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Stonechild
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Can you help with a genre, please?
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Hi Irene,
When I look at fantasy I see different worlds, magic, alternative existences, and don't see mine fitting into this. I explain that the statues provide a link between two worlds, perhaps a medium might do.

Thanks, Carlo, that's a good thought. My drive for writing Stonechild was one of conservation as that's where I work. I was trying to spread the word, especially as I can't work at the moment.

Thanks, Wanda. If it's message on conservation, where would that sit? I've asked Amazon of the have something such as eco fiction but they say not.

Dystopian fiction?
https://www.masterclass.com/articles/...
You've really got me thinking there, Kevin.
It sounds great, whatever genre you choose.

The statues come to life with a message, which, perhaps as expected, we don't listen to and so they have to do what's necessary. Molly invites the reader to question why we are not taking action. I'd like to think it was inspirational.

Thanks, Margaret, that's really interesting.

I don't think I'd classify it as historical. I see that more as taking place in the period.
A real conundrum. How about Contemporary?

Thanks for the reply, V.M. Science or religion are given as possible explanations, and I thought historical as involves statues of Churchill, Brunel, Nightingale and Shakespeare that engage with the public.


Thanks, Gail, I didn't know that. Mine is set in present day so definitely not historical.

The term magic realism is broadly descriptive rather than critically rigorous, and Matthew Strecher (1999) defines it as "what happens when a highly detailed, realistic setting is invaded by something too strange to believe."

The term magic realism is broadly descriptive rather than critic..."
Thanks, Victoria, it does fit with it being too strange to believe. I'll do some reading on Matthew Strecher.
Magic and science are not mutually exclusive. It is now postulated we live in a multidimensional universe. You can still take energy from one dimension and give to another. This does not violate the laws of physics, but the energy has to be used in a way that is allowed in that universe. The idea that you can do anything with magic is actually stupid. To make objects appear out of nothing requires the formation of mass. That is theoretically possible, but to cause a 150 kg object to appear required the energy shift equal to several large Thermonuclear weapons. If I may plug my fantasy books (The Forest of Allund series) magic in my books is the use of this multidimensional energy, but can only be used as energy in the mage's world. Yes you can make a fireball, but making an orc appear out of nothing is impossible.
The Forest of Allund
The Forest of Allund




I've written a novel where the statues of London come to life with a message on saving the planet. The main character, a 15 year old girl called Molly, sets out to prove that this isn't true, and because we don't listen, the battle for London begins.
It ends with...well, perhaps that is a tempter.
It was written as YA, but is being read mainly by adults.
It's an adventure for sure as Molly is chased all over London.
It's eco-fiction but there's no category on Amazon for that.
It's mystery involving the statue of Sherlock Holmes, and historical as many famous statues are involved, perhaps alternative historical as they come to life.
Is it a fantasy? Not really, it doesn't involve magic, and there is an explanation as to the how this is all possible, and at the same time focuses on the why.
Political? A little as it questions the government's actions, and at the same time our own.
A horror, not sure, but scary and life threatening in places for certain.
A detective story then, and I used to be a police officer? Molly does have a clue to solve, which might save the day.
So, perhaps you can see my dilemma? How do I genre my book, Stonechild?
I'll leave you with the book blurb and would really appreciate your thoughts. Thanks.
Where do we go to when we die? Imagine human consciousness embedded in the molecules of a statue. So, when the statues of London come to life, it is a spectacle like non other, and they come with a specific message, and an offer we cannot refuse.
As the world reels in this wonder of science and religion, Molly Hargreaves has other plans and she sets out to prove that things are not as they seem. Chased, captured and confined, Molly confronts the statues and her own fears. But who can she convince? The people are welcoming, the Government has succumbed, and the police try to act, but how do you shoot stone and metal? Be prepared to be run ragged around London on a mystery worthy of the great Sherlock Holmes.
Kevin Albin