Bright Young Things discussion

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Film & TV (1900-1945) > The film section can be used to discuss any films relating to the time period

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message 1: by Nigeyb (new)

Nigeyb Did you realise that the film section can be used to discuss any films relating to the time period?

It's true.

For example, The Grand Budapest Hotel, a 2014 comedy film written and directed by Wes Anderson and inspired by the writings of Stefan Zweig who we read as a group read last month.


message 2: by Jill (new)

Jill Hutchinson (bucs1960) Can we also discuss films made during the time period?


message 3: by Nigeyb (new)

Nigeyb Absolutely


message 4: by Jill (last edited Sep 17, 2014 11:07PM) (new)

Jill Hutchinson (bucs1960) Terrific.....it gives me a chance to talk about one of my favorite films of all time, silent or talkies. It is "Picadilly" made in England in 1929 and directed by E.A. duPont.

Chinese-American actress, Anna May Wong, was not getting the parts in Hollywood that she deserved because of her race. To take a break, she went to England where she was contacted by director E.A. duPont and asked to appear in "Picadilly". She agreed and every film buff that ever lived is happy that she did. She was an extraordinarily beautiful young woman and her acting was head and shoulders above the heart-clutching, eye-rolling technique used by most silent film players. She projected with very little movement and was grace personified. The film is available on DVD from Kino and it is worth watching, even if you do not particularly care for silent film, just to see how Hollywood misused the talents of this actress based solely on race. She did, however, make one American film,co-starring with Marlena Dietrich, in 1932, which does her justice and is not obscure....it is Shanghai Express.

Sorry for boring you to death about Picadilly but I could watch it 100 times and find something new each time.

One more bit of trivia......the classic song "These Foolish Things (Remind Me of You)" was written for Anna May Wong by her lover Eric Maschwitz (Eric Marvel). Great song.


message 5: by Nigeyb (new)

Nigeyb ^ Sounds great - I'll set up a thread


message 6: by Ally (new)

Ally (goodreadscomuser_allhug) | 1653 comments Mod
I'm stuck...I'm now able to get YouTube on my tv but I've searched for our films and they're only coming up as 5 min snippets. Can anyone tell me how I watch the full versions on YouTube?


message 7: by Ally (new)

Ally (goodreadscomuser_allhug) | 1653 comments Mod
Oh it's ok...I kept searching and have found some full versions.


message 8: by Jan C (new)

Jan C (woeisme) | 1526 comments Maybe the third time is the charm.

A while ago I read the excellent biography Max Perkins: Editor of Genius by A. Scott Berg. He was editor at Scribner's for people Marjorie Kinnan Rawlings, Fitzgerald, Thomas Wolfe and, of course, Hemingway. While looking for information about Wolfe just now I discovered there is an upcoming movie based on the biography called Genius. Expected release date is in 2016. http://www.imdb.com/title/tt1703957/?.... I'm looking forward to it.


message 9: by Connie (new)

Connie  G (connie_g) | 162 comments Jan C wrote: "Maybe the third time is the charm.

A while ago I read the excellent biography Max Perkins: Editor of Genius by A. Scott Berg. He was editor at Scribner's for people [..."


Jan, "Genius" was playing today at my library. It was excellent. Colin Firth played editor Max Perkins, and Jude Law was Thomas Wolfe. After many rejections, Thomas Wolfe had his first book edited by Max Perkins and it was the bestseller [book:Look Homeward, Angel|12448] published in 1929.


message 10: by CQM (new)

CQM I absolutely love Thomas Wolfe, I'll have to hunt this down. I'm finding it difficult to imagine Jude Law as Wolfe though.


message 11: by Nigeyb (new)

Nigeyb Look Homeward, Angel - sounds worth a look. Thanks all.


message 12: by Bronwyn (new)

Bronwyn (nzfriend) | 651 comments I've only just started it, but Genius is available through HBO now. It's about Maxwell Perkins (Colin Firth) and his working with Thomas Wolfe (Jude Law).


message 13: by Bronwyn (new)

Bronwyn (nzfriend) | 651 comments Oops, I see it's been mentioned! Still worth mentioning that it's on HBO now. :)


message 14: by Jan C (new)

Jan C (woeisme) | 1526 comments Thanks, I'll have to check it out.


message 15: by Jan C (new)

Jan C (woeisme) | 1526 comments Not sure where to put this. But I just saw a documentary on Netflix: The Mitfords: A Story of Two Sisters, Jessica and Diana (or a similar title). It was fairly interesting. Talking of more than just the two of them but using their division (fascism vs. Communism) and how the family finally met again when Nancy died.

Maybe this will drive me to get back to reading one of those books about the Mitfords.


message 16: by Ally (new)

Ally (goodreadscomuser_allhug) | 1653 comments Mod
I saw that too Jan - it was one of a series of three (the others were about Amelia Earhart and her sister and Jackie Kennedy and her sister).

It was very good, although not really new information to those who've read Hons and Rebels, The Mitford Girls: The Biography of an Extraordinary Family or other biographies of that family...about 10 or so years ago I just couldn't read enough books about this lot!


message 17: by Bronwyn (new)

Bronwyn (nzfriend) | 651 comments I just watched that too! :)

I agree that it wasn't new stuff if you've read books about them, but still a nice, short documentary.


message 18: by Connie (last edited Jul 21, 2017 10:29AM) (new)

Connie  G (connie_g) | 162 comments Amazon has purchased the US streaming rights for films of seven of Agatha Christie's novels, starting with Ordeal by Innocence.


message 19: by Ally (new)

Ally (goodreadscomuser_allhug) | 1653 comments Mod
Ooh, that should be good.

I'm loving the 'Netflix' & 'Amazon Prime' revolution...such a lot of great programming!


message 20: by Miss M (new)

Miss M | 118 comments The Sea Speaks

https://vimeo.com/224759610
(about 10 min)

In 1927, filmmaker-theorist Jean Epstein (1897-1953) followed an "impulse toward the exterior", trading the Parisian avant-garde for an encounter with the raw nature and culture of Brittany. Stripping out the plots and male characters, then forming a composite poem (using seven films) from images and sounds of the sea and women, this audiovisual essay echoes James Schneider's insight: 'By using cinema to grant perspective to the non-human – to the oceans, the tides, the tempests – humankind gains a vital perspective on itself.'


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