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Do any of your characters have a song?
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One of my characters indeed has a song.
Very literally in fact.
Equal Opportunity (Spoiler Here) is the name of the song.
A song was actually written about her by a fictional band also in the novels. It isn't all that flattering, so she likes to forget it exists, but no one else can once they find out about it.
It is referenced a few times, and some lines are quoted. I have no idea what it sounds like, but I do know that it is angsty!
Very literally in fact.
Equal Opportunity (Spoiler Here) is the name of the song.
A song was actually written about her by a fictional band also in the novels. It isn't all that flattering, so she likes to forget it exists, but no one else can once they find out about it.
It is referenced a few times, and some lines are quoted. I have no idea what it sounds like, but I do know that it is angsty!

However, for example, her romance with her mate is represented by the song "Wherever You Will Go" by The Calling, because he's dying.



Most of the main cast from my current series have songs.
The MC's song is Animal I Have Become by Three Days Grace. With his amnesia, he wants to be the good guy, but there are some violent tendencies deep in him.


Not so much the characters themselves, but most of my short stories had at least one song that influenced the creation. "Cowboy Boots" by Macklemore & Ryan Lewis was a huge inspiration for Old Pops Last Beer. I suppose it should be mentioned that anyone who reads that tale knows that "Hello Darlin'" by George Jones is Ample Mable's song.
I'm working on a piece in my head that I hope to get typed out sometime in the next few months that is partially inspired by "My Hometown" by Bruce Springsteen.
I'm working on a piece in my head that I hope to get typed out sometime in the next few months that is partially inspired by "My Hometown" by Bruce Springsteen.

Lillyn Brown and Her Jazz-Bo Syncopaters, recorded May 9, 1921
Story takes pace in the Prohibition Era.


My CSA survivor (total heroine) in "Broken & Damaged Love" has this (unsurprisingly) as her theme song:
https://www.youtube.com/watch?v=Wmc8b...
(Survivor - Destiny's Child)
It's not mentioned in the book, but I have posted it on Twitter and actually it applies to many survivors I come across.
I love this song; so stirring!
:)
T.L. wrote: "Oh yes!
My CSA survivor (total heroine) in "Broken & Damaged Love" has this (unsurprisingly) as her theme song:
https://www.youtube.com/watch?v=Wmc8b...
(Survivor - Destiny's Child)
It's not ..."
I can see that 100%!
My CSA survivor (total heroine) in "Broken & Damaged Love" has this (unsurprisingly) as her theme song:
https://www.youtube.com/watch?v=Wmc8b...
(Survivor - Destiny's Child)
It's not ..."
I can see that 100%!

Rosamunde in 'the barefoot runners' would probably sing 'Crazy' by Patsy Kline, if I hadn't specifically stated that she couldn't carry a tune in a bucket

'Throne' by Bring Me the Horizon and 'Centuries' by Fall Out Boy both apply to Jasmine Black.
I think all my characters have songs that seem to exemplify them or their relationship with other characters--can't think of them all at the moment though :)

I like some of Katy Perry's music but I don't think I've heard that one.
Though her song Unconditionally could probably be applied to any love story ever, I still like it for my MC's romantic interest.

I wrote this song and made a series trailer.
https://youtu.be/eQST3tEytu8


I wrote this song and made a series trailer.
https://youtu.be/eQST3tEytu8"
I'm so jealous that you can write your own music. That's amazing!
Here's one of the songs that inspired my newest main character, Celli:
https://www.youtube.com/watch?v=fhshM...



Jane is a dancer, not a singer, and I've written several scenes where she takes to the floor with whoever happens to be the target of her flirting at the time. I came up with a dance called "Farmer's Daughter" which she teaches to several partners:
It requires a fairly complicated lift and catch at the end which should end up with Jane in her partner's arms, even though she has to rely on her own extreme agility to be able to turn in mid air and land in the right place if he gets it badly wrong.
I've written lyrics to go with the music, which you might call Jane's song:
Farmer's daughter,
Starlit skies,
Moon's reflection,
In her eyes.
In a cornfield,
Sunset's glow,
There I met her,
Long ago.
Through the meadows,
Down the lane,
There I'll meet her,
Once again.
Share my land,
And share my life,
Farmer's daughter,
Be my wife!
All I need now is a country and western tune to go with it.

Jane is a dancer, not a singer, and I've written several scenes where she take..."
Beautiful!

Jane is a dancer, not a singer, and I've written several scenes whe..."
Thank you.


Jane is a dancer, not a singer, and I've written several scenes where she take..."
I can actually hear a country tune for that in my head. Sadly I'm not a musician, so I couldn't put that tune to it.

https://www.youtube.com/watch?v=6Lg_c...

Perfect timing on the post too, as I just finished the 2113 compilation of shorts inspiring or inspired by the music of RUSH. I think things like music, aromas, quality of light, time of day or night, many of these things influence writing directly, whether we are conscious of them or not.

My zone of influence music for both myself and my characters includes Sun-era Elvis, Sister Rosetta Tharp, Big Mama Thornton, Johnny Cash, Howlin' Wolf, Sonny Boy Williamson, Buddy Holly, early Stones, the Animals, the Searchers, the Hollies, the Beatles (duh!) and a whole lot of other great stuff.

I could put the blame on Maine for altering my game plan from seduction to subduction, but the inconvenient truth lay in the acquisition of a whiskey-soured premonition of a lost soul past her prime groping in the darkness through the thicket of another decade, then another, ravished by the winds of change. A vision of myself as a ghoul from Christmases Yet to Come appeared in the guise of a long-in-the-tooth trollop flicking fried-dyed hair and wearing age-inappropriate, skintight attire tautly stretched over my butt of a joke. A comparable image satirized every night by Cohen at closing time inside the chamber of Chuggers put the fear of God in me.



A good question. It all comes down to Fair Use and how much is considered too much.
I would suggest reading more about it here http://www.copyright.gov/fair-use/mor....


A good question. It all comes down to Fair Use a..."
Thanks for the link. I, personally, have not chosen to do this, but a fellow writer in my writer's group was concerned about the use. I will forward the information to him.
This site has been wonderful with its wealth of information. Thanks to all.

I've had very variable advice on this, but the consensus seems to be that quoting one line is allowable, more is problematic, and a whole verse is usually subject to permission.

I made a Spotify playlist of all the songs associated with my characters and reference it in my bio on Goodreads, Amazon, and Smashwords - I thought it would be a fun promotional piece. I titled the playlist the same as the book so it's easy for readers to find on Spotify. I don't reference the songs in the book, but they are songs that came to mind while I was writing and dealing with the characters, their feelings, their relationships.

I find myself very drawn to Adele's work with this series, especially her cover of Lovesong. Which sounds weird for a noir, but her feelings for one of the men in the story colors a lot of what my protagonist does.

What song and why that song?