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Beta Reader not responding
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Dylan
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Aug 01, 2017 03:10PM

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how long has she been uncommunicative? Is she silent everywhere?


how long has she been uncommunicative? Is she silent everywhere?"
I posted what I was looking for and she said she'd Beta read. I was naive and just sent it to her grateful to have had a response. She's been quiet for many months now despite repeated emails to her.

I'm glad you found someone good and thanks for the tip of MYOWS - really appreciate that.


The likelihood is he or she started it and just didn't like it, be it the genre, the plot, the characters etc, and didn't want to tell you. The good thing about this is you can just say well they aren't my target audience. They should never have been your beta reader to begin with. Or else it's possible they've never done it before and didn't realize how much work it would be or how rough the draft might be.
I would just take it with a grain of salt and move on, that's why you want multiple betas.

Thanks for the tip on MYOWS. I've never heard of that, but that's absolutely brilliant!

Suggestion? Once a week, or whenever making big changes, save a copy of your manuscript, and archive it to a place like Dropbox, OneDrive, iCloud, etc. Since Word documents are small in size, you could save thousands of revisions even using the free space most of these places offer.
Saving your work to the cloud gives you access to your old drafts (you never know when you might change your mind on something and want to revisit something you might have cut); it provides VERY good evidence if someone WERE to steal your work (you have multiple time-stamped drafts going back months if not years); and your work is backed up somewhere in case your computer ever crashes.

http://www.sfwa.org/other-resources/f...
To echo Rebecca and J.R.:
The Berne convention guarantees copyright protection without requiring authors to take any additional steps, such as registering their copyrights. As a result, many countries have no formal copyright registration process. In those that do, registration is voluntary, and is generally intended only to provide prima facie evidence of authorship.Also, wrt fee-based copyright registration services, the SFWA recommends the following:
The United States is an exception. As in all Berne signatory countries, registration is voluntary (you don’t need to register in order to have protection), but to sue in court if your work is infringed, you must previously have registered your copyright with the US Copyright Office. (You can sue for actual damages [the monetary loss caused by the infringement], the infringer’s additional profits on the use of your work, statutory damages [up to a limit of $150,000], and attorneys’ fees.)
(http://www.sfwa.org/other-resources/f...)
In the USA, there are a number of online services that will register copyright for you with the US Copyright Office, for a fee. You can even purchase software that provides you with addresses and copyright forms.
Don’t waste your money. It isn’t difficult to register copyright yourself, and it will cost you a good deal less than the services (currently, registration costs between $35 and $65, depending on whether you register online or on paper). For freelancers and others wanting to register more than one piece or work, the US Copyright Office offers a multiple-registration option.
(http://www.sfwa.org/other-resources/f...)

If someone were to pirate your unpublished and unregistered manuscript, you would still have recourse. The law requires your work to be registered before you bring a lawsuit; however, the law also allows you to register your work even after it's been infringed. The difference between registering before the infringement occurs and after is the damages available. If you register the work AFTER it has been infringed, you can only seek "actual damages." If you register the work BEFORE, you can seek actual damages, statutory damages (these are automatic damages where you don't have to prove you lost anything), and the infringer can have to pay your attorney fees.
This is intended as general advice; obviously, if you have specific questions, consult a lawyer versed in copyright law.
Again, though, I highly doubt anything nefarious has happened to your manuscript. Your beta reader probably just flaked on you, unfortunately.

For some works, I might spend 3-4 hours reading, sometimes even longer, then another 30-60 minutes composing my thoughts, so it's a non-trivial investment of my free time (and I beta for free; my way of giving back to the community). I get that my feedback may at times be useless, because I'm not the right audience or I've mistakenly taken the wrong tack when reading it. As an author, when I get those sorts of responses, I at least acknowledge their effort and thank them for their time.


(And really--why would anyone who is agreeing to give up their time as a favor to an author agree to a bunch of conditions? A free beta read is a gift from the beta reader to the author.)



I wouldn't bother with a contract, but at least an email with expectations. For example: Yes, I'll read your 100K TITLE or GENRE book. It should take me X amount of time to read and respond. You should hear from me by THIS date.
That way there is no confusion. If that doesn't work for the author and/or beta, renegotiate or move on. Most people now-a-days are lazy and a bit rude. I wouldn't worry too much about a 'lost' ms, if they're too lazy to contact the author about it, they're too lazy to figure out how to steal it.
Good luck, Jonas. I hope you find an honest beta reader.