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Chapters & Word Count Planning

I always think I know, then stuff starts happening.
My approach is to have the beginning, and know the end. Then the middle is dictated by my characters. Therefore the length of chapters is dictated by the action. Ditto the final word count.


I like this! :)

I found that when I planned I ended changing my planner to match what I had written more often than changing my writing to fit the planner, so nowadays I generally just let it flow naturally.
There is no standard for how long a chapter should be. As such, I think it's far more important that you (at some point*) decide what each chapter should be about, what it needs to do, and then write it to fit that whether it ends up being half a page or 50 pages.
* I really wouldn't worry about it while you're doing the bulk of the writing. You can always go back and analyze what each chapter should be later and adjust the text to match.
Personally, I find I use a kind of standard shorthand for textual breaks on three levels:
1) Minor breaks set off with an extra line break are used when there is a break in the action but the POV, general setting, and characters have not changed much. (For example, "Fifteen minutes later...")
2) Definitive break set off with three line breaks, the middle one having * * * in center justified text. This is when the setting or time or character set or POV makes a major break, but within a chapter. Like if you're following two POV characters performing simultaneous actions. Any change between them gets this kind of break.
3) Chapter break. Major changes of scene, time, character set, POV, or even writing style ... when the section is the beginning of a new unit of text that performs as a narrative whole. So, for example, the first chapter should set up the main problem and introduce you to the main character.
One last observation, chapters largely control the pace of novels. I find that shorter ones are better when the pace needs to be fast and furious: action heavy chapters for example. Slower paced sections of the plot--like when you're setting up atmosphere or doing some necessary exposition--can be longer.
It's rather like LP records back in the old days: the arrangement (sequencing) of songs was almost more important often than the songs themselves. It was all about leading the listener on a journey from song to song...too many songs of the same length and same tempo and the album became boring. Pacing. Very important. We should be called composers rather than authors.

As for word count, I never try and control word count for my chapters. What works works, and I don't want to force more (or less) into a chapter just because I'm determined to have a specific amount of words.



I found that when I planned I ended changing my planner to match what I had written more oft..."
Like this!!!



Same with the total word count. It is what the story is. Just as I wouldn't want to cut important parts, I wouldn't want to add words or scenes just to stretch it either.
Now, with this new WiP it seems to be impossible to have reasonable chapter lengths. I'm not too bothered with it yet since each chapter is cut in two but some are on the limit of what I like and it drives me insane. That will teach me to try to write two stories in one. :/

Since I write in the third person point of view, I will only change the POV character at the beginning of a chapter or after a scene break. I prefer a chapter because I don't want my POV changing too often. This means my chapters may be of quite different length.
One thing I have found helpful: I write my manuscripts in Microsoft Word and I am able to define a Chapter heading style that automatically adjusts chapter numbers. So if I have to insert a new chapter, I don't have to re-number all the subsequent ones-it's done automatically. Sorry if you already know this. I don't mean to share common knowledge.

I now write in Scrivener where my Chapters are folders and each scene is its own document inside its chapter folder. It's even easier and more malleable than working in Word: type, type, type, need a new scene? press Ctrl-K, keep writing.

The process varies from book to book. The one true novel I have out was written in a linear fashion with no chapters in the rough draft. I did leave breaks between scenes. As I read it over, I looked for places that felt like a natural chapter break. At the encouragement of the beta readers, I split the chapters even finer as the original breaks were fairly long.
The project I have going right now was written as many tiny pieces. When I felt I had enough for the bare bones of the book, I rearranged them in an order that made some sense. I went through and expanded a number of ideas and gave chapter headings between breaks in topic.
The project I have going right now was written as many tiny pieces. When I felt I had enough for the bare bones of the book, I rearranged them in an order that made some sense. I went through and expanded a number of ideas and gave chapter headings between breaks in topic.





I'm not saying the plan always stays the same though, I'm always going back and rearranging my chapter list! I just get inefficient if I don't know where I'm heading at the time.

I will take those notes and start fleshing out the scenes, again using a pad and pen. I may do this two or three time before I go to the computer to start typing. Once I have a good idea of what is going to be happening, only then I will start typing.
Here is where it gets to be fun. The characters will 'change' where they take me as I type. But....I do go back to my written plan when they hit an end point...combining pantster and plotter methods of writing. It is all about the characters and what they think, do and get themselves into or out of in each chapter. The point here is that I have certain scenes I want or need in the book, but my characters have to get there in their own ways.
Once I have the first draft completed, I now go back and edit, adding or deleting scenes in an attempt to ensure I have all the necessary parts to make it a decent novel. Are the characters well rounded or flat? Do I have a good villain or a blah character? Is my heroine/hero interesting and can they be related to easily or are they flat and not worthy of attention? The minor characters....are they taking over? Did I wrap up the subplots? etc....
My goal is to get that first draft done, but in a way where I don't have it out of control like my first novel of 500,000 + words. (Yeah, and to think it only took me three months to complete).
I use a combo of James Patterson's method, The Snowflake, pantster and base it all into the deep story outline I have to ensure I have all the parts needed in the novel. So, take those classes, read those help books and experiment to find what works for you.

Lately, I try to leave my chapter more on a 'need to turn the page' edge than worry about length as much. But, I'm still around 4000 words.

This bare bones outline gives me milestones or tent poles or whatever you want to call them, but I absolutely reserve the write to "pants" it within the chapters. Who would want to read the story if there wasn't any spontaneity in there at all?
I like this approach because it allows me the freedom to explore things and see if something works or is worth pursuing, but also keeps me informed as to where I'm at in the larger context. It gives me opportunities for tangents or new ideas, but I keep writing toward the markers I've left for myself so I feel like I'm moving forward and not middling too much.
As for specific word counts, I tend to write mine longer than average from a lot of what I've seen - somewhere around 3500 to 5000. I write fantasy so the word count is hefty(ish) to begin with so it's not necessarily a bad thing in my view, and I think it helps the reader because of the multiple viewpoints. Switching characters too often might be disorienting, but that's just my own POV :)
I make every chapter as long as it needs to be. :)
In every full length book I have I try to make a one page chapter, as a joke about how short that chapter is.
I strive for one day having a chapter that is a single word. :)
In every full length book I have I try to make a one page chapter, as a joke about how short that chapter is.
I strive for one day having a chapter that is a single word. :)

"
Make sure this is the chapter with the longest chapter name.
Jane wrote: "A single word chapter. Now that is an intriguing concept.
Perhaps the word is 'hallelujah'"
It might even be less than a word. It will probably be:
!
and that is it.
Christina wrote: "Make sure this is the chapter with the longest chapter name."
That was the plan. :D The chapter name tells you far more than the chapter. It will be a grand reaction shot to something vital.
Perhaps the word is 'hallelujah'"
It might even be less than a word. It will probably be:
!
and that is it.
Christina wrote: "Make sure this is the chapter with the longest chapter name."
That was the plan. :D The chapter name tells you far more than the chapter. It will be a grand reaction shot to something vital.

Hey CB, here's a chapter for you.
Chapter 26
Wherein Our Plucky Characters React to the Startling Events in the Previous Chapter, with an Air of Incredulity.
---
?
Rohvannyn wrote: "Chapter 26
Wherein Our Plucky Characters React to the Startling Events in the Previous Chapter, with an Air of Incredulity."
I like it. I shall attempt to make it Chapter 26 even!
Wherein Our Plucky Characters React to the Startling Events in the Previous Chapter, with an Air of Incredulity."
I like it. I shall attempt to make it Chapter 26 even!

However if I've got 2000+ word scene, I would consider if it needs to be broken up into smaller scenes.

we length is variable. Love the idea of a long title and a symbol for the chapter. I can see that happening.
to me, it is all about your style and voice. Where I may be descriptive, the next person may be bare bones.
I will admit to still attempting to figure out how to complete a first draft in less then the three months it takes for me to plot, plan and set up then actually write the novel.
FYI... I know of one person who writes all the dialogue then goes back and fills in the details. She is able to complete a novel in a two months.

Tolkien's chapter lengths by book. Put your cursor over a chapter to see its name and word length.
From 600 words to 16,360 (his shortest and longest, both in LotR)

Hi Ember, it also happens to me, and then I re-design. my ending and major reversals remain the same, but how they occur does change based on what the Characters tell me they have to do...

As far as planning, I usually do an outline first. I start with a single sentence or two describing a rough idea of what the chapter has to achieve. I place them at the end of my manuscript. When I get to the next chapter I take that description and use it as a reference. As ideas flow and other pieces open up, I manage that list.
I believe achieving goals is easier in life if you have one. Once it has been defined, break into smaller deliverables. This keeps me on point.

I learned this tactic from Donald Miller's Storyline Conference series and I have the outline for it in my workbook. It's basically where you think of chapters as more like positive and negative turns in your character's life. Something is always happening and there must be some kind of friction/conflict or shall we say forward or backward movement from one turn to the next. Generally there wouldn't be a ton of segments, with the average story having about 14 or so "turns".
It's actually pretty cool because you first organize it as an outline, with a heading and a few descriptive sentences of what would overall take place. But then you make an actual timeline with a bar going across and all your positive turns marked at the top and your negative turns stemming below the line.
You see your main character make advances (say +2) and then get sucked into a mistake or natural setback, (-3) and bam, it's just like real life! It helps you really identify what your character truly wants and what conflict stands in the way of achieving it. You can see if you have an unfair balance of way too much conflict going on (scale it back) or where your story is truly lacking in conflict and readers may desire to breeze over sections because they are left wanting. It's also a great way to show your story briefly to a stranger/friend and say, hey, can you identify the theme of my story? (Because, ultimately, they should be able to.)
When I first drafted mine from the conference, I was already 3/4 into my manuscript. I realized I had way too much material and decided to trim a lot of the fluff. I realized which segments were really deserving of actual chapters and when I found a beloved chapter I couldn't cut, I added conflict in there.
Going forward, this will be the first thing I do before I take off writing blindly. I have Scrivener too, so it should be easy to organize and re-organize as I get to adding meat to the bones of my story.

Thanks for sharing!

As for chapters, I don't have a set number. I like for it to hover around 50, but most of all I want the entire story to be told. It helps that my book is multiple POV, and each chapter is from one character's perspective at a time. That makes it a little easier to have a concise outline before I get to writing the book.


...so, what's your weird chaptery hangup???

The chapter, like the paragraph iis not the smallest part of a book.
The basic building block is the scene.
Chapters in fiction are a short story, a spun out tale, that necessary bit of exposition, a lyrical description, or a battle.
The scenes are the meat of the book and how you stack them together to give dramatic weight, suspense, pathos, or anything else is what constitutes your chapter.
In my first book I have 63 chapters but in the second only nine. Much more internal structure in the second.

For essays, I tend to aim for a somewhat consistent chapter length of around 1800-2200 words. It naturally takes about that much to tell a story the way I want, and there's something nice when working in the essay format to keep them similar. Because essays are often digested in separate parcels, your reader soon knows about how much time he/she will need to complete one if it's standardized a little.
However, on the historical fiction thing I'm working on, there's no way to control chapter length, because it kind of unfurls as its world demands, know what I mean? Some are short, some long, depending on what's happening and what's needed.
So ... I think measuring chapter length, at least for me, depends upon the genre I'm working in.


(Yes...I realize I just confessed a love for Twilight still. #HonestAbe)


Go on which book was that in? Must have read it 20 years ago and it's likely to be a best selling author because that's mainly who I read back then.

I focus on the content I want in that particular chapter and how it leads into the next chapter and then at the end of it all do my trimming for final word count.
@Amie, I do short timelines. What's happening, what's coming soon (the next couple chapters), and how that affects the overall story arc. It works for me.

I ..."
I have in the past, especially if I have multiple POV characters doing multiple things and I need to make sure events match up. I should add this to my 'outlining' worksheet I do, though. Thanks!
Books mentioned in this topic
Scene & Structure (other topics)Beginnings, Middles & Ends (other topics)
It brings me to my questions. how do you go about writing your book? Do you have a certain amount of words you want your chapters to be? Do you write each chapter out or do you just keep writing until you've finished and then go back and drop your chapters accordingly? I myself think of how many chapters I want and usually stop around a range of words before getting started on the next chapter.
Just curious as to how people go about planning their chapters and word counts.