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Laurus - The Book of Journeys - end of novel (spoilers allowed) (Jun 2018)
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What did I most appreciate about it? This is a tough question. The richness of the book, I think. It was like a full-bodied, nuanced red wine with edgy tannins.

I have so many thoughts about the end - I'll have to come back with with them a little more organized in my brain!

Please do, Bretnie.
My strongest memory of the book is the battle of the holy fools, which was very entertaining. I am not sure that the occasional lapses into the modern world worked, but it is undoubtedly very original.

1 - The whole theme of time not being linear but happening all at the same time came together better for me at the end and made me appreciate the book much more. I think the first 2/3 of the book I was struggling to find things that were relatable to me in 15th century Russia. But the overall goal of trying to live a worthwhile life was compelling. Trying to find answers in a world where you'll never really make sense of the tragedy that happens.
2 - I saw a few comparisons of this book to The Name of the Rose, which I loved, and at first didn't really see the connection. Both were a bit of work if I'm honest. But both came together well for me in the end.
3 - Why did Arseny die after he saved Anastasia? Was it him forgiving himself/atonement, or something more complex? Why weren't any of the other people he saved over his pilgrimage enough for atonement? Is the ending too easy and obvious? Or kind of perfect?
4 - I'm not religious, so for some of the book I felt very impatient with some of the Christian rigidity and blind faith and hypocrisies. I appreciate how Christianity in that time provided some rules and structure and hope for a time that was pretty damn bleak. The balance of his philosophical discussions with Ambrogio were really interesting. Free will, mysticism, prophecies, trying to find answers in such a weird world.
5 - I loved how fickle the Rukinets community became in the end. Did Arseny really lose his healing powers? If no one comes to him for healing, does it matter if he still had his healing powers? Our powers to help others depend on others trusting our ability to help. Why do the people turn on him when he is at a point of finally forgiving himself for Ustina? Do they just need a scapegoat? I love that last line "Of course, we, too, do not understand."

I really liked how Arseny died after helping Anastasia deliver her baby. I felt it was kinda poetic and a nice resolution for his own atonement. I think maybe his pilgrimage still didn't feel enough for him to feel he had offer everything he could in his life for Ustina's life. But saving Anastasia did that.
Bretnie wrote: "I loved how fickle the Rukinets community became in the end. Did Arseny really lose his healing powers?..."
The Rukinets turning on him was sad in my opinion. He did so much for them and just having one cloud of doubt about his character made them not trust him. I think that as he said, he still had his powers but if they didn't trust him then they were meaningless. I am glad everything got sorted out in the end and his memory could be honored.

"The way time moves (or doesn’t) in Laurus is reminiscent of Slaughterhouse-Five, with Arseny 'unstuck' in time. Whereas Vonnegut’s clock-play evokes an underlying banality to life, what Vodolazkin achieves is more akin to prophecy—unfolding reality with a rising spiral of metaphysics."
Agree or disagree?

https://www.firstthings.com/article/2...
While my knowledge of Hinduisim is insufficient to debate the author's theological points, I loved that he considered and challenged one of the assumptions likely held by 98% of Laurus' readers - the novel's underlying Christian nature and spirit.
A brief excerpt follows:
"... Certainly Arseny is a version of the yurodivy, or holy fool, but he is not precisely a fool for Christ. Indeed, Jesus Christ does not play a large role in Arseny’s consciousness. He is in constant conversation not with his God but with those dear to him who have died, and this seems to be related more to his temporal dislocation than to any faithful hope for the resurrection of the dead. His constant proximity to what certain Celtic spiritual traditions call the “thin places,” where the boundaries between this world and another are porous, doesn’t seem to be related to any particularly Christian ideas. When another such porous one, traveling with Arseny through Eastern Europe, comes upon the future site of Auschwitz and senses the evil yet to come troubling the medieval air, we shudder along with him; but such disruptions of conventional realistic narrative—and there are many of them in Laurus—seem, in this reader’s mind anyway, to owe little to any identifiably Christian understanding of the supernatural. This is not a criticism of the novel but rather an attempt to describe how it works.
Likewise, the path that Arseny follows in his life does not track any distinctively Christian model of holiness, but it does, oddly enough, track very closely with a Hindu model, that of the four ashrama, or stages of life: Brahmacharya (student), Grihastha (householder), Vanaprastha (forest-dweller) and Sannyasa (hermit). These stages have provided the basic structure for other notable novels, including, most famously, Hermann Hesse’s Siddhartha and R. K. Narayan’s neglected masterpiece The Guide. Though Laurus is comprised of four parts, in each of which Arseny has a different name, and each of the parts is, I think, connected in some way with the traditional ashrama, Vodolazkin does not obviously follow the standard chronology. For instance, though the novel’s first part is called “The Book of Cognition,” which neatly identifies the “student stage,” its second part is called “The Book of Renunciation”—and renunciation should be the third stage. Yet perhaps the chronology holds after all, because the very brief period of Arseny’s life in which he is a family man, a “householder,” comes early on and is fully contained in the first “book.” (More could be said about these correspondences, but not without revealing too much.)
The structural oddity, we can now see, comes in the novel’s third section, “The Book of Journeys.” For what Vodolazkin seems to have interpolated into the standard model of the ashrama is the medieval Christian idea of the centrality of pilgrimage, its constant emphasis that Christians are wayfarers in this world, its insistence that our necessary condition is the status viatoris. ...."
Does the author have a valid point? I am still not finished but even before reading the linked essay, I was truck by one of the essayist's points - that Arseny's relationship is with God and Jesus isn't really pertinent to his search or belief.

I found it sad also, but loved that that's how the author wrote it. It made the ending more real to me and was an interesting reflection of humanity - the public is so quick to judge and to abandon those who help us.

"The way time moves (or doesn’t) in Laurus is reminiscent of Slaughterhouse-Five, w..."
I don't know if I have enough opinions to agree or disagree, but it's an interesting comparison!

"The way time moves (or doesn’t) in Laurus is reminiscent of Slaughte..."
I know. Right?

That is true, it was well thought out of the author I think. It feels like how truly the masses would react to that kind of situation. It does make the ending better too. I liked the ending a lot.

"The way time moves (or doesn’t) in Laurus is reminiscent of Slaughterhouse-Five, w..."
Hmm this is very interesting. I even went back to read a little but of Slaughterhouse Five and the prologue of Laurus to comment here hehe.
I don't know if I agree with the comparison though. I didn't think of Vonnegut while reading Laurus. I think even though Arseny mentions time always happening and being always present, his timeline is pretty much linear and aside from Ambrogio's premonitions we know what happens to Arseny during his entire life. It is more of a spiritual concept than a scientific/mental phenomenon in my opinion.

One thing that I felt was described well was how unreliable human beings can be (both in medieval times and now, and little about that has changed really), in ways good, bad, and everything in between. One never knows who will react with warmth and humanity and who with cruelty or disinterest, and the same person or persons can react completely differently at different times. We are a fickle species. I've learned that I need to hold tight to just that steady essence of life within me, and look at the rest of life's drama around me and inside of me with a little mellowness and detachment, as most of it is extremely changeable.
With Laurus as a whole, though, I must say that it is only personal persistence that made me finish the book. It won't go down as one of my great reads (or even a good read), and I would not recommend it as worth someone's time unless they are particularly interested in that time period of Russian history/folklore or something.
Bretnie wrote: "Jessica wrote: "The Rukinets turning on him was sad in my opinion. He did so much for them and just having one cloud of doubt about his character made them not trust him. I think that as he said, h..."
Yes, and I think it might have been mentioned that he couldn't die while people still needed him. As well as giving atonement for Ustina, Anastasia was the last patient who needed him - the others were recovered or dead. It was heartwarming (...nearly needed a box of tissues). It was also nice that we followed him up to his 'non-burial' (after he died the author didn't just write, The End.).
On another note, who would agree with my theory that Ambrogio Fecchia would have made a more interesting main protagonist?
Yes, and I think it might have been mentioned that he couldn't die while people still needed him. As well as giving atonement for Ustina, Anastasia was the last patient who needed him - the others were recovered or dead. It was heartwarming (...nearly needed a box of tissues). It was also nice that we followed him up to his 'non-burial' (after he died the author didn't just write, The End.).
On another note, who would agree with my theory that Ambrogio Fecchia would have made a more interesting main protagonist?

Me too. Reminded me of the Three Stooges. (Did they cross the pond?)

I love this Catriona!

Sign me up for that! I'm eager to read more Vodolazkin, but a little disappointed that his other books translated into english don't have medieval settings.

Sign me up for that! I'm eager to read more Vodolazki..."
I don't know if Ambrogio would've worked as the protagonist of this book, I did enjoy Arseny's life and all the transformations that he went through. That said... Ambrogio was my favorite character and I was very sad when he died, I couldn't believe it. I wish he had a longer story and we could see more of where those premonitions lead him to. Maybe we can have an alternate story with him?!

Link to my review: https://www.goodreads.com/review/show...
I just finished this and enjoyed it, though parts of it were a bit of a challenge - some of the super religious sections got to be a bit much after a while.
The Book of Journeys was by far my favorite section of the book and I especially loved Ambrogio. Though Arseny continues to cling to the memory of Ustina throughout the book, Ambrogio turns out to be his most important and valuable companion (at least in my opinion). I loved Brother Hugo and his donkey (to keep him humble!) too.
I appreciated some of the injections of modern times, though they made me question the idea that Arseny is not placed in any one time, or that time becomes cyclical for him. Towards the end, Arseny retells a vision Ambrogio had shared with him, of Francesca - a presumed relative of Ambrogio - who dreams of Ambrogio during her life in the early 20th century. Yes, Ambrogio was able to see the future (or believed he did), but the modern pieces made me think that all of our stories stem from people who came before.
At the end, I wondered whether Arseny finally died after Anastasia gave birth because the situation sort of brought him back to earth. One of my favorite scenes in the book is when Arseny is trying to speak with a woman with leprosy. Neither of them understands the other so they carry on a conversation that doesn't make much sense on either side. Arseny assumes he knows what her problem is - that she's pregnant and unmarried - and doesn't realize what's really the problem until the end of their interaction. I saw this as a slip on Arseny's part. He eventually recovers his other worldliness but not until after he reveals his own assumptions. With Ustina, Arseny denied her an outside existence and kept her to himself, in large part to protect his reputation. After she dies, he swears to redeem her by claiming to live his life as hers and to do all the good that he can on her behalf. However, it's only after his own reputation is tarnished by Anastasia's lie and the baby is born (and both Anastasia and the baby live) that things sort of become right and he can die. That's my initial take anyways!
The Book of Journeys was by far my favorite section of the book and I especially loved Ambrogio. Though Arseny continues to cling to the memory of Ustina throughout the book, Ambrogio turns out to be his most important and valuable companion (at least in my opinion). I loved Brother Hugo and his donkey (to keep him humble!) too.
I appreciated some of the injections of modern times, though they made me question the idea that Arseny is not placed in any one time, or that time becomes cyclical for him. Towards the end, Arseny retells a vision Ambrogio had shared with him, of Francesca - a presumed relative of Ambrogio - who dreams of Ambrogio during her life in the early 20th century. Yes, Ambrogio was able to see the future (or believed he did), but the modern pieces made me think that all of our stories stem from people who came before.
At the end, I wondered whether Arseny finally died after Anastasia gave birth because the situation sort of brought him back to earth. One of my favorite scenes in the book is when Arseny is trying to speak with a woman with leprosy. Neither of them understands the other so they carry on a conversation that doesn't make much sense on either side. Arseny assumes he knows what her problem is - that she's pregnant and unmarried - and doesn't realize what's really the problem until the end of their interaction. I saw this as a slip on Arseny's part. He eventually recovers his other worldliness but not until after he reveals his own assumptions. With Ustina, Arseny denied her an outside existence and kept her to himself, in large part to protect his reputation. After she dies, he swears to redeem her by claiming to live his life as hers and to do all the good that he can on her behalf. However, it's only after his own reputation is tarnished by Anastasia's lie and the baby is born (and both Anastasia and the baby live) that things sort of become right and he can die. That's my initial take anyways!

Yes! What I'd like is not an entire book devoted to him, but more like the David Mitchell universe, where some characters reappear in several novels, often in minor ways, that hint that these reappearances are part of a bigger story that hasn't been revealed yet. I don't think many authors can carry this off, but Vodolozkin feels to me like he could be one of them.

Sometimes, I could not differentiate between Arseni and Ambrogio and I am not sure, if that is because I started to loose concentration over the harder-to-read parts or if this was intentional by the author, since Arseni later receives the name of Ambrogius.
The last sentences are a great ending and apply so much on nowaday russian culture, as far as I know, with all its contradictions, believes and pride.
All in all, an interesting read, but not the greatest or most enjoyable. I am not sure, if I would reread it or recommend it. But it got me thinking, what some parts were about and the language had its unique style, so I ended up with four stars.

Sign me up for that! I'm eager to read..."
I also would have loved to have read more about his visions. In the end, they were mentioned again more often, but I have the feeling, something is missing about them. Not an explanation, because that would not meet the style of the book, but something...

It reminded me of some of the philosophy books I read in college. Not in content, but in the way the author tells a long rambling story to share a larger point. Which seems to be that time is cyclical and cycles back on itself, but at the same time nothing is ever truly repeated.
I thought the writing was wonderful. I found the story itself really grim. Overall very glad I read this. I'm hoping during some future read, someone will comment "this or that reminds me of Laurus" and I'll have a point of reference.

He becomes a wandering sadhu, for sure. Isn't i..."
I hadn't thought of Joseph Campbell and the hero's journey--yes! It's interesting though that, if I remember right, in Campbell's version, in the end, the hero comes back with an elixir for the society. In Arseny's journey, he heals the society all through his journey, and in the end, finally is able to heal himself.

https://www.firstthings.com/article/2...
W..."
Thanks for sharing the article, Carol. I just read your excerpt, but agree what you say about God and Jesus not being the focal point of his quest. It was in a framework of religious belief, but the drive and the outcome were both unique to this individual. It was really a personal journey--maybe it always is.

I think what I most appreciated were the surprises--the unexpected humor throughout the story. My favorite character was probably Brother Hugo (that scene with his donkey really broke my heart).
About the end, I also liked that Arseny died after Anastasia's baby was born. It fit in with the time ideas, that it wasn't the same but it was the same. We can't go back and fix things, but his pain about Ustina was so great that he couldn't rest until something soothed it. I think it was more about his personal atonement than any atonement sufficient for God or his religious order.

I really liked the ending too. In a bad, or 'meh' book, this neat ending would look so trite and obvious, but here it just feels right and beautiful to me. Good literature is magic :)

I definitely am enjoy moments of part 3 however, especially with the Arseny's pilgrimage and the various obstacles/challenges (either physical or spiritual) that he faces.
I thought some of the parts of Arseny's guilt were a tad overdone in the sense that he should just move on, but I guess this is what lead to his inner and outer journey.

I’m about where you are, Franky, and agree with all of your points.


Like Laurus, life kept happening to me and I never made it back to this thread (I did throw some rocks at the house of my least favorite neighbor, but he didn't buy that I was just trying to scare the demons away)...
Was there significance to the world ending in 1492? Did that just happen to coincide with Columbus opening up the "New World" for more Europeanexploitation discovery?
Was there significance to the world ending in 1492? Did that just happen to coincide with Columbus opening up the "New World" for more European
Well, he came out in his slippers with morning pastries in hand... I jumped up, snatched them in my mouth, and ran off. We haven't really spoken since...

I'll call that a win for you!
Back to Laurus .... your explanation makes sense, but I hadn't truly thought about the significance of the end year. I'm curious what others thought about this, too.

I like the idea that by using the year 1492 it's sort of flipping endings and beginnings.
Kathleen wrote: "I like the idea that by using the year 1492 it's sort of flipping endings and beginnings."
Which does indeed play into how this novel toys a bit with time and our experience of it. It seems every generation thinks the world is coming to an end, although I'm sure trying to live through the plague might have been more convincing on this point than say, worrying about Y2K or the end of the Mayan calendar for us. Ah, but we have our nukes and self-inflicted environmental issues...
Which does indeed play into how this novel toys a bit with time and our experience of it. It seems every generation thinks the world is coming to an end, although I'm sure trying to live through the plague might have been more convincing on this point than say, worrying about Y2K or the end of the Mayan calendar for us. Ah, but we have our nukes and self-inflicted environmental issues...
Feel free to share links to your reviews here, as well. For those who have read Laurus previously, what did you most appreciate about it? Has your perspective on it remained the same over time, or has it changed as it has receded into your rearview mirror?