J.D. Robb discussion

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Sandra
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Oct 11, 2014 07:48AM

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I found an interview she did with Audiobook Month in June 2013. Here are two responses that shed some light:
What is your relationship with the book author in the process? Do you talk to them about the book, characters, or pronunciations in advance?
I have had very little contact with any author I’ve recorded. The usual way they might be involved is that they might have voice approval rights for the narrator. So the audio book company will submit a couple of voice samples and then they can choose. I think the authors don’t have much time to get involved and also, they trust the publishers and audio book companies to do a good rendering of the book.
It’s the actor’s responsibility to get the pronunciations, etc. and one should never assume you know how to pronounce an odd word or name. Nothing is worse than getting a note back from the editors that the character was supposed to be pronounced “Lee-uh” not “Lay-uh”! And then you have to go back and fix all your stupid unnecessary mistakes – ARG!!!
I can imagine! One of the benefits for me as an audiobook listener is that the narrator has done the homework on the pronunciations :)
You’ve read a great variety of books from series like J.D. Robb’s In Death to Kristin Hannah’s books to the classic Jane Eyre. What is it like narrating a long-running series? Do you feel protective of the characters and more invested in the story since you’ve stuck with it from the beginning?
It’s WONDERFUL to do a series. In the In Death books, I know that world and those characters like the back of my hand. And I have a strong sense of ownership about them after 40 or so books. I often feel like J.D. Robb may be the biological mother of these books, but I am the adoptive mother. I think that deep sense of knowledge about the books really adds a depth to the recordings, because there’s so much background and tone and history that I bring to the character’s interactions. Also, I think I really understand the style of the books, and the world wherein the stories all take place. The slightly futuristic world- it’s not abstract for me, I’ve “lived” in it for years now. Very cool
What is your relationship with the book author in the process? Do you talk to them about the book, characters, or pronunciations in advance?
I have had very little contact with any author I’ve recorded. The usual way they might be involved is that they might have voice approval rights for the narrator. So the audio book company will submit a couple of voice samples and then they can choose. I think the authors don’t have much time to get involved and also, they trust the publishers and audio book companies to do a good rendering of the book.
It’s the actor’s responsibility to get the pronunciations, etc. and one should never assume you know how to pronounce an odd word or name. Nothing is worse than getting a note back from the editors that the character was supposed to be pronounced “Lee-uh” not “Lay-uh”! And then you have to go back and fix all your stupid unnecessary mistakes – ARG!!!
I can imagine! One of the benefits for me as an audiobook listener is that the narrator has done the homework on the pronunciations :)
You’ve read a great variety of books from series like J.D. Robb’s In Death to Kristin Hannah’s books to the classic Jane Eyre. What is it like narrating a long-running series? Do you feel protective of the characters and more invested in the story since you’ve stuck with it from the beginning?
It’s WONDERFUL to do a series. In the In Death books, I know that world and those characters like the back of my hand. And I have a strong sense of ownership about them after 40 or so books. I often feel like J.D. Robb may be the biological mother of these books, but I am the adoptive mother. I think that deep sense of knowledge about the books really adds a depth to the recordings, because there’s so much background and tone and history that I bring to the character’s interactions. Also, I think I really understand the style of the books, and the world wherein the stories all take place. The slightly futuristic world- it’s not abstract for me, I’ve “lived” in it for years now. Very cool

"It’s WONDERFUL to do a series. In the In Death books, I know that world and those characters like the back of my hand. And I have a strong sense of ownership about them after 40 or so books. I often feel like J.D. Robb may be the biological mother of these books, but I am the adoptive mother. I think that deep sense of knowledge about the books really adds a depth to the recordings, because there’s so much background and tone and history that I bring to the character’s interactions. Also, I think I really understand the style of the books, and the world wherein the stories all take place. The slightly futuristic world- it’s not abstract for me, I’ve “lived” in it for years now. Very cool. I have a similar feeling about the Sara Paretsky novels (V.I. Warshawsky) and the Meg Gardiner books."
I love that she says "adoptive mother"...that's it! You can tell it when she reads one of the books. She owns it & brings it to life.

I talked to Sylvia Day (author) about her books at a book signing awhile back. I know she talks to her narrator now but I never thought to ask if SD talks about the book before it is read by the narrator.


Is everyone finished with Visions? Need more time? Any more discussion? Or ready to move on to Survivor?

Am I the only one that didn't see that last twist coming the first time reading? I was completely shocked.
Eve seems to be a little quicker asking Roarke to commit the crime of breaking & entering. I know her reasons but she doesn't seem to struggle with asking him as much...just kind of a token thought that she shouldn't ask him but she needs/wants the info & he's the best bet. And this is her idea first, not Roarke's.

Am I the only one that didn't see that last twist coming the first time reading? I was completely shocked."
The first time I read it I didn't see the twist at the end at all. I remember thinking OMG Eve must have been suspicious from the beginning. She know to protect her thoughts thanks to Peabody's dad.

Eve totally trusts and depends on Roarke for all his skills both legal and those a little shady.

I'm done by the way. What's next & when?
Have to say I (like Eve) nearly choked when I heard Peabody telling Eve that she & McNab had decided that if Eve ever leaves Roarke, Peabody gets him & McNab gets Eve!!! LOL And, again, Susan Erickson just nails Peabody! I was grocery shopping while listening when this exchange came on & I walked down the aisle laughing out loud - strange looks I got went unheeded! :)
