EVERYONE Has Read This but Me - The Catch-Up Book Club discussion

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I Am a Cat
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I Am a Cat: I - *SPOILERS*
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This is a basically a very tame and wordy domestic fiction about a Japanese teacher in 1904, with a cat who listens carefully to his master and his friends when they visit. The teacher is a bit pompous and silly, but he has a couple of friends who come to visit often with whom he discusses literature and ideas. He clearly is not as smart as one of his friends. He has neighbors who plot to make him move with ideas like paying kids to throw baseballs into his backyard and then fetch them, which annoys him. The neighbors think he is too pompous and try to insult him, but he rarely understands that is what they are doing, which frustrates them. He has a wife and children, but they are not heard from very often.
The cat observes them all, and makes smartass, if sometimes long-winded, and on-target observations about his master, friends and the neighbors. If you have the version that comes with a foreword, it has a major spoiler about the cat.


In case I do get a chance to try again, what discussion questions does it prompt?
And what is "Japanese" about it? Iow, how does it fit the theme of the month?


For example, some ppl say that the cat is physically abused (kicked?). Is the reader given to understand that the author considers this normal behavior? Acceptable? Deplorable? Particular to the specific setting?

The author went to University in England, btw. He was a high-end intellectual writer, and this novel is a high end literary novel.
I studied philosophy 101 in college, plus I used to read The Atlantic Magazine, and the basic stuff of Japanese intellectualism is the same as the stuff of American intellectualism and English intellectualism.
Most foreign Japanese translated books that are considered important literary classics mostly discuss European philosophers and their works, comparing these ideas with local Asian philosophers and their books with historical impacts on society and government. The philosophical issues are about common questions philosophers discuss the world over, apparently.
We English speakers do not really see the ordinary commercial novels of Asia or Eastern Europe, so the novels I have read from Japan and China and India have all been literary classics (or detective mysteries) and include a lot of deep high-end academic philosophy from European and Asian philosophers which are argued about in many chapters in these literary, high-end novels.
Novels are not and were not universally common in the world. Vast sections of the world do not write or print novels of any kind, partially because of religious concerns and government suppression.
I have read several foreign literary novels, and what is considered literary fiction in Eastern Europe and Asian novels always seems to include a great deal of philosophical musing (is there a god, if so, where is he and what is his scope of effort, why so many religions and what specifically do they all have in common or different about heaven or god’s nature or good and evil or punishment, why do we suffer, what is different between the Western philosophers and the Eastern philosophers intellectually, how to think, what is consciousness, what this or that book from the West and the East really meant, what should kids be taught, what do we owe society and our families, what causes poverty, is education important, how do we stop poverty and wars, when is violence necessary, what is the purpose of mankind, why are we here, are women equal to men, latest science and what does that mean to the soul, do animals have souls, do women have souls, freedom of speech issues, use of violence issues, what is the role of religion, should government control morality, what is morality, what is history, do societies change, which society is best, what is right and wrong, what do we owe the gods, what happens after death, what is death etc.). Even noir novels written by Eastern Europeans seem to include tons of philosophical musings about governments, forms of governance, religion, policing, history, war, right and wrong, morality, etc.
These comments are totally from my limited reading - the high-end literary novels which have been translated or been published here in the States. Many foreign literary fiction books seem to quote mostly famous European scientists and philosophers. Some, mostly Japanese, compare European knowledge with their local famous philosophers, but mostly they include local myths, which tend to have Buddhist ideas of being and spirits and a world of life beyond death, mostly ghosts, seeking revenge. English literary novels seem to include some or a lot of Celtic myths and Norse myths. Indian literary novels only seem to discuss philosophy in terms of ancient and current famous Indian thinkers and Hinduism or Chinese religions, plus lots of local class issues, and include much history between England and India, and huge plots about family strife and life and the clash of old religious Hindu and a Buddhist beliefs with modern society.
English and American literary novels focus more on the relationships of people and feelings and failures of marriage, love, parenting, and the social issues liberals and conservatives are most concerned with like is my son gay, if he is should we do something, my daughter is marrying someone of another race, if my neighbor prays in a mosque and wears a hijab, or is poor or a drunk or a drug addict should I help them or ignore them if they are beaten up, the sufferings involved with poverty and mental illness etc.
English literary novels always seem to bring in some veteran of WWII, or some personal vendetta because of WWII or some family being destroyed because of WWII, or class/poverty issues. Philosophy issues and philosophers are not in discussions as foreign literary novels.


Having f-i-n-a-l-l-y finished, I feel it was a joke by the 40 to see how many would slog through. Maybe because it's dated, maybe because it's a different culture, but the universal part was pettiness and one-upmanship. "Master" was a jerk to everyone, but everyone was a jerk. Loving cats was not enough.

I did have to look up a few words, which is always really fun for me.
I did enjoy some of the philosophical commentary of the cat. In the end, we all are rendered ridiculous by the cat's observations. Even the cat himself is ridiculous.
Some of it is funny, but I found I couldn't read too much of it at one setting. Sometimes the observations seemed a little mean spirited. Mocking other people continuously, even if they deserve quite a bit of it, is just not enjoyable for me to read.

This discussion will be FULL OF SPOILERS. If you have not read the book yet and don't want to ruin the ending, hop on over to the spoiler-free discussion HERE .
Happy reading!
Kasey