One of the elements of writing in this genre that Nix is particularly gifted at is creating original fantasies and worlds. This series is no exception. However, in comparison to some of his other works, especially The Abhorsen Trilogy, the exploration of this world and the characters within is weak at best. The story is interesting because Nix presents the audience with a new mythology, but he rushes through the plot, circumnavigating what could be some really amazing explorations of the world he’s created. As a result, it’s more difficult to imagine this parallel universe and its characters and creatures, and it doesn’t draw the reader in nearly as much as it could.
This series breaks one large story into several books, and since each of these is easily around the high 100s and low 200s in page length, Nix could have spent more time giving description, metaphors, and poetic/aesthetic language to flush this world out. This would make everything significantly more engaging for the readers, and ultimately, foster growth and interest in the books, the fantasy, the world, and the characters therein. Ultimately, there’s just nothing to bite into.
Critique
One of the elements of writing in this genre that Nix is particularly gifted at is creating original fantasies and worlds. This series is no exception. However, in comparison to some of his other works, especially The Abhorsen Trilogy, the exploration of this world and the characters within is weak at best. The story is interesting because Nix presents the audience with a new mythology, but he rushes through the plot, circumnavigating what could be some really amazing explorations of the world he’s created. As a result, it’s more difficult to imagine this parallel universe and its characters and creatures, and it doesn’t draw the reader in nearly as much as it could.
This series breaks one large story into several books, and since each of these is easily around the high 100s and low 200s in page length, Nix could have spent more time giving description, metaphors, and poetic/aesthetic language to flush this world out. This would make everything significantly more engaging for the readers, and ultimately, foster growth and interest in the books, the fantasy, the world, and the characters therein. Ultimately, there’s just nothing to bite into.
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http://www.lindseyslibrary.com/2005/09/the-violet-keystone/