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May 2019: Beautiful > The Hours by Michael Cunningham - 5 stars

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message 1: by Joy D (last edited May 23, 2019 11:39PM) (new) - rated it 5 stars

Joy D | 10210 comments The Hours by Michael Cunningham - 5 stars

PBT Comments: This book contains beautiful writing and it is tagged on the "beautiful" list posted at the beginning of this month. Make sure to read Mrs. Dalloway before The Hours. If you like the former, you'll probably like the latter. If not, give it a pass. This book won the Pulitzer Prize for fiction in 1999. If suicide is a trigger for you, I'd avoid it. This is not a spoiler, as it occurs in the Prologue.

“There’s just this for consolation: an hour here or there when our lives seem, against all odds and expectations, to burst open and give us everything we’ve ever imagined, though everyone but children (and perhaps even they) knows these hours will inevitably be followed by others, far darker and more difficult. Still, we cherish the city, the morning; we hope, more than anything, for more.” -- Michael Cunningham, The Hours


Michael Cunningham’s The Hours is an inspired creative work of art that uses Virginia Woolf’s Mrs. Dalloway as a starting point. The author braids together three different stories of three different days in the lives of three female protagonists: Mrs. Woolf, Mrs. Brown, and “Mrs. Dalloway.” Mrs. Woolf is an imagined version of Virginia Woolf herself, in June 1923, as she is in the process of creating her book and envisioning how it will unfold. Mrs. Brown is Laura Brown, a wife and mother in 1949, who is suffering from depression and suicidal thoughts. “Mrs. Dalloway” is Clarissa Vaughan, nicknamed by her gay friend and noted poet, Richard, due to her first name and personality. She buys flowers for a party she is hosting later that evening for Richard, who is about to receive a literary award. The exact date is not given, but implied to be in the 1990’s. It is hard to do justice to this novel through a plot summary. Suffice it to say it is character-driven and plot is secondary.

Poignant and sad, though not without a thread of hope, this novel explores the difficulties of living with depression, surviving day-to-day in the face of mortality, and fighting against perfectionistic tendencies. The reader will notice many parallels to Woolf’s work in style, themes, and scenes. Cunningham’s prose is lyrical, and he successfully simulates Woolf’s stream-of-consciousness writing style, replete with parentheses, semi-colons, detailed descriptions, and asides. Themes include time, mortality, gender, creativity, and finding meaning in life. The perspective is omniscient third person, so the reader is privy to the thoughts of both the main and secondary characters. This work evokes questions in the mind of the reader and invites meaningful introspection. Be aware going in that the content includes suicide.

The Hours is a brilliant and moving tribute to the hopes and fears of everyday life. Cunningham turns the seemingly mundane into the sublime. Recommended to anyone that has read and had a positive reaction to Mrs. Dalloway.

Samples of the Beautiful Writing:
“It is impossible not to imagine that other future, that rejected future, as taking place in Italy or France, among big sunny rooms and gardens; as being full of infidelities and great battles; as a vast and enduring romance laid over friendship so searing and profound it would accompany them to the grave and possibly even beyond. She could, she thinks, have entered another world. She could have had a life as potent and dangerous as literature itself.”

“What lives undimmed in Clarissa’s mind more than three decades later is a kiss at dusk on a patch of dead grass, and a walk around a pond as mosquitoes droned in the darkening air. There is still that singular perfection, and it’s perfect in part because it seemed, at the time, so clearly to promise more. Now she knows: That was the moment, right then. There has been no other.”

“It seems she has succeeded suddenly, at the last minute, the way a painter might brush a final line of color onto a painting and save it from incoherence; the way a writer might set down the line that brings to light the submerged patterns and symmetry in the drama.”


Link to My GR Review


Nikki | 663 comments I thought this was brilliant too - thanks for the lovely review!


Joy D | 10210 comments Nikki wrote: "I thought this was brilliant too - thanks for the lovely review!"

Thanks, Nikki! I think it helped that I had just recently read Mrs. Dalloway


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