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Are you able to read other books while writing your own?

I am glad you have raised this point as I find myself in a similar predicament - On the one hand wanting to help other authors by agreeing to review their books in exchange for reviewing my recently published short story collection Impromptu Scribe but on the other hand finding that sometimes this worthy exercise drags me away from the current task in hand of completing my unfinished manuscript on the drawing board.
At least with short stories, one can dip in and out of them, with arguably less emotional involvement than with a novel !
Hope you manage to resolve this little conundrum in 2015. Let me know the secret if you do :-)
Best wishes, Alex

While working with and learning from the copy editor, conceptual editor, and layout design artist, assigned to help convert the manuscript into a commerically viable book, I was able to read other books, but only during the brief respites, waiting for additional comments and suggestions from the editors. During that time, I also began to realize that the manuscript, of which I had been so proud, was neither complete nor polished.


Also I write constantly so if I didn't read while writing I would never read. I would not read a book about the subject I'm writing at the time. I'm currently writing a vampire series. I read vampire books before I started. Again IMHO I think it's essential to see what the market wants and to get a feel for the genre as it stands and changes. Now I'm writing however I will read something different as I do not want to get stuck with someone else's ideas. At the moment I'm reading Tim Miller extreme horror a very different genre.


But I've been trying to keep up with some of the popular books during the writing of my second, and it's been so much more difficult! I purposely have not read anything in the same genre or with the same elements for the same reason as you - I don't want to be influenced in the slightest. Or be discouraged because someone else has written something too close to what I had envisioned for my own story.
I think, maybe, I need to stop reading so I can finish this book!

Hi Peggy, I like the sound of your southern belle Mama's advice. She was obviously a wise woman :-) Would you perhaps be interested in reviewing my short story collection Impromptu Scribe ? Here is the link: http://www.amazon.com/dp/B00OJRFYHE I look forward to hearing from you. Many thanks and best wishes, Alex

Having said that, I do need to make reading more of a priority this year. For the past four years I read on the train to work, but since taking my new job, a comfortable hour on the train has been replaced with a brisk 35 minute walk to the office from my flat. Which is lovely, but it has removed my prime reading time!

Besides, you need to at least have some idea of what's out there in the genre you're writing in, and the kinds of things readers love, and what's been done so many times it's become stale, etc. Obviously you want to make sure you aren't allowing another author's ideas to influence your writing too much, but you also need to read a decent amount in order to improve your own writing, and get a feel for what may potentially attract readers.
I wouldn't say I'm completely up to date with what's new on the market, but I get a lot of both reading and writing done as a rule; at least a little of each every day.

I also read novels while writing as a recreational break. It is important to get away briefly from the fatigue and frustration of creating fiction.

I can write for only so long before my creativity starts to fade. While I'm writing a novel, I can take a break by reading something else, let mhy imagination recharge, and then come back to what I was writing. But when I go to the editing stage, I read only my own work.


If I was a chef, would I stop eating other's dishes? If I was an artist, would I no longer look at anyone else's art? I'm a reader who writes and a writer who reads. ;)
When I read, I'm not only enjoying a story, but learning what works and what doesn't, and (hopefully) employing those learnings in my own writing. Reading in the genre I write in also keeps me up on current trends and audiences, though I do refrain from reading similar works to my topic while writing so as not to be influenced story-wise.


I not only think it's possible, I thinks it's important to continue reading. Set aside a time to read and another time to write. I learned this from Steven King's "On Writing."

With poetry as well reading helped to connect me with other members of the craft; it helps me to find authors I admire and look up to. Reading other poetry books also gave me some more insight into book organization, a detail that I overlooked when I first started. I think I changed the order of my poems half a dozen times at least!
And too like others have said, reading is a nice getaway from writing. I have so many reasons I continue to read while I write now that I think about it! I like to know what people have already done so that I'm not blindly going into the field so-to-speak blind. Must I add the necessity of reading for research? Oh gosh there's plenty of that. Everything in life is a fine balance and reading and writing are no exception. ;)


Hey Jim,
I was interested in your comments but they left me wondering how it all turned out. I see you have 18 fans so they must have liked the finished work. But I hear you, there are always ways to improve and it is good to get an independent viewpoint. It's an observation every would be author needs to consider..




My preference is to write, even if it is only something silly or trivial for myself. I enjoy reading, as was a voracious reader at one time. I know find that writing produces a much more pleasurable feeling throughout me both mentally and physically.
D. D.

Stuart,
Writing a novel was just one of several items included in a bucket list that my late wife insisted I create upon retiring in 2001. Sitting around doing nothing was not an acceptable option, as far as she was concerned.
Regarding your inquiry as to how the novel has been received, I offer the following.
As of Sept. 30, 2014, 917 units have been sold.
460 - paperback (50.2%)
403 - e-book (Kindle/Nook/Tablet) (43.9%)
33 - audio book* on CD (9 discs) (3.6%)
21 - audio download* (2.3%)
* The audio book is an abridgement (85,000 words) of the print format (111,000 words). It provides 8 hours listening time - narrated by Stephen Rozell.
The novel has not proven to be a commercial success; at least so far. However, it is definitely not due to a lack of the on-going efforts of the marketing rep. and publicist, assigned to promote it. A more likely reason would be that it just may not have whatever it takes to become a best-seller. Fortunately, I am not the least dependent upon royalties from the book to sustain my lifestyle.
I hope this is the type of information you wished to know. Thank you for your interest. It is very much appreciated.
Jim

I was thinking about the same Justin! Lol!

I don't feel that way. I rarely use other people's imagery and/or ideas, I have quite a fountain of ideas myself.
I rarely watch television anymore (although I watch certain tv series on my laptop, like Spooks and Game of Thrones), but I love movies. So I often write during the day when the kids are at school, read when the kids are home, and watch movies or visit internet boards when the kids have gone to bed.

I don't feel that way. I..."
I agree. Other than reading and writing, I watch movies. I also like to listen to music while I'm reading or editing.


I should say that while writing a book I do read newspapers, magazines, light works and of course the vast amount of research material needed for the current project (and all the fascinating byways it takes me down). And for relief after a day spent wrestling with words, I like nothing better than a medium-hard soduko puzzle.
But all my serious "other" reading (so essential for those many excellent reasons given in the responses) can only be done in that long pause of half a year or more between one novel and the next.
I do envy those of you who are able to find the resources to keep on writing without a break between books. But I'm at the later end of my career, and find that the imaginative energies required for each new book are so exhausting – that I have to dig deeper into myself with each new project – that a break of some months is essential to replenish and refresh the creative spirit.
Unconscious plagiarism is a real danger, I fear. But it may be a topic better kept for another discussion .

I didn't see it until just now, so here's my two bits.
I read and read a lot, even while writing. Well, not at the EXACT same time, but I write a bit, read a bit, write a bit. I don't worry too much about plagiarizing as the kind of stuff I write is not the stuff I read. I'm working on a few humor projects* right now that, frankly, I've never really even seen a book quite like these so there's slim danger in outright copying what someone else has done. Do I see the influence of other writers in my work? Oh, yes. I would think we all do. None of us is completely original.
*And, yes, I'm one of THOSE who cannot just do one project at a time. I usually have at least six things going at once.


I also listen to music while I write. Mostly Jazz or instrumental music, but I have whole playlists on my iPad. Music also helps me to isolate myself when I'm writing on-the-go, since people are less likely to engage me in conversation if I have my headphones on.

I don't think it's really a danger once you've found your voice. And I think there is a distinction between plagiarism and mimicking someone's style. There are even contests for 'writing like Hemingway', but even the best Hemingway mimic wouldn't be plagiarising, unless they would copy Hemingway and attaching their own names to the prose.
I found that plagiarising is rarely 'unconscious', it requires the act of stealing and subverting other people's work, which is done intentionally.

In recent years I really slowed down on the amount of reading I did. I had other things to do and see. :) I have probably read more books this year than I have in the 5 previous years. Partially because I had plenty of time while my wrist was healing, partially because I had trouble finding good books/authors I wanted to read until this year.
I guess I will always be a reader, just how much I read seems to fluctuate now.

I find that interesting, but I'm not sure influence is the same as plagiarism. In order to plagiarize, don't you have to quote word for word without attribution?
The kind of influence or interference I fear most from reading is at the voice level. I have a really hard time holding on to the voices of my narrator and characters through the ups and downs of daily life anyway, and another author with a strong voice can be disruptive. So are books which force me to pull all-nighters. I might as well have gone night-clubbing, considering the state those leave me in. I read while I'm writing anyway. It's a habit, and besides, you can't always tell what you're getting when you pick it up.


I also listen to music while I write. Mostly Jazz or instrumental music, but I have whole playlists on my iPad. Music ..."
I like classical or instrumental folk music.

Sort of, but sometimes just taking an idea and claiming it as your own can be plagiarism. A work close to someone else's, even with different character names and such could be considered plagiarized. Generally if something one is writing reminds one too much of something one has read, it might be a good idea to stop and rework it into more of one's own story.




But for me, the risk of adopting - even quite unconsciously - the style and voice of another author when I'm writing a book of my own, is a real one. It may not be plagiarism in the strict legal meaning of the word, but it's not so different in an ethical sense. Where does the border lie between influence and imitation?
Let me give you an example. In this rest time between writing projects I've just finished reading Patrick O O'Brian's "Master & Commander", volume one of his great seafaring novels. In it he speaks of 'days when the perfection of dawn was so great, the emptiness so entire, that men were almost afraid to speak.' I think you'd agree it is a very beautiful sentence. The language is majestic and the human observation profound.
He's writing of the sea of course, yet it's easy to see how one could apply the same or very similar sentiment to any terrestrial (or extra-terrestrial) landscape. The sentence will naturally go into that personal archive of accumulated literary treasure from which I, like every author, take inspiration and education. But if I'm wanting to write with my own voice and not somebody else's, I find it far better to do my 'treasure hunting' between books and not in the middle of one.


I must confess, I was an avid reader (2-3 books per week). However, since starting writing I've found that my head is so buzzing with ideas for characters/storyline etc. that I couldn't ev..."
Hey! Well that's just about the cutest thing I've read on Goodreads in a couple years. Said perfectly!
Ha-ha!
We wanted to write a book and get published, so now we pay the price of more hard work. Thanks for the smiles this AM.
p.s. I'm going to finish Grisham's Sycamore Row before I start again.

Since English is my second language, I need to read all the time to keep it on the good level. I'm Russian, but I can't remember the last time I read something in Russian. I'm always in need of new words and phrases, and I often re-read my favorite books and find more and more in them.
I wouldn't say that it influences my writing in any way - I have my own world and plot, and before a write another chapter, I need to feel it, to get into the story inside my head, to see how it develops on its own. My characters have a life of their own and there's nothing that could connect them with the books I read. I may read a romance novel (for example, my favorite "One day") - and then stop and write about brutal sword fight scenes for hours. And I'm totally alright with it ))

My writing comes from my imagination, has been well plotted and I consider it my business - my work. I concentrate when I'm writing and give it 110% of my thoughts and effort.
Reading is my relaxation - curling up on the sofa with hot tea and a great book.
I have my own rules. I usually listen to music while working and relaxing. I only read print books. I never watch TV. I consider maintaining an online presence part of my work - although it is quite relaxing too.

There's no right or wrong of it, I think, but the approach that best suits us as individual authors and readers.
Sincere thanks to everyone who shared their insights and opinions on what has been a very interesting topic.
http://www.anthonyhillbooks.com
Books mentioned in this topic
Impromptu Scribe (other topics)Impromptu Scribe (other topics)
Captain Cook's Apprentice (other topics)
Master & Commander (other topics)
Editing is different. It’s generally easy enough to cut, revise and rework a manuscript when reading somebody else’s story, for it’s a rather mechanical exercise. Patrick White called it the ‘oxy-welding’ aspect of the profession.
But original composition for me must be an essentially solitary and undistracted business. All those books that cross the literary horizon have to be left unopened on the bookshelf until I’ve written ‘The End’ on the present work.
For one thing, the risk of being influenced, even unconsciously, by other writers’ ideas and imagery is acute. Plagiarism is a fear that stalks all of us.
For another, a brilliant author can completely inhibit your own creative impulse, especially if writing on a similar theme. When I was composing Captain Cook's Apprentice, about the celebrated Endeavour voyage, I dared not read any of Patrick O’Brian’s Aubrey/Maturin seafaring books until I’d finished. Wisely as it turned out. I’d have been too self-conscious to attempt my own.
Then again with a splendid writer like O’Brian – or Dickens, White, Jane Austen, Mark Twain and those dozens of others on the bookshelf – I can become so engrossed in their stories that the impetus for writing my own can go out the window.
So they have to wait, I’m afraid, until the present composition is finished. And having recently completed the first draft of my current project, I have a very Happy New Year’s pile awaiting me.
First up, Master and Commander, volume one of the O’Brian series … and the other 19 books are in the offing behind it.
But I wonder if this reticence is just me…? Or are other authors living the guilty secret that we’re not as well read with the latest literary success as we’d like to be … or as readers might expect us to be?