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Also I am halfway through The Easy Life in Kamusari by Shion Miura, an interesting if somewhat simply written tale set in the forested mountains of Japans rural outskirt, desperate for people to join their lumber industry.

I was going back through my notifications and realised I never replied to this. It's an historical novel which moves between time periods, post-war Japan and Japan in the late 1950s. It also shifts between points of view, one character a boy is represented primarily from a distance. The other main character is a girl whose story has parallels to the author's own life, and she has sections that allow a first-person perspective. The boy could be real or not, or even a stand-in for the girl's dead brother - whose disability suggests a version of Tsushima's own lost brother.
Tsushima borrows from fantasy, children's literature, fable, and includes a series of radical juxtapositions between her fictional narrative and extracts from news reports and other materials. It's unsettling and considerably bleaker than the other novels of hers I've read, and the bond between the boy and girl formed by his witnessing her father's love-suicide suggests that it's partly working through aspects of Tsushima's own experiences of grief, trauma and loss.
There's also a complicated subtext around sexual violence, violence towards women which I'm still puzzling out.

Link to my review:
https://www.goodreads.com/review/show...

Link to my review:
https://www.goodreads.com/review/show...

It's a slice-of-life about a middle aged artist who holes up in a cabin in the mountains to paint. He's not exactly a nice person or any artistic type, but he's not a total creep. He's just driven to paint, and almost nothing else matters to him.

I own this and have no idea why I haven’t read it yet, but you’ve inspired me to move it up my TBR, seriously. It sounds highly appealing.


Is it just me or does the theme of someone removing themselves to a distant cabin to paint remind us of another, more recent, book by a Japanese author...?

Link to my review:
https://www.goodreads.com/review/show...

You're drawing me back to try again with his short stories, and I thank you for that.


Link to review:
https://www.goodreads.com/review/show...

Link to my review:
https://www.goodreads.com/review/show...

Link to my review:
https://www.goodreads.com/review/show...

By the way, have you read Iain Maloney's 'The Only Gaijin In The Village', which came out a couple of years ago. I shamelessly recommend it a) because he's from Aberdeen and now lives in Japan with his wife b) because we were supposed to have him for an author event in our bookshop just as Covid hit and we had to cancel and c) because it's a genuinely honest, funny and moving account of being a Westerner in Japan. I definitely recommend it, as a piece of good honest non-fiction.




I remember some even saying that they just came in the shop to touch and smell books. Only book people would get that. It made me happy. And ultimately hopeful for the future.

I've been slowly savoring Memories of Silk and Straw, a collection of recollections of rural, elderly people who grew up in the early years of the 20th century. The chapters are very short (3-6 pages), and I only read one or two of them at a time. I'll be sorry when I run out.

I've been slowly savoring Memories of Silk and Straw, a collection of recollections of rural, elderly people who grew up in the early years of the 20th century. Th..."
I ordered it after reading your comment and it arrived yesterday. It looks entirely charming and I'm looking forward to starting it.
Has anyone read or started My Annihilation? I've had wildly inconsistent experiences with Fuminori Nakamura's novels and would feel better about ordering it if someone here gives it a thumbs-up.

That's been my experience, too. (It boggles my mind the extent to which it upsets strangers when I pan a book that has a 4.1+rating and thousands of happy readers, but that's a story for another day.)


I’m glad to hear this, Alan. Awesome.

Meanwhile, I am still plodding along ハイ☆スピード!2 High Speed! 2 . Ideally, I would have moved on to read my next book in Japanese, which would be 吾輩は猫である Wagahai wa neko de aru , but I know that I don't read the second volume of the Light Novel soonish, I will find it much harder to get back into it.
It is considerably longer than the first instalment and 136 pages into it, there is surprisingly little swimming going on. Up to this point, it's been a long, "Will Haruka Join the Swim Club" setup which is almost mandatory in some sports media but took way, way too long. It makes some sense that'd take longer than usual as Haruka is not the typical sports protagonist who wants to compete and thus will join their respective club as soon as possible (Just look at Hinata from Haikyuu for this taken to an extreme!), that Haruka does not want to be an athlete is part of the conflict in the series- and it gets really dark on occasion, later seasons of Free! have borderline nightmare fuel scenes- but it takes well over a hundred pages for him to actually join.
That's a lot.

How violent/scary is it? I don't tend to read thrillers or horror novels, so I'm not sure about this one.

I'm surprised she was illiterate. Geisha were some of the most reliably literate women for a lot of early modern/modern Japanese history.

That's a hard one to call, Alison. Scary? No. Violent? Well, if it were a film there would probably be a warning that the following motion picture depicts/mentions domestic violence, scenes of murder and some violence. And a dead body in a bag. A R15 maybe, definitely not an R18. Given it's subject, how could it not!!!? There are no gritty descriptions or graphic violence. No blood or guts or entrails or such like :-)
Honestly, no, the psychological and perplexing nature of the book makes it so worth reading.
(Although, for legal reasons, I have to state that any opinion I have is my own and it is entirely your decision to read the book. Don't sue me if it causes you nightmares lol). :-)

Yes, this is my sense of urban geisha (Kyoto, Edo/Tokyo) too Alison. But Sayo Masuda, the author of Autobiography of a Geisha, was a hot-spring geisha (think: Komako in Snow Country by Yasunari Kawabata). As Edward G. Seidensticker observed in an introduction to his translation of Kawabata's Snow Country: "The city geisha may become a celebrated musician or dancer, a politician intriguer, even a dispenser of patronage. The hot-spring geisha must go on entertaining week-end guests, and the pretense that she is an artist and not a prostitute is often a thin one indeed."

Whenever people think of "geisha", they tend to think of the highly rarefied urban environment while Masuda, and her peers, tend to be dismissed altogether.
Off the top of my head, until I picked this one up, my only contact with geisha like Masuda was indeed Komako from Snow Country; and The Waiting Years, while not the same, also covers the "kept woman" who is essentially sold.

Originally published in 2014, I think, this has all the feel of the recently revived MONKEY New Writing from Japan: Volume 2: TRAVEL and volume 1 before that. Same concept of a selection of stories, musings etc from Japanese and Western writers. Same lovely illustrations. This is a book that will be treasured and picked up over and over, I suspect. Anyone who has read the Monkey issue(s) should/must try and get hold of this.

Link to my review:
https://www.goodreads.com/review/show...

Link to my review:
https://www.goodreads.com/review/show..."
This one sounds very interesting. I am tempted to read it in Japanese but odds are I'll stick with the translation.
One of the first books I read in Japanese was Ishikawa Taiga's ボクの彼氏はどこにいる? Boku no kareshi wa doko ni iru? and since then I've been very keen on reading more queer content- from queers authors.

Link to my review:
https://www.goodreads.com/review/show..."
This one sounds very interesting. I am tempted to read it in Japanese ..."
I'm queer so tend to seek out fiction with LGBTQ rep, and always excited to find new titles. Look forward to seeing what you thought.

I've previously read Inoue's The Roof Tile of Tempyo and also have an (unread) copy of his Blue Wolf. His historical novels put a strong emphasis on 'historical' and the 'novel' is secondary. Yet even for a heavy history lover like myself, they have trouble holding my attention.
I'll press on. It hasn't even gotten to the invasion of Japan yet.

I've previously read Inoue's [book: The Roof Tile of Tem..."
I just bought Roof Tile last week and am hopeful. Maybe I’ll temper that hope lol.

Roof Tile was better than Wind and Waves (at least so far), and Tun-Huang was better than either of them. So don't regret the purchase!

Same here, representation is really important to me. I managed to find it at the site I usually order Japanese books from and may grab it for my birthday.
Recently picked up The Tales of Ise. Still making my way through the very detailed introduction and have yet to make it to the text proper. I do not mind it as this edition's critical apparatus makes it a primer for Medieval Japanese literature: I wish I had read it before I picked up The Tale of Genji, I know I will be turning to the appendixes and glossary time and time again.

Link to my review:
https://www.goodreads.com/review/show...

Link to my review:
https://www.goodreads.com/review/show...

A link to my review: https://www.goodreads.com/review/show...

Link to my review:
https://www.goodreads.com/review/show...

Link to my review:
https://www.goodreads.com/review/show..."
This is interesting, Alwynne. It hadn't crossed my radar yet. Thanks for the link.
Books mentioned in this topic
Nan-Core (other topics)Chieko, and Other Poems of Takamura Kotaro (other topics)
Chieko's Sky (other topics)
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The Tale of the Bamboo Cutter (other topics)
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Authors mentioned in this topic
Kotaro Takamura (other topics)Iori Kusano (other topics)
Fehu Kazuno (other topics)
David Guterson (other topics)
Donald Keene (other topics)
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Does anyone have reading suggestions, fiction or non-fiction?