The Catholic Book Club discussion

This topic is about
Doors in the Walls of the World
Doors in the Walls - Dec 2020
>
1. Along the Way
date
newest »

message 1:
by
John
(new)
Dec 01, 2020 03:53AM

reply
|
flag



https://beyondthesestonewalls.com/blo...

In it, he says the Church and Science are the two Rocks of Ages. The Magisterium of the Church doesn’t deny the truths of science, and vice versa. It is the fiery exceptions and media which upset this applecart!
In parts IV and V Kreeft shows that he has been deluded by transhumanists into believing that immortality in this life is possible as a result of science. He thinks it may be possible thanks to genetic engineering. This is just science fiction. I've tried to explode this idea in a thread of posts in my blog, such as this one: What is immortality.
Kreeft's delusion reminded me of a place in A Canticle for Leibowitz where the scientists of the new Renaissance believe (mistakingly) that a science fiction novel written before the Atomic Deluge was history, and that people were robots created by a previous intelligence that had disappeared.
Kreeft's delusion reminded me of a place in A Canticle for Leibowitz where the scientists of the new Renaissance believe (mistakingly) that a science fiction novel written before the Atomic Deluge was history, and that people were robots created by a previous intelligence that had disappeared.
In part V-3 Kreeft says:
The literary critic or music critic is tempted merely to look at the work, but the reader or listener whose heart has been broken by it has looked along it. Think of two people in the Cave: one notices that there are windows in the walls and merely looks at them, as features of the Cave. The other looks through them at what is outside the Cave. It is not in the words or the music that we find the thing that breaks our hearts, but only through them.
This is influenced by C.S. Lewis article "Meditation in a toolshed," which is included in the collection "God in the Dock."
The literary critic or music critic is tempted merely to look at the work, but the reader or listener whose heart has been broken by it has looked along it. Think of two people in the Cave: one notices that there are windows in the walls and merely looks at them, as features of the Cave. The other looks through them at what is outside the Cave. It is not in the words or the music that we find the thing that breaks our hearts, but only through them.
This is influenced by C.S. Lewis article "Meditation in a toolshed," which is included in the collection "God in the Dock."
Manuel wrote: "In part V-3 Kreeft says:
The literary critic or music critic is tempted merely to look at the work, but the reader or listener whose heart has been broken by it has looked along it. Think of two ..."
Manuel,areyou saying that Kreeft has plagiarized Lewis?
The literary critic or music critic is tempted merely to look at the work, but the reader or listener whose heart has been broken by it has looked along it. Think of two ..."
Manuel,areyou saying that Kreeft has plagiarized Lewis?
John wrote: "Manuel, are you saying that Kreeft has plagiarized Lewis?"
No, I am saying that Kreeft has been influenced by Lewis. He recognizes this at the beginning of his book, but does not bother to repeat it every time he takes ideas from Lewis, probably because that would make his book less readable.
I was simply pointing out which article by Lewis was the source of Kreeft's thought at this point. Perhaps Kreeft himself was not aware of this article when he wrote that part. In no case would this qualify as plagiarism.
I have modified my previous comment, to make it clearer.
No, I am saying that Kreeft has been influenced by Lewis. He recognizes this at the beginning of his book, but does not bother to repeat it every time he takes ideas from Lewis, probably because that would make his book less readable.
I was simply pointing out which article by Lewis was the source of Kreeft's thought at this point. Perhaps Kreeft himself was not aware of this article when he wrote that part. In no case would this qualify as plagiarism.
I have modified my previous comment, to make it clearer.

Ideas from Lewis can be traced in many paragraphs of this book. Like Manuel said, Kreeft has sufficiently acknowledged Lewis's influence, even if he doesn't reference every single one.
For instance, in the chapter about saints, Kreeft writes:
"A third category of friends is comprised of the saints in Heaven. They are still human, but they are so perfectly human now that if we saw them (...) we would be so dazzled that we would be tempted to fall down and worship them".
This idea comes right out of the concluding paragraph of "The weight of glory" (in my opinion one of the very best essays by Lewis, which can be found complete here -it is only 8 pages):
"It is a serious thing to live in a society of possible gods and goddesses, to remember that the dullest and most uninteresting person you talk to may one day be a creature which, if you saw it now, you would be strongly tempted to worship"
Manuel wrote: "In parts IV and V Kreeft shows that he has been deluded by transhumanists into believing that immortality in this life is possible as a result of science. He thinks it may be possible thanks to gen..."
Manuel, I've finished Part IV now and don't see what you're alluding to. Perhaps it will become clear in Part V, but can you point me to the passages in Part IV that support this?
Manuel, I've finished Part IV now and don't see what you're alluding to. Perhaps it will become clear in Part V, but can you point me to the passages in Part IV that support this?
John wrote: "Manuel, I've finished Part IV now and don't see what you're alluding to. Perhaps it will become clear in Part V, but can you point me to the passages in Part IV that support this?"
At section "The Joy of Death" he says: Technological (genetically engineered) immortality would also abolish joy, hope, religion, eternity, mysticism, poetry, and probably even more-than-animal sex.
This is again mentioned in Part V, section "Natural Arts" where he says: Unless death is abolished (probably by genetic engineering)... If and when death is abolished, I suspect that the Second Coming will follow very shortly...
He apparently considers "probable" the abolition of death by science (i.e. attaining immortality). I, who have looked at the question in detail, consider it unattainable by science, not just in the near future, but ever.
At section "The Joy of Death" he says: Technological (genetically engineered) immortality would also abolish joy, hope, religion, eternity, mysticism, poetry, and probably even more-than-animal sex.
This is again mentioned in Part V, section "Natural Arts" where he says: Unless death is abolished (probably by genetic engineering)... If and when death is abolished, I suspect that the Second Coming will follow very shortly...
He apparently considers "probable" the abolition of death by science (i.e. attaining immortality). I, who have looked at the question in detail, consider it unattainable by science, not just in the near future, but ever.
Manuel wrote: "John wrote: "Manuel, I've finished Part IV now and don't see what you're alluding to. Perhaps it will become clear in Part V, but can you point me to the passages in Part IV that support this?"
At..."
Thanks. I guess I didn't take Kreeft as being serious in those passages and didn't note them as you did. I read him as being dismissive of the idea, but then why bring it up. I agree with you that immortality is not feasible and is driven by the same desire to be like God that drives utopian desires for creating heaven on earth through political means.
At..."
Thanks. I guess I didn't take Kreeft as being serious in those passages and didn't note them as you did. I read him as being dismissive of the idea, but then why bring it up. I agree with you that immortality is not feasible and is driven by the same desire to be like God that drives utopian desires for creating heaven on earth through political means.

Books mentioned in this topic
A Canticle for Leibowitz (other topics)Doors in the Walls of the World: Signs of Transcendence in the Human Story (other topics)