting and one can certainly see the contrast between the two authors, or perhaps one can lump the Brontës together and say between Austen and the Brontēs. Perhaps even a Sense vs Sensibility?

Every time I've read this I've found myself mentally urging Bessie on to be more consistent!
Of course, Bessie, as a servant dependent on Mrs Reed for her livelihood, can't be blamed for not standing up for Jane against her employer; but that doesn't make it any better for Jane.
It did make my blood run cold to read that to be accepted into the warmth of the family circle is a privilege reserved for 'happy and contented' children - how often do we still see today 'happiness' regarded as a virtue, even as a requirement in job adverts?

No, I said that, but Bessie reinforces the Reeds' judgment that it's all Jane's fault
I think Bessie rather took things at face value, and believed Mrs Reed to some extent partly because, as Adria says, she's her employer and knows which side her bread is buttered on, but also because she often only saw the outcomes of the situations-doesn't see John tormenting her, only sees Jane's angry outburst or arrives when Jane is in a fury. There was also quite a belief in not "spoiling" children and "spare the rod, spoil the child" so what seems cruel to us today was probably more commonplace then. However at some level Bessie sees and understands Jane's misery and loneliness and tries to be a friend or to be kind to her, within her power. Having Jane help her with her chores might also just be a way to spend some time together, and we all know children often want to help when it means spending time with the parent/parent-figure they love.
What do we learn of Jane Eyre in terms of character in this section?
Were there any supporting characters in this section that particularly struck you-for good or ill-as well-drawn, compelling, or someone you would like to learn more of?
Charlotte Brontë was not an orphan, but she was both a pupil and a teacher at a boarding school at different times in her life. How do you feel that those experiences have coloured her writing here?
Please share your thoughts on this opening section, feeling free to use or ignore the prompts above.