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Exit West
September 2019: Cultural
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[TRIM] Exit West by Mohsin Hamid - 5 Stars
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I consider Exit West as using a very light dystopian format to explore themes about borders and immigration and refugees when technology has made 'global' into a neighborhood.

The fleeing is a risk and many do not survive as we have seen in images plastered on front pages and across the internet. Through the fleeing are the doors and portals and they really are a bit magical.
Then there is the place they land and they can indeed seem very dystopian. You arrive in a country in which you expect to find a safe haven and your child is taken to a shower and you never see her again.
Or you are thrown into a refugee camp and you have to abide by rules which you don't understand or you will not be allowed into the country and sent back to your old one.
I saw the dystopian thread as partly a reminder of what life can be like for a refugee.

When Saeed and Nadia left their country, the book took a distinctly dystopian turn. They became "migrants", a term that sadly now is becoming a normal part of our everyday language. They never found the safety and better life that they were seeking. The second half of the book was disturbing.
I read the book back in January. As I read articles detailing the experiences of immigrants seeking entry to our country (the U.S.), I think of the book often. It seems to have been eerily prescient.
@Theresa: I too was intrigued by Nadia's wearing the traditional long black robe which we in the west associate with repression of women. She wore it for her own personal safety, was not religious and felt comfortable in it. Wasn't there a scene with her in the robe riding either a bike or a motorcycle?

Absolutely at the beginning. Also in order for Saeed safely to enter her building he donned one of her black robes. The author does much to give the all-enveloping black robe meanings other than repression.

The story is very unique, I think "dystopian" and "magical realism" can be a misleading for readers who avoid those genres. I would think of it as dystopian-lite, or magical realism-lite. Those tags aren't wrong, but I think non-fans of those subgenres can enjoy this book.
There is a lot to unpack in terms of immigration, false borders, etc., but at the heart is also a love story of how much a relationship and people individually can change.
I too found the incongruity of Nadia's dress to true character so fascinating. And when I was reminded of her dress found it jarring. In that respect it was very eye-opening because I thought how much conservative Muslim dress can mislead you to stereotype someone but how little you can truly know about them from simply looking at the surface.
Great writing and unique story, deserves all the 5 star ratings, but I came down to a 4 because sometimes I wasn't completely engaged. I was a little bored or apathetic in parts but I can't pinpoint why.


I agree that we should not...yet we do. And of course, that's because that's the link we have been given over and over with reference to it for too long.
There's been some amazing discussion here - thanks all! I'm going to try to post some of the discussion over to the buddy read now that Meli has finished as well. I'm a little stressed work though so it may take a couple of days.
Books mentioned in this topic
Station Eleven (other topics)Exit West (other topics)
Hamid keeps everything deceptively simple. This is a dystopian tale, but one drawn on the individual and small community in times of war and its aftermath. He uses magical portals as a means to introduce the topic of borders and what happens with the artificiality of borders disappears. He shows you not just people escaping through portals, but also how portals can be used as a direct means of transport. He shows you several different relationships - parent/child, lovers, husband/wife - and how they all fit into a world with no borders, civil war and survival.
Hamid plays with the reader's perception by using language that gently has that reader suddenly go 'ah ha!' or 'oh' or 'hadn't thought of it this way'. One example for me is at the very beginning of Chapter 3 where he has a few sentences describing a cellphone as antenna. It reminded me of something a college professor (anthropology) said: even the simplest acceptable act -- a man shaving -- when written and described in the simplest, most basic descriptive language, will sound like a strange exotic custom. Today we refer to that as 'spin' -- and every society and every individual can and does tell their story to impress, to advance, to instill fear ... or not. There are many more moments like that, written with great delicacy and deadly accuracy, most often addressing the concept of distance and space, and even time.
It also brings to mind recent history. While not identified, Saeed and Nadia clearly live in a country/city that is in the middle east or some other hot dry region with fundamentalist religion (like Islam) at war with a more western leaning social and political structure. The countries they escape to through the portals are identified by name, all western cultures now coping with massive and ethnically diverse numbers of refugees. In a few short chapters, Hamid effectively shows the different levels of acceptance of refugees the different cultures provide -- something we are seeing debated and changing in own country during the current political administration. And he simply but effectively challenges our instinctive judgment of someone by appearance (view spoiler)[ specifically by dress as he has Saeed be the more conservative religious but dress more western and wish to blend in, and Nadia persist in wearing the black robe while being far more liberal and free, not being particularly religious, using the black robe to hide and distance herself, not caring about blending in and acceptance (hide spoiler)].
It's still with all that an excellent story.