Guardian Newspaper 1000 Novels discussion

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The Man of Property
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Man of Property, The - October 2015
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Kaycie
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Oct 11, 2015 08:32AM

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The Forsyte Saga is one of my favorite books! I'll definitely be commenting (though i will need a refresher on where this ends and the second book begins so i don't spoil things!) i might also have to look up the bbc mini series in honor of this month's read.

You probably watched the newer broadcast with Iaon Gruffud (sp?). The original Forsyte Saga was actually aired in 1967. My mom remembers it as groundbreaking. Absolutely EVERYONE was watching it. (Kind of like Downton Abbey.) It practically started Masterpiece Theater.
Kirsten, did were you able to read this book this month? If so, what were your thoughts?
Any other readers?
Any other readers?


Dennis - did you read the entire series (all 3 'trilogies')? I have only read up to The White Monkey, the first book in the second trilogy ("A Modern Comedy").
I am curious as to the rest of the series as well. I only read the first trilogy because i loved it so much and heard the rest were so much less good they distracted from the original trilogy. Will i be disappointed, or are they worth reading further?


Spoiler: Loved this book. 5 stars
*******
Sometimes I have an impression of a writer or story before I have ever read a word of their prose and it's often an incorrect impression. It certainly was in this case.
Writing in the early Edwardian era about final decades of the Victorians Galsworthy coolly skewers the society in which he grew up with almost surgical precision. The Forsytes here represent a family, yes, but also a whole swathe of complacent, snobbish, uncaring, introspective, self-congratulating, comfortable stratum of society. New money, being just two generations from country farming stock, they go out of their way to project an image of gentility and comfort, and care about only three things: money, property and reputation.
This book, and the saga as a whole, is about the cracks in this image / family / class as it hits edge of the 20th century, as fissures begin to run through the second wealthy generation, less confident than the first but feeling more entitled to the privilege they've inherited.
At heart this is a simple tale - the breakdown of a marriage. But it reflects a more profound breakdown within society, sex-relations, power dynamics in the workplace and at home, social movement from talent rather than background. As electric lights slowly replace the gas lamps in the comfortable homes fit for a gentleman, a starker light is thrown into the dark corners and recesses of this family, and all the other Forsytes who are not named Forsyte in London and around the country.
Galsworthy's style is brittle and sharp, ironic and knowing, like Henry James or Edith Wharton - letting the Forsytes condemn themselves with their own uncensored words and thoughts in a prose that has largely left behind the floridity of the 19th century and feels almost as sparse and open as early Woolf. The conscious decision to have Irene Forsyte the centre of the novel, but never having the prose enter her head and reveal her thoughts, as it does to all the Forsyte family, allows her to be never fully knowable, but always an enigma.
I loved this book and intend to now finish the whole saga.