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Do Fee-Based Contests Help With Sales?
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Laura
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Jan 15, 2020 11:47AM

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If you have to pay to play, think twice about it. Did you buy a book just because they won an award? Did that award help you to make the decision? Did them being #1 on one of the best seller's list make you want to read the book?
Your buying habits are probably like most other people's habits. I don't pay attention the prizes, best seller lists, endorsements, etc. I look at that blurb and if that gets me to open the book and the first few paragraphs are good, I will buy the book. I read the blurb even on the freebies before I take them. I don't have time slogging through a book that doesn't hold my interest.

And sadly, given the volume of people submitting, the first reader will probably not be a publishing pro. Most are judged by hopeful writers, who have a strong leaning toward applying the personal standards of someone unable to sell their work, not current professional standards. But even were they qualifies, in the end, only the top few submissions are looked at by they pro they talk about being the judge.
But isn't that exactly the situation were you to submit to a publisher? There's a first reader (who's better qualified than most contest judges) and if you get by them, the agent or acquiring editor looks at it. And, it's fee-free.

I agree that no one would BUY a book just because it won the Joe Schmo Award or was a Finalist in the Independent Oscars, but I think it might help along the margins. I would love to hear from any authors who have entered fee-based contests regarding their experience. Did your cost-benefit post-mortem show sufficient uptick in sales to make any of them worth your while (assuming you were fortunate enough to place?).
B.A. wrote: "No, it doesn't really help unless the contest is one of the very famous ones like the RWA Rita awards, the Edgars for mystery writers, The noble prize for authors or the Hugo award....these are all..."
As a reader, I don't really care about awards of any kind. For me, what a book needs is a cover and name that gives a decent hint of what the story is about, and a blurb that entices me to read the story.



As an author, I think these competitions can be tempting, but if you don't win you've spent money for nothing (money that could be spent on something else like advertising) and if you do win, I can't really see it making that much difference. I would have thought, as others have said, that the blurb and cover will be the biggest factor in helping readers decide whether to buy. Maybe an award would persuade some additional people, but the real battle is getting people to your books' product page in the first place, and unless you win a very major award I doubt your book would get much extra visibility by winning.


After reading the initial responses, I realized that I disagree with most people about awards not making a difference to prospective buyers. It's a demonstrated marketing tactic (gimmicky or not) that awards, reviews, sales rankings, etc. help sell products. The question for me is whether the cost/risk is worth the potential reward. To me it seems like a huge risk & I'm fairly loss-adverse ;)
Thx,
Laura
Anna Faversham wrote: "Perhaps winning anything makes a book more visible for a day or so. And most writers need to chase visibility. Having said that, I've never entered any competition though I did win something that s..."

There is no way I would pay even $10 for a review.
I did find, on a Google search of my name, that a site that reviews not only books but also movies and other things, had given a different book of mine a review. Free and unsolicited. And it is a great review. So that has pride of place on my time travel book's page.
Recently I have considered paying a small entrance fee for suitable competitions but then I think again!

Ah well. I appreciate your insight! Best, Laura
Anna Faversham wrote: "Hi Laura, I wish I could say it made all the difference but I didn't notice any upturn. It was an appropriate award and I was delighted. However, yes, it is sitting there on my Amazon blurb and may..."


Be very careful with such critiques. When I was active in the RWA, our chapter had a yearly contest as a moneymaker. It was judged by the members, most of whom hadn't yet managed to sell their work. As part of the judging, they wrote a critique. But that critique was pretty much: "You need to stop writing like you and write more like me." That's good if the one making the suggestions writes well. It's great if the one writing the critique is a successful writer. Having someone who can't sell their work advising you on how to write for publication? May not be the best way to learn the profession.
In our chapter, those doing the reviews assigned a number-score for such things as characterization, dialog, etc. But I noticed something interesting about that: Often, one reviewer would give a five star rating to one aspect of the writing while another would give only one star to the same thing. So who do you believe? My view is that if you want solid advice, go to the pros. You can get a lot more reliable advice from a successful writer, publisher, or teacher that a sincere amateur. You may not always agree with their advice, but you do know that it worked for them.
To my mind, and few hours spent with the pros living within the fiction writing section of the local library is time wisely invested.
Your mileage may differ.

A good editor will give you the best feedback on how to make your work shine without changing your voice or characters. Many judges of the smaller contests are clueless.
I will agree that going to the pros that live in your library or resources that you have and it will help more than the contests which really don't mean all that much in the scheme of things. A few good books from James Scott Bell, or basic writing books like Elements of Style, the Snowflake Method, Writing Fiction for Dummies, The First 5 Pages by Noah Lukeman, Stein on Writing are all great books which will give you more than any contest on how to write. From there there are tons of good editing books starting with Bell, and Renni Browne and Dave Kings Self-editing for Fiction Writers.
Until you know what makes a good book, you can't really write that USA best selling book that will stick around. If nothing else, I've learned that you don't realize how much you don't know until you begin to look at what the experts are telling you. Until you understand the rules of writing, don't try to break them.

You do have to be careful about the validity of feedback--especially if it's coming from someone who just happens to sell courses or classes or workshops. The idea is to attract business.
The self-pub world is teeming with people selling stuff to aspiring writers. Shark-infested waters. Scary.


Sherri, please mind the 'no link' rules - they apply to links to GR books as well, more so when they're YOUR books (so you're breaking the no self-promotion rule as well). Please remove the links.


You do have to be careful about the validi..."
This. It's a marketing ploy and NOT to promote the book that won the award but the next one. Okay, having said that it might help to push the book again, especially in combination with a sales promo on the occasion of the award. The alliance of Indpendent authors has a great list of contests. Basically, their advice is - if it's more than 20 bucks to enter, forget it.

Before I write anything, I do a marketing plan. Part of that marketing plan is awards programs and how to mine them for opportunities. THEN, I start the outline and begin writing my manuscript.
Authors, editors, and agents are really our own worst enemies. We moan, groan, and berate. For fee awards programs get a bad rap. If they don't give critiques, authors get their panties in a twist. if the give critiques...the same thing happens.
It isn't so much the award, or even what they do for the winners, that matters. It really is all about what you do with a book award should you happen to win one.