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The Mayor of Casterbridge
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Mayor of Casterbridge: chs. X-XIX (wk. 2)
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Denise
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A very hopeful beginning to this section. It seems a solid plan, but I'm guessing that it's not gonna be that easy.
I'm really caught up in the story. The business with Donald Farfrae surprised me, but I figured something was bound to happen. Henchard was just too taken by him. But, poor Elizabeth And Donald. I hope Hardy doesn't plan to leave them all miserable in the end.

The way things happen with Farfrea revel to me that in spite of his his giving up drinking and his regrets over his past mistakes at the core Henchard really hasn't changed and he is still the same, and perhaps still hasn't really learned his lesson. At first he appears as this changed man, but to me he rapidly devolves into someone rather unlikeable.
As Farfrae gains popularity Henchard becomes jealous, and he begins to act towards Farfrae much as he did with his wife at the start. He starts having quarrels with Farfrae and as he had seemingly often threatened to sell his wife he begins to make threats of wanting to get rid of Farfrae until he does ultimately drive Farfrae away the same as he had finally forced his wife to leave with another man.
Yes. One minute he can't get enough of the younger man's company, the next he's so filled with jealousy that he dismisses him without explanation or common courtesy. Harsh. Perhaps the alcohol was merely something to blame for his previous behavior. We believe that abstinence has allowed Henchard to thrive in business, but know little of his dealings. Perhaps he has been harsh in his dealings all along.
Certainly, his behaviors seem rash and unfounded. So far, he has done only one thing I've liked him for, and that was to "marry" his wife, so his daughter could be spared the shame of knowing her true past.
Certainly, his behaviors seem rash and unfounded. So far, he has done only one thing I've liked him for, and that was to "marry" his wife, so his daughter could be spared the shame of knowing her true past.

I do think that alcohol does only serve to enhance certain characteristics rather than really altering who a person is. When sober a person might be able to better control certain impulses towards anger, violence, etc.. and while drunk these traits simply have no check valve, but I think alcohol can truly make a person act against their own nature.
I think that his reactions to Farfrae illustrates the fact that Henchard is just a harsh/difficult person in general and perhaps the alcohol makes that even worse, but he really is a petty person who does like to seek to place blame on others for things going wrong in his own life.
Also there is the incident which first triggered the argument between Farfrae and Henchard, because Farfrae thought Henchard was being too brutal in his punishment of one of the workers.

Henchard is a very interesting character to be sure. In Ch 11 he acknowledges his "shady, headstrong, disgraceful life as a young man" and it appears that while his 21 year self-imposed sobriety is certainly an attempt to correct his life, he still deals with demons. His rather instant friendship with Donald Farfrae and almost as instant initial falling out with Farfrae hint that whatever demon it is that motives Henchard is more than merely his past struggles with alcohol.
With the reunion of Henchard with Susan and Elizabeth-Jane Hardy is providing the reader with much to anticipate. Donald, Susan and Elizabeth-Jane all commence their time in Casterbridge at the hotel called The Three Mariners. I believe the hotel was not named by chance. These three people will chart the course of the novel with Henchard. Rough seas ahead?

Silver-
I so remember the scene where Farfrae stands up for the continuously late worker, but I thought it also spoke to Henchard's rashness and poor management. Both because he thought that public humiliation was an appropriate response for the infraction, and because he could not take having his irrational demand thwarted by his second-in-command. A good leader should expect their second to reign them in where appropriate. Ahab and his crew may have fared better, if he could have been tempered by Starbuck.
I so remember the scene where Farfrae stands up for the continuously late worker, but I thought it also spoke to Henchard's rashness and poor management. Both because he thought that public humiliation was an appropriate response for the infraction, and because he could not take having his irrational demand thwarted by his second-in-command. A good leader should expect their second to reign them in where appropriate. Ahab and his crew may have fared better, if he could have been tempered by Starbuck.


I think she did it to try and protect her daughter and she already knows her husbands temperament. I think she feared what might become of Elizabeth-Jane if Henchard rejected her after Susan was dead. Elizebeth needed Henchard's protection and finicaial support until she is married.

That is true. However, the deception started before the "remarriage". But they were very poor. And times were very different then in many ways. How much help was there really for the poor? I'm sure many decisions were made then for security that may not be considered quite so much today.
Susan may also have felt that he "owed" her something for his part in putting her into her alternate life. ie, She wouldn't have a second daughter by another man, if he had abided by his vows. Perhaps she wouldn't have lost the first Elizabeth Jane. Although, I honestly think Silver is right, and Susan's main objective was to buy security for her daughter with the deception. (I know it was common custom, but I've always found it creepy to name newborns after their dead siblings.)
It's an unkind deception, but not monstrous. He had no family. Had thrown his away. Here was a perfectly lovely person to raise as his own... Except he's an ass. And, so it eats at him that she's not the daughter he tossed.
It's an unkind deception, but not monstrous. He had no family. Had thrown his away. Here was a perfectly lovely person to raise as his own... Except he's an ass. And, so it eats at him that she's not the daughter he tossed.

Abby
You are right. Hardy does use foreshadowing in many and various ways. I'm guessing you have finished the book as I have. It's difficult to hold back some comments (spoilers) but, at the same time, going through the book in weekly bits highlights some of Hardy's techniques much more. It's a great novel.

I felt more sympathetic to Elizabeth-Jane in the deception than Henchard. In a way it robbed her of her real father the man who really loved her and made her think that she had some daughterly duty to a man who dosen't even want her.
Yes, the memory of her loving father replaced by a duty to the man she has now been told is her "real" father (even though he's not) is unfortunate. If only Henchard had not broken his DEATH BED PROMISE to Susan, he and E-J might have had several pleasant, even loving years together before her marriage.
Susan has turned out to be a much more complex character than she seemed. Her impoverished daughter may not have fared well as an orphan in their world. Additionally, she seems to have ideas/manners that put her beyond what her station would be in that situation. Susan's plan is to protect her through this deception. (I wonder if Susan already suspected she was sick?) And, it is a pretty tight plan, but for the letter.
Elisabeth Jane was not supposed to be told that Henchard was her real father. He broke his promise in this, as well. Susan intended EJ to have both the memories of her loving father and the protection of her step-father (who would do so because he believed paternity). She tried so hard to give her daughter the best of both.
Susan has turned out to be a much more complex character than she seemed. Her impoverished daughter may not have fared well as an orphan in their world. Additionally, she seems to have ideas/manners that put her beyond what her station would be in that situation. Susan's plan is to protect her through this deception. (I wonder if Susan already suspected she was sick?) And, it is a pretty tight plan, but for the letter.
Elisabeth Jane was not supposed to be told that Henchard was her real father. He broke his promise in this, as well. Susan intended EJ to have both the memories of her loving father and the protection of her step-father (who would do so because he believed paternity). She tried so hard to give her daughter the best of both.

I agree. In Susan, Hardy has created a remarkable character. If we consider Susan's decision to "accept" willingly her sale at the country fair as being as much for her E-J as herself, then Susan is further elevated as a selfless and caring woman. She is the opposite of Henchard and her actions cast her in a greater light and plunge Henchard into even more darkness of character.
Peter-
I hadn't thought if that, but certainly the comparison was intentional, as with Farfrae and what we know of the sailor as husband/father.
I also think it's interesting that Susan was apparently under the impression that her sale was binding under the law as a legal marriage, and continued in that belief until a neighbor brought it into question. She was certainly unworldly (or perhaps just uneducated, as women often were) and making the best of things.
I hadn't thought if that, but certainly the comparison was intentional, as with Farfrae and what we know of the sailor as husband/father.
I also think it's interesting that Susan was apparently under the impression that her sale was binding under the law as a legal marriage, and continued in that belief until a neighbor brought it into question. She was certainly unworldly (or perhaps just uneducated, as women often were) and making the best of things.

In Chapter 12 I find Henchard to be filled with contradiction. An example is he has a super secret meeting with Susan because he is worried about appearances yet freely tells the near stranger Farfrae his shame. Hmmm

Marnie
You are right. Henchard's world view does not extend much past the end of his nose.

That is a good point about Henchard viewing people as being disposable. And even though I dislike him and the way he does treat and view other people, he does exhibit remorse and regret over his actions.
He knows his actions are wrong, but the fact that he knows it is wrong makes it worse that he continues to act that way towards others, but it seems he cannot help himself.
He regretted what he did to Susan and his daughter so much that he gave up drinking (though still hasn't really changed). And then he does feel guilt over his treatment of Elizabeth-Jane after he learns of the truth.
He certainly does seem to be ruled by his passions. Instantly swinging from outrage to regret. Thankfully, he has not been physically abusive to anyone. He would be impossible to live with, nevertheless.


I found the naming of a child after it's dead sibling as creepy. Was very surprised to see Renee say it was common practice in the time period. How bizarre! A different name would certainly have prevented much of the misunderstanding and complications we have found in the story.
I love the quote from Chapter 12 when Henchard says to Susan "Judge me by my future works" ... we the reader most definitely will!
In Chapter 15 there is a surprise about Henchard's character when Farfrae learns that he "had kept Abel's old mother in coals and snuff all the previous winter". Henchard seems to mostly treat people harshly and ride roughshod over their feelings, so this seemed an oddity.

Bharathi-
I think the things you mention are what make him a tragic character... And will probably be what makes for the tragedy of the story. Henchard does have a better nature, as your evidence shows, but continuously acts/reacts rashly out of anger, vanity, and arrogance.
His "good angel" is what draws people to him, but then the "bad angel" kicks them in the teeth. It doesn't make sense to continually allow yourself to be vulnerable to the person who kicks you, because, while they're sorry after, they're likely to do it again. And again.
I don't see any kind of happiness for Henchard (or those like him). He would have to completely over-master his temper, and impulsiveness, recognizing that these are faults in his nature. Despite all his remorse and good intention, I don't expect enough introspection for him to change. In fact, introspection is not in his nature either. He is indeed tragic, and, perhaps also, tragically realistic.
I think the things you mention are what make him a tragic character... And will probably be what makes for the tragedy of the story. Henchard does have a better nature, as your evidence shows, but continuously acts/reacts rashly out of anger, vanity, and arrogance.
His "good angel" is what draws people to him, but then the "bad angel" kicks them in the teeth. It doesn't make sense to continually allow yourself to be vulnerable to the person who kicks you, because, while they're sorry after, they're likely to do it again. And again.
I don't see any kind of happiness for Henchard (or those like him). He would have to completely over-master his temper, and impulsiveness, recognizing that these are faults in his nature. Despite all his remorse and good intention, I don't expect enough introspection for him to change. In fact, introspection is not in his nature either. He is indeed tragic, and, perhaps also, tragically realistic.

I think the things you mention are what make him a tragic character... And will probably be what makes for the tragedy of the story. Henchard does have a better nature, as your evidence ..."
Renee
I think your phrase "tragically realistic" is excellent. Henchard's character and actions may swing from one extreme to its opposite but it is, nevertheless, a very accurate, if perhaps slightly exaggerated, portrait of much of Humankind.

I agree with you completely. I love how you make the good angel bad angel comparisons. Also, I agree with you and Peter in that it is a realistic portrait of humankind.
This is especially true in the case of Henchard, who was once a poor hay trusser with little or no education. Henchard's generosity and enterprise, give him success and friends, but the flaws in his character, and his lack of gentleness, makes them difficult to sustain.
I think with few characters and the limited interaction between them, Hardy is able to paint this very human picture. This is his true genius.


It was indeed common practice, as I know from my genealogical research on my English family (have gone back into the 1600s). There are numerous examples of a two or in a few cases three Henry or Mary (common family names) children in the same family, and when you look closely you see that the first one died before the second was born. In a few cases the first child was older before dying, up to eight or ten. Normally the first child was named after the father, so if that child died the father either had to name another child after him, or have no child with his name. And similarly for the mother. Since adults were seldom called by their first names, this didn't cause as much confusion as it would today. (Even wives and husbands called each other Mr and Mrs.)

Excellent points. Hardy is very good at creating multi-faceted characters, with both good and bad, as is true of most people. His main characters are almost never simplistic, pure good or bad.

I also think that Henchard is not really bad. He is a rough and thoughtless man, simple in his reactions. When he thinks of something, it has to come out, without his considering how it will affect others, or even himself. As a result of his tendency to alienate others, he also seems to me an almost desperately lonely man. I think that is why he seizes upon the instant friendship with Farfrae, and also why he can't resist telling Elizabeth-Jane that she is really his daughter.
I found it interesting that when confronted with a surprising revelation, he has an initial gut reaction, and then on second thought starts wondering if it is really true. He did this when he found out that Susan was in town, and also when he read Susan's letter about Elizabeth-Jane.

I love this analogy!


And he does make good attempts to do the right thing at times, but it isn't because it sits deep in the soul, but because he's punishing himself or he knows what society expects. There's always a martyr-syndrome in his sacrifices, as if he holds in mind that he isn't doing this willingly.
I'm not trying to paint him as a black character, I do love how Hardy makes all his characters realistic, not caricatures. But I feel pity for a grown man who has never learned to love - truly love - another.
One of the great things about the character that is Michael Henchard, is the complexity of his personality and the realistic way in which he is portrayed. The reader doesn't like him, but still empathizes with him and even admires aspects of his personality. He is much more than his fatal flaw, and yet it is the story of his inability to escape those flaws.

