Science Fiction Microstory Contest discussion
SEPTEMBER 2017 MICROSTORY CONTEST - COMMENTS ONLY
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So basically the plot's set out for us--?
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That will leave the door open for horror and destruction on a planetary scale, if desired.
Yes, the story can also start out as "two aliens walk into a bar..." :-)

I've never actually published anything before and I'm looking to self publish an MG sci-fi adventure novel. I'd like to see if anyone in the group could read over my manuscript and give me a kind but honest critique. It's about 83,000 words and should be an easy, fun read. I only ask that you complete it within 30 days.
If anyone here is interested in reviewing it in confidence, please message me!
Thanks!
:)

I think my pax will be a group of sword wielding demigods defending the universe while riding unicorns!!
You know...just cuz.... :D :D :D

Chris wrote: "So, I'll just put this here for anyone who might be interested.
I've never actually published anything before and I'm looking to self publish an MG sci-fi adventure novel. I'd like to see if anyon..."

Chris wrote: "So, I'll just put this here for anyone who might be interested.
I've never actually published an..."
I know most people are pretty busy with their own projects, but thought I'd ask. :)

No offense to Greg, but I propose we go back to the old system of one general theme and two required elements. It's enough of a challenge, but leaves enough room for individual plotting.

That will leave the door open for horror and destruction on a planetary scale, if desired. .."
Thanks Greg,
I appreciate the flexibility.
-C

If I get the opportunity in the future, I'll stick with a theme and two elements. I wouldn't want to limit creatively (although this month's stories are off to a great start) nor discourage anyone from voting for me out of fear of what I might do.
"With great power comes great responsibility."
Greg




See Greg's follow up comments, makes things a bit easier particularly the two aliens walk into a bar deal:
message 3: by Greg Aug 28, 2017 04:41PM
I was aiming for a rough framework, to have everyone fill in the scenery and characters. So the broad plot is defined, but not the details. If anyone finds this too confining, use the 4 elements (Discovery, Symbiosis, War and Peace) in any order.
That will leave the door open for horror and destruction on a planetary scale, if desired.
Yes, the story can also start out as "two aliens walk into a bar..." :-)
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Welcome back, Kalifer!
In the process of publishing my 9/11 novel, Perpetual Words of Hatred. Should be out in the next few days.
In the process of publishing my 9/11 novel, Perpetual Words of Hatred. Should be out in the next few days.


Anyways C., I've had a brain-cloud on this one. I just can't seem to come up with a good story this month. I'm sure something will come to me.
Paula, you gave me a big kick in the ass to train myself better on proofreading. Not saying my exhaustive hours resulted in a typo free novel, but at least I feel a lot better about it. Reread it about five more times after you showed me some of the things I was doing wrong. If I took anymore time on this, I think my head was going to explode.


Brain-cloud? Been there, done that, bought the tee shirt. Sometimes it helps to turn things upside-down, sometimes not... Lol.
I was thinking about the broad range of symbiotic relationships; from passive relationships like a pilot fish to a shark, to predatory relationships like a tarantula wasp to its unfortunate victim (real-life version of 'The Alien'). Quite a range to work with there, dude.
Maybe an advanced AI falls in love and joins with a chimp, and then they both walk into a bar?
AI: May I please have a drink?
Chimp: Oo oo oo
Bartender: What's with the "Oo oo oo?"
AI: Oh, that's my symbiote. He doesn't talk.
Bartender: But you're talking to me now.
AI: I'm an AI.
Chimp: Oo oo oo
Bartender: You better get out of here, buddy. You're pissing me off.
AI: I have just researched this establishment and determined you are not only behind on your federal and state tax payments, but your licensing is not in order and you could easily be closed down with a single, well placed email message.
Chimp: Oo oo oo
Bartender: One "Oo oo oo good" banana dackery coming right up!
: )
-C

Brain-cloud? Been there, done that, bought the tee shirt. Sometimes it helps to turn things upside-down, sometimes not... Lol.
I was thinking about the broad range of symbiosis relation..."
Ha! That's what I needed this month! :D

Paula et al, I use Susan Strecker to edit my books. She does a great job and isn't too expensive. I'd be happy to forward/post contact info if anyone wants. Should also note, that's part of what Paula does, if she isn't swamped with work.

Jot, thank you for the kind remarks. Yes, after the editing the copyediting, and after the copyediting the proofreading, and after the . . . , . . ., and THEN the final proffreading. lol, and by that time one's really ready to let go one's book, for sure.


I use my Apple laptop (MacBook Pro) with Garageband to record. Originally, I tried recording on my iMac but the sound quality wasn't as good (weird, I know). Some of that came down to mobility (I'll explain in a bit). I did not use an external mic to record. I have one, I just liked the sound quality better without it.
Originally, I recorded at my office, as I have in the past. But I got too much reverb, even with the makeshift sound box we built and all of Garageband's controls and filters. So, one day I did a bunch of research and found an old--hilarious--solution. That evening I went into my walk-in closet with all of my clothes, hung a towel over the door and recorded a chapter. The result was fantastic! Clothes and the odd surface angles deaden any of the bounce back and reverb.
I've recorded both books there, in my closet, on the carpeted floor with my laptop sitting on top of an old shoebox, amongst loafers and soccer boots and suitcase or two. It's quite glamourous. I tried the library here in Parker, CO, but the results weren't too great. We have a new state-of-the-art library with a recording/sound room. The problem is it isn't insulated well enough and too many extraneous sounds find their way in.
Audible is very picky about approving books these days (they weren't before). You have to be within a certain decibel range and they don't allow any noises at the beginning or end of a chapter. Don't read too loudly. The mic picks up a lot.
Part of the conversation here recently has been around editing services. Here's great news on that front. Once your book is polished and you don't think there is one single comma out of place--go read it aloud and record it. You will find the last 5-7 issues. It's the best thing you can do as a final edit, in my experience.
About the reading: don't be afraid to express yourself. Everyone thinks their voice sucks. Listening as a third-party to yourself isn't easy at first, but you get used to it. And character voices--unless you have a real knack for it--are hard for everyone, especially in a book with a lot of characters and dialogue. Just do it. Several people I know bought my Audiobooks. I ran into two of them recently. They said the quality was great. It was just weird to have me reading to them since they know me. I get that.
Why record it? For my first two novels I took the same approach as a traditional publisher. (I chose to self-publish for a lot of reasons, primarily money. You can make a lot more on your own. I am a graphic and web designer by trade. I design several books and book covers a year, including ebooks. So, that part was easy and didn't cost me a thing.) Make every format available--printed (don't use Create Space unless absolutely necessary), eBook and Audible. (By the way, I also got critical reviews of the books. Thankfully, they've been really good. Agents Of Hope just received a 7.5 out of 10 from The BookLife Prize.) My view is to use every resource you have to make the book sell, now and later.
Creating the Audible version was the last thing I did in the process. I find it the most difficult thing of all. Agents Of Hope is 8.5 hours long--84,000 words--but it takes 3 times that to record. Exhausting, but worth it.
So, why record it? Easy, what happens if two years from now you write a Best Seller, or a book that just does well, and ALL of your books start selling a lot because you have developed a following? Would you want to limit future sales or have to scramble to get it done? According to industry reports, Audible sales account for upwards of 35% of sales for bestselling books. There's an old adage somewhere about planning to succeed ...

Thanks!

I find Susan to be great at copyediting, especially with weird things like how numbers are handled, always confusing to me. She's very good at proof-reading, as well.
Substantive Editing is a real strength of hers, I believe. I get about 2,000 words back in notes she leaves as she goes along. If she feels any issues she lets you know. However, she isn't a big SciFi reader and I would caution anyone with a real hard sci-fi book. My books barely qualify as sci-fi and she loves my female lead characters.
My books are pretty clean by the time she gets them. For Agents Of Hope there were whole chapters with no edits. My experience might be a bit different than some.
She is an award winning novelist herself and is published by St. Martin’s Press.

Awesome feedback Jack, thank you! I think I'm well positioned to start. First, I just received an actual recording sound booth from a friend whose company didn't need it any more. Sound foam lined, It's 8 ft tall by 4 x 4. I have a boom mic set up right at my height (I'm 6'3) and another mic stand holds my iPad at the same level so I can read into the mic straight on. I'm recording through a little two channel mixing board that goes right into my Surface. The sound level in the booth is perfectly dead quiet with no extraneous noise. The sound levels on Audacity don't even move when I'm in there. I've been looking at Audible's technical specs and I don't think they will be an issue. I've done broadcast in the past, and I recently narrated an internal Boeing video. The director said it was the cleanest audio in terms of my mouth noise (no clicks, ticks, pops, smacks etc.) that he'd ever heard from someone not officially "voice talent." So I feel supremely confident in my ability to do it. I've just got to figure out a few things in Audacity. I've recorded the first chapter of my first book for practice and let my coworker who listens to hundreds of audio books give it a listen. So I've gotten some good feedback there. Anyway, sorry to go on and on here. I'm very excited to get into it, not just for my own books but reading other ones too. Thanks again!



An audio/video expert pal of mine suggested using a cardioid mic instead of the usual condenser mic. I just asked him this the other day as I am starting to do voice over video recording. With a pop filter in front, he said it's the best setup for recording straight-on voice.
-C


Mine's up. Hope we can figure out how to bring some new people to the contest. Participation has fallen off a bit.


Justin's nightmares gave me nightmares. Wait. . . that sounds like Jot's recursive language!
Now, I'm developing a rash. Crap.
-C
The following rules are from Jot Russell, moderator for this contest:
To help polish our skills and present a flavour of our art to other members in the group, I am continuing this friendly contest for those who would like to participate. There is no money involved, but there is also no telling what a little recognition and respect might generate. The rules are simple:
1) The story needs to be your own work and should be posted on the goodreads (GR) Discussion board, which is a public group. You maintain responsibility and ownership of your work to do with as you please. You may withdraw your story at any time.
2) The stories must be 750 words or less.
3) The stories have to be science fiction, follow a specific theme and potentially include reference to items as requested by the prior month's contest winner.
4) You have until midnight EST on the 22nd day of the month to post your story to the GR Science Fiction Microstory Contest discussion. One story per author per month.
5) After, anyone from the LI Sci-Fi group or the GR Science Fiction Microstory Discussion group has until midnight EST of the 25th day of the month to send me a single private vote (via GR or to author.jotrussell@gmail.com) for a story other than their own. This vote will be made public once voting is closed. Voting is required. If you do not vote, your story will be disqualified from the contest. You don't need a qualifying story to cast a vote, but must offer the reason for your vote if you don’t have an entry.
6) To win, a story needs at least half of the votes, or be the only one left after excluding those with the fewest votes. Runoffs will be run each day until a winner is declared. Stories with vote totals that add up to at least half, discarding those with the fewest votes, will be carried forward to the next runoff election. Prior votes will be carried forward to support runoff stories. If you voted for a story that did not make it into the runoff, you need to vote again before midnight EST of that day. Only people who voted in the initial round may vote in the runoffs.
7) Please have all posts abide by the rules of GR and the LI Sci-Fi group.
8) For each month, there will be three discussion threads:
a) Stories - For the stories and the contest results only.
b) Comments - For discussions about the stories and contest. Constructive criticism is okay, but please avoid any spoilers about the stories or degrading comments directed towards any individuals. If you want to suggest a change to the contest, feel free to start a discussion about the idea before making a formal motion. If another member seconds a motion, a vote can be held. I will abstain from voting, but will require a strong two-thirds majority to override my veto.
c) Critiques - Each member can provide at most one critique per story, with a single rebuttal by the author to thank the critic and/or comment to offer the readers the mind set of the story to account for issues raised by the critique. Critiques should be of a professional and constructive manner. Feel free to describe elements that you do and don't like, as these help us gain a better perspective of our potential readers. Remarks deemed inflammatory or derogatory will be flagged and/or removed by the moderator.
9) The winner has THREE days after the start of the new month to make a copy of these rules and post a new contest thread using the theme/items of their choosing. Otherwise, I will post the new contest threads.
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This month's theme:
Pax Galactica
Misunderstanding, leading to warfare.
A discovery, followed by Symbiosis and Peace.
The story can be about just Humans, just Aliens or Humans and Aliens involved in the conflict and symbiosis.
Symbiosis can be: An interaction between two different organisms living in close physical association, typically to the advantage of both or A mutually beneficial relationship between different people or groups.